User:Tisa/pending

Projects in becoming

Compositions

Reductive collective composition technique.

Can be programmed. But why? And in what way? What is the meaning of it, it's final goal? What does it tell about the world?

If programmed - it has to have a hardware "externality" - the input of the signals could be radio FM receiver:

• randomly selecting stations (for example 5s each, recorded)
• decision making
• implementation of the previous recording
• repetition of the protocol
• recovery

Fantasize on possible end results: Is it chaos? Is it conformity to the general sound parameters found in the mainstream? Does it go agains the mainstream completely - denying and contrasting it.

Improvisation and machines? It is not randomness. It is not chaos. How could improvisation protocols be "translated" into intuitive-machine learning processes? (Really? Call Dre or smth -> check meta, check 50?)

Play this pattern

collect the material, choose the collaborators (human or machine?), write about it #todo

Real-time conductor

Talk with Federico Pipia!

Post-production of experience

giro sensors, making a 3D drawing, that is created from the movements a performer/lecturer makes in real-time. 3D printing the parts of the content that seem crucial -> the listener chooses the emphasis.

Textuality & ...

Txt to speech with my own voice performativity of text. performative lecture. poetry? Also my own sound/general art work. Where does it go?

space

-> https://pad.xpub.nl/p/space

A collective process on the topic of public space, granted funds following the application to the funded by the city of Ljubljana, Slovenia