Tessel-thesis outline: Difference between revisions
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Chapter 1: What inspires me? | Chapter 1: What inspires me? | ||
What are my inspirations? What can I distill from these works for my own practice? What works and texts speak to me? | What are my inspirations? What can I distill from these works for my own practice? What works and texts speak to me? | ||
Chapter 2: Theoretical framework | Chapter 2: Theoretical framework | ||
In this chapter I will describe theories and texts that match my inspirations. In what traditions do the makers who inspire me operate? What can I learn from them for my own practice? | In this chapter I will describe theories and texts that match my inspirations. In what traditions do the makers who inspire me operate? What can I learn from them for my own practice? | ||
Chapter 3: What are the ingredients of most of my works? | Chapter 3: What are the ingredients of most of my works? | ||
How do I describe my filming method and what are the ‘rules” for my kind of framing, perspective and camera movement? When do I use a certain image and why not? What are the ingredients of my work and how do I try to combine them? | How do I describe my filming method and what are the ‘rules” for my kind of framing, perspective and camera movement? When do I use a certain image and why not? What are the ingredients of my work and how do I try to combine them? | ||
Revision as of 13:21, 3 November 2021
Thesis outline (first draft) Tessel Schmidt
A personal report on my research and practice
Introduction: Main question: How do I bring my fascinations and observations together in a video work?
Chapter 1: What inspires me?
What are my inspirations? What can I distill from these works for my own practice? What works and texts speak to me?
Chapter 2: Theoretical framework
In this chapter I will describe theories and texts that match my inspirations. In what traditions do the makers who inspire me operate? What can I learn from them for my own practice?
Chapter 3: What are the ingredients of most of my works?
How do I describe my filming method and what are the ‘rules” for my kind of framing, perspective and camera movement? When do I use a certain image and why not? What are the ingredients of my work and how do I try to combine them?
Conclusion
Putting it all together in a practical and theoretical context. Writing a “How to” on my work.
Bibliography:
Books on fenomenology
Reading Godot
Waiting for Godot
Tarkovsky- Time within time and Sculpting in time
Rolands bartez- the Punctum?
New Screen Media: cinema/art/narrative, Rieser, M & Zapp, A.
The Simple Thruth: The monochrome in modern art, Morley, S.