User:)biyibiyibiyi(/RW&RM 04/bibliography

Networking, Infrastructure, Protocols

Galloway, A. (2004). Protocol: How Control Exists After Decentralization. MIT Press.

Larkin, B. (2013). The Politics and Poetics of Infrastructure. Annual Review of Anthropology, 42(1), pp.327-343.

Dragana, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9

Dragana, D. (2014). Counter-Infrastructures: Critical Empowerment and Emancipation in a Networked World. Media N Journal. Vol 10, No.3

CROSS REFERENCED Open Practice Abraham, A. and Bansal, L. (2006). In the shade of the commons. Amsterdam: Waag Society.

Antoniadis, P. (2016) Local Networks for Local Interactions: Four Reasons Why and a Way Forward. First Monday. Volume 21, Number 12.

CROSS REFERENCED Archaeology cheek, cris, Braxton Soderman and Nicole Starosielski.(2013) Network Archaeology. Amodern Journal. Vol. 2

CROSS REFERENCED Archaeology Abbing, R. and Morandi, M. (2016) The stupid network that we know and love. Available at https://machineresearch.wordpress.com/2016/09/26/marino-monti-roel-abbing/

Toupin, S. (2016) Gesturing Towards "Anti-Colonial Hacking" and its Infrastructure. Journal of Peer Production

CROSS REFERENCED Feminism Toupin, S. and Hache. A. () Feminist Autonomous Infrastructures

Cramer, F. () Peer-to-Peer Services: Transgressing the Archive (and its melodies?). Digital Craft. Available at http://www.digitalcraft.org/index.php?artikel_id=502

CROSS REFERENCED Archaeology Striegl, L. and Emerson, L. (2019). Anarchive as technique in the Media Archaeology Lab | building a one Laptop Per Child mesh network. International Journal of Digital Humanities, 1(1), pp.59-70.

CROSS REFERENCED Archaeology Emerson, L. () Minitel, 1978-2012. Available at: https://loriemerson.net/2016/03/14/minitel-an-other-network/

CROSS REFERENCED Archaeology Emerson, L (2016) Workshop // Othernet, Alternet, Darknet. Available at: https://loriemerson.net/2016/02/24/workshop-othernet-alternet-darknet/

CROSS REFERENCED Archaeology What’s Wrong With the Internet and How We Can Fix It: Interview With Internet Pioneer John Day. Available at https://loriemerson.net/2015/07/23/whats-wrong-with-the-internet-and-how-we-can-fix-it-interview-with-internet-pioneer-john-day/

CROSS REFERENCED Archaeology Rosenzweig, R. (1998). Wizards, Bureaucrats, Warriors, and Hackers: Writing the History of the Internet. The American Historical Review, 103(5), p.1530.

Easterling, K. (2014). Extrastatecraft; London ; Brooklyn, NY: Verso

Aranda, J., Kuan Wood, B., Vidokle, A., Assange, J., Berardi Bifo, F., Diederichsen, D., Latour, B., Lovink, G., MacCormack, P., Obrist, H. and Steyerl, H. (2015). The Internet Does Not Exist. Berlin: Sternberg Press.

Barbrook, R. and Cameron, A. ()The Internet Revolution: From Dot-com Capitalism to Cybernetic Communism. Amsterdam: Institute for Network Cultures.

CROSS REFERENCED Archaeology Edwards, P. (1996). The Closed World: Computers and the Politics of Discourse in Cold War America

Media Archaeology

CROSS REFERENCED Rosenzweig, R. (1998). Wizards, Bureaucrats, Warriors, and Hackers: Writing the History of the Internet. The American Historical Review, 103(5), p.1530.

Hertz,G. (2009) Methodologies of Reuse in the Media Arts: Exploring Black Boxex, Tatics and Archaeologies. Ditigal Arts and Culture

CROSS REFERENCED network Striegl, L. and Emerson, L. (2019). Anarchive as technique in the Media Archaeology Lab | building a one Laptop Per Child mesh network. International Journal of Digital Humanities, 1(1), pp.59-70.

Li, P. () Zomebie Media Art - Media Archaeology as Art Methodology

CROSS REFERENCED network Emerson, L (2016) Workshop // Othernet, Alternet, Darknet. Available at: https://loriemerson.net/2016/02/24/workshop-othernet-alternet-darknet/

CROSS REFERENCED network What’s Wrong With the Internet and How We Can Fix It: Interview With Internet Pioneer John Day. Available at https://loriemerson.net/2015/07/23/whats-wrong-with-the-internet-and-how-we-can-fix-it-interview-with-internet-pioneer-john-day/

CROSS REFERENCED network Abbing, R. and Morandi, M. (2016) The stupid network that we know and love. Available at https://machineresearch.wordpress.com/2016/09/26/marino-monti-roel-abbing/

CROSS REFERENCE Archaeology Abbing, R. and Morandi, M. (2016). Using a Teletype Model 43 with Gnu/Linux. MALware Technical Report. Available at: https://mediaarchaeologylab.com/wp-content/uploads/2019/02/MALware_Roel-Martino.pdf

CROSS REFERENCED network Emerson, L. () Minitel, 1978-2012. Available at: https://loriemerson.net/2016/03/14/minitel-an-other-network/

Emerson, L. and Kirby, J. (2016) As if, or, Using Media Archaeology to Reminagine Past, Present, and Future: An Interview with Lori Emerson. International Journal of Communication Volume 10.

CROSS REFERENCED network Edwards, P. (1996). The Closed World: Computers and the Politics of Discourse in Cold War America

CROSS REFERENCED network cheek, cris, Braxton Soderman and Nicole Starosielski.(2013) Network Archaeology. Amodern Journal. Vol. 2

Open Source Software/Hardware Practices

* Mazzilli-Daechsel, S. (2019). Simondon and the maker movement. Culture, Theory and Critique, pp.1-13.

CROSS REFERENCE Archaeology Abbing, R. and Morandi, M. (2016). Using a Teletype Model 43 with Gnu/Linux. MALware Technical Report. Available at: https://mediaarchaeologylab.com/wp-content/uploads/2019/02/MALware_Roel-Martino.pdf

CROSS REFERENCED network Abraham, A. and Bansal, L. (2006). In the shade of the commons. Amsterdam: Waag Society.

CROSS REFERENCED Feminism Nafus, D.(2011). Patches Don't Have Gender: What is Not Open in Open Source Software. New Media & Society

Coffin, J (2006) Analysis of Open Source Principles in Diverse Collaborative Communities. First Monday, volume 11, number 6

Coleman, G. (2012). Coding Freedom. Princeton University Press.

Kelty, C. (2008). Two Bits: The Cultural Significance of free Software. Duke University Press

Mansoux, A. (2017) Sandbox Culture, A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production. PhD thesis, Center for Cultural Studies,Goldsmith College, University of London.

Lee, C. (2008) Art unlimited: an investigation into contemporary digital arts and the free software movement. PhD thesis, Middlesex University Available at https://eprints.mdx.ac.uk/4963/1/ChunLeeThesis.pdf

Techno-Feminism

CROSS REFERENCED Nafus, D.(2011). Patches Don't Have Gender: What is Not Open in Open Source Software. New Media & Society

Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies, Vol 14, No.3

CROSS REFERENCED Toupin, S.(2014) Feminist Hackerspaces: The Synthesis of Feminist and Hacker Cultures. Journal of Peer Production, 2014 Available at: https://www.academia.edu/24232869/Feminist_Hackerspaces_The_Synthesis_of_Feminist_and_Hacker_Cultures_2014_

CROSS REFERENCED Toupin, S. () Feminist Hacking. Resistance through Spatiality. The Beautiful Warriors, Technofeminist Praxis in The 21st Century. Minor Compositions.

Livio, M. and Emerson, L. () Towards Feminist Labs: Provocations for Collective Knowledge-Making

CROSS REFERENCED Toupin, S. and Hache. A. () Feminist Autonomous Infrastructures

Maker Movement

Lindtner, S. (2015). Hacking with Chinese Characteristics. Science, Technology, & Human Values, 40(5), pp.854-879.

Dragana, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9

an overview of maker movement in China from the very first hacker spaces. The writer took noticed of the unique cultural fabrics that exist in Chinese context of maker culture. It also provided brief history of how maker culture originated in Silicon Valley. Origination of maker culture in the U.S. was instilled by media such as the Wired Magazine, as ways to enabling of new forms of citizen science and democratizing technology production. It drew critical comparisons between the Chinese context and elite reuse culture; such as, the understanding of dealing e-waste in mundane small shops in China as making out of necessity and intuitive acts, as compared to reuse promoted as an compensation towards consumerism.

The article also discussed topics of authorship and IP(intellectual property) in context of Chinese manufacturing. It cited "Gongkai", a principle that refer to open sharing principle in Chinese manufacturing and "Gongban", a prototype board that's shared across various components in manufacturing business to decrease cost. This is cited as example that differs to the quintessential Western open source culture.

The examination of Chinese maker movement offered by author's field work challenges western authority and authenticity claims of what counts as innovation, creativity, and design; challenges a global maker movement that subsumes local practices in the visions and historical references to American digital culture.

CROSS REFERENCED Toupin, S.(2014) Feminist Hackerspaces: The Synthesis of Feminist and Hacker Cultures. Journal of Peer Production, 2014 Available at: https://www.academia.edu/24232869/Feminist_Hackerspaces_The_Synthesis_of_Feminist_and_Hacker_Cultures_2014_

Relevancy to be determined/Broader scope

Bridle, J. (2018). New Dark Age: Technology and the End of the Future. London ; Brooklyn, NY: Verso

* Crary, J. (2014). 24/7. London: Verso.

* Han, B. (2017). Psychopolitics. London ; Brooklyn, NY: Verso

* Halpern, O. (2015). Beautiful data. Durham: Duke University Press.

* Turner, F. (2010). From Counterculture to Cyberculture. Chicago: University of Chicago Press.

No Longer Relevant

de Kloet, J. (2002). Digitisation and Its Asian Discontents: The Internet, Politics and Hacking in China and Indonesia