In The Company Of Bots: Difference between revisions
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|Thumbnail=ChenzwBot.png | |Thumbnail=ChenzwBot.png | ||
|Website=http://randomiser.info/ | |Website=http://randomiser.info/ | ||
|Description=Bots operate at the intersection of technical infrastructure and social superstructure. Although they follow strict rules dictated by platform specificity, their status of autonomy sets them apart from regular tools. Wikipedia bots, especially, are measured in terms of utility. | |Description=Bots operate at the intersection of technical infrastructure and social superstructure. Although they follow strict rules dictated by platform specificity, their status of autonomy sets them apart from regular tools. Wikipedia bots, especially, are measured in terms of utility. | ||
Despite the fact that they are defined by their purpose within the community, often these bots' role becomes obfuscated through the process of anthropomorphisation. In situations when the bot is no longer useful, the machine on which it was once hosted is not in service anymore, or their operator no longer has the time to maintain it, the bot will be 'retired'. The humanizing effect of such language points out to a deeper question: what is the purpose of the bot after it has fulfilled its job? What can the bot tell us about the community it was once a part of? | Despite the fact that they are defined by their purpose within the community, often these bots' role becomes obfuscated through the process of anthropomorphisation. In situations when the bot is no longer useful, the machine on which it was once hosted is not in service anymore, or their operator no longer has the time to maintain it, the bot will be 'retired'. The humanizing effect of such language points out to a deeper question: what is the purpose of the bot after it has fulfilled its job? What can the bot tell us about the community it was once a part of? | ||
'In the Company of Bots' shows an anthropological interest in the life of the algorithmic workers maintaining the largest collaborative encyclopaedia. The work is envisioned as part of a(n un)natural history museum setting, where the bots are analysed according to their materiality. The bots are embodied first through the contributions they have made to the platform and secondly through their pictorial representation. | |||
In the Company of Bots shows an anthropological interest in the life of the algorithmic workers maintaining the largest collaborative encyclopaedia. The work is envisioned as part of | |||
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Revision as of 21:46, 13 June 2016
| In The Company Of Bots | |
|---|---|
| Creator | Cristina Lavinia Cochior |
| Year | 2016 |
| Bio | Cristina Cochior (RO) is a researcher, designer and bot custodian working in the Netherlands. Her interests revolve around automation practices, disruption of the interface and peer to machine knowledge production. |
| Thumbnail | |
| Website | http://randomiser.info/ |
Bots operate at the intersection of technical infrastructure and social superstructure. Although they follow strict rules dictated by platform specificity, their status of autonomy sets them apart from regular tools. Wikipedia bots, especially, are measured in terms of utility. Despite the fact that they are defined by their purpose within the community, often these bots' role becomes obfuscated through the process of anthropomorphisation. In situations when the bot is no longer useful, the machine on which it was once hosted is not in service anymore, or their operator no longer has the time to maintain it, the bot will be 'retired'. The humanizing effect of such language points out to a deeper question: what is the purpose of the bot after it has fulfilled its job? What can the bot tell us about the community it was once a part of? 'In the Company of Bots' shows an anthropological interest in the life of the algorithmic workers maintaining the largest collaborative encyclopaedia. The work is envisioned as part of a(n un)natural history museum setting, where the bots are analysed according to their materiality. The bots are embodied first through the contributions they have made to the platform and secondly through their pictorial representation.