User:Trashpuppy/A1: Difference between revisions
Trashpuppy (talk | contribs) |
Trashpuppy (talk | contribs) No edit summary |
||
| Line 12: | Line 12: | ||
<div style="padding: 10px; height: 90px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)</I></div> | <div style="padding: 10px; height: 90px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)</I></div> | ||
<br><br> | <br><br></center> | ||
<div style="padding: 10px; height: 90px; width: 390px; margin-top: 0px; margin-left: 180px"><p> | |||
[[File:Screenshot 2021-11-11 at 23.36.18-2-8.png|850px]]</p></div><br> | |||
<div style="padding: 10px; height: 90px; width: 390px; margin-top: 420px; margin-left: 180px"><p> | |||
[[File:SIR(PRIZE).png|850px]]</p></div> | |||
<div style="padding: 10px; height: 90px; width: 390px; margin-top: 470px; margin-left: 180px"><p> | |||
[[File:COLLAGE-1.png|850px]]</p></div> | |||
<center> | |||
<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">[[User:Trashpuppy/TO|~]]</p> | <p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">[[User:Trashpuppy/TO|~]]</p> | ||
<div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.9; margin-top: -100px; margin-left: 20px"> | <div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.9; margin-top: -100px; margin-left: 20px"> | ||
Revision as of 14:54, 14 December 2021
Assessment1
"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)
.png)
"surrounded by screens we live a cinematic life" (Metahaven)
Example: Rotta: The Deluge and the Dutch origin myth
Sentiment reveals and obscures through self-indulgence and exaggeration. One view erases or blocks out another. Like with all stories, there is the potential for use and abuse.
We feature in the origin story the Netherlands tells itself about itself, not as a protagonist but as a subject of control. Control in the name of protection, strengthening coastlines and the construction of an intricate network of dams, dikes, canals, and drainage systems, keeping the water at bay. ...
We feature in the origin story the Netherlands tells itself about itself, not as a protagonist but as a subject of control. Control in the name of protection, strengthening coastlines and the construction of an intricate network of dams, dikes, canals, and drainage systems, keeping the water at bay. ...