EYE On Art

This page is for the PZI ResearchLab EYE On Art 2016 programme.

Boundaries of the Archive

The PZI ResearchLab will focus on the boundaries of the archive. The EYE Collection is internationally recognised for its outstanding historical breadth and quality, particularly in relation to Dutch cinema culture. As media practitioners studying the structures and cultural impacts of our media technologies, we will concentrate on the intricate and usually hidden aspects of this extensive archive. Any limitations, frictions and little noticed quirks in the archival system serve as poetic inspiration. The timing of this exhibition coincides with the moving of the EYE Collection to new premises. It provides a starting point to explore the materiality of both digital and analogue films, the poetics of cataloguing them, and the fragile semantics of a vast collection database.

Individial works/projects

Thomas and Jules

The aim of the project is to merge symbolically all the items of the archive through the realisation of a single End credit video. End credits list all the individuals involved in the production of a video. In this case, we would display the list of all individuals involved with the production of the content of the Eye's Archive regardless of the production they worked on. Those credits would be particularly long, (perhaps too long for the whole show) underlining the vertiginous amount of content gathered by the Eye's archive. Some names would be missing due to the very fact that they were not listed by the people who produced the data stored in the Archive's database. This doesn't really matter, as we consider that the relationship between a member of crew and the archive exists has the result of human labour (an archive's employee). Our approach is a way to insist more lightly on the physical difficulty for a human to apprehend the collection through a direct face-to-face.

Needed:

• a computer
• a video projector
• a bench

Nataliya

An audio-visual installation that explores metadata of the pieces from silent cinema collection, their visual language, and narrative specificities, to generate sound or, in other words, insonify the film. Few silent video pieces composed for 3 screens and insonifyed. The archiving process follows strict policy and sustains personal/human impact. My project is a metaphor for this process. I investigate the possibility of creating 'objective' model of sound generation and my personal impact on it as the author of maxims for the process. Insonification is based on motion vectors, extracted from the video and mapped to the process of sound generation. The way sound is synthesised is based on metadata and the rules I set up for it.

Facilities, needed for installation:

• Three screens
• Sound system (To discuss. Maybe we all will use headphones, maybe not)
• laptop to synchronize videos

Solange

For my personal project for the EYE, I’m going to give films an anthropomorphic voice to tell about their own individual experiences in the EYE archive. Each film tells a narrative, about their self’s, there past or present in the archive. Each with a different character and voice. I present an archive of narratives of the film archive. I present the past in the present. This will be an audio piece, but I was thinking of whispering voices. (You have to get close to her it)

What do I need:

• Sound system (I prefer not headphones, but that’s in consideration)

Lucas

One concept I was developing involves the reading of the keyword list (Trefwoorden-thesaurus), ideally complete. The reading is done by several people, all nonDutch speakers. (to highlight the language limitations in accesibility of this international archive). After a few tests I realized it's more interesting when they are not in alphabetical order. It could create strange suggestive mixtures ( satanisme next to militaire vaartuigen etc... ).

Equpment:

• Headphones

Cihad

One of the largest migrations crisis Europe is facing since the Second World War. Europe is being met by more refugees than ever. Meanwhile, the migratory question is leading to internal disunion as instability in the surrounding regions of the EU.

The image that is portrayed in the media of the migration crisis is creating great worries worldwide, tapping into contradictory collective emotions of pity and fear. Within a framework of visual dominance, mass media have become a powerful tool and is one of the main determinants of public opinion. During this project, I would like to focus on, how these type of events (immigration influx) represented in the EYE archive? Is it possible to search? How do they tag them? There is also an authority that decides to accept films. What are the elements?

What kind of films has been tagged under these keywords? What the etymologic roots of these words? Etymology is the study of the history of words, their origins, and how their form and meaning have changed over time How it changed? What is the process? limits of archive or limits of language

I am going to search some words that is related to immigration, refugee, asylum seekers.

refugee=fugitive in the Eye's archive

asielzoekers( asylum seekers )

• illegalen
• immigranten
• immigratie
• mensensmokkel
• politiek asiel
• politieke gevangenen
• statenlozen
• verblijfsvergunningen
• vluchtelingen
• vreemdelingenbeleid

ballingschap( Exile)

• dissidenten
• vluchtelingen
• verbanningen

What I need

• Two projectors

• Two media players or similar device

• Two loud speakers

• Two sided projection screen(curtain that can hang up to wall), I am still not sure about this. I can also use wall instead of projection screen

Equipment

What the EYE says:

They have:

• 3 beamers,
• 1 monitor, (though Anna mentioned they might have no monitors/tv screen at all)
• sound speakers,
• probably one headphones.
• We are going to project on the walls in dark grey, which enhances the colors of the videos, both colour and black and white works.
• We will use beamers with 4000 lumen and probably media players for mpg. More specifications will follow
• Contact on media player technical details, and overall equipment: Anna Dabrowska (ask Sol/Thomas/Lucas/Ruben for email details)

Exhibition design ideas

• Archive-porn film to be projected on the shorter wall, directly opposite the door.

Resources

Main Database

Database

User name: bezoeker

Password: ceguestwelcome

Links

Eye on the Pad

Bits and Pieces

Library webpage

Library catalogue

Eye Museum Collection Policy 2014-2017

Experimental film in the Netherlands

Korte Film Poule (short film pool)

Film Bank

From EYE presentation:

• Contact Simona Monizza ASAP for film material needed!
• The collection of Bits & Pieces (fragments from the early cinema in public domain suitable for remixes) can be accessed at any time but, except in a few cases, it is mostly in SD resolution.
• The collection of the Korte Film Poule (http://kortefilmpoule.eyefilm.nl) will be always available for curated screenings.

Old wiki page (initial ideas, etc)

Archived at: EYE on Art 2016 - Initial drafts