User:ThomasW/Notes Swiss Graphic Design: Difference between revisions
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Hollins, Richard (2006) Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965, London Laurence King | |||
At every moment of the past all variations of the past where 'new'. But it was new 'THE' new. We should not forget that we stand at the end of a culture, at the end of everything old. - Piet Mondrian . epigraph in Jan Schichold. Die neue Typographie, Berlin 1928. p6. (p15) | |||
At every moment of the past all variations of the past where 'new'. But it was new 'THE' new. We should not forget that we stand at the end of a culture, at the end of everything old. - Piet Mondrian . epigraph in Jan Schichold. Die neue Typographie , Berlin 1928. p6. (p15) | |||
Van de Velde was not alone in wanting reform. In 1907 group of German industrialist, architect and designers had from the Deutscher Werkbound, an association amid to bringing together art and industry. p 17 | Van de Velde was not alone in wanting reform. In 1907 group of German industrialist, architect and designers had from the Deutscher Werkbound, an association amid to bringing together art and industry. p 17 | ||
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Walter Cyliax - German printer executive Woking in Zurich. as an art director and typographer | Walter Cyliax - German printer executive Woking in Zurich. as an art director and typographer | ||
Principles are a useful intellectual tool as long as they are alive. Dead principles correspond to intellectual laziness. p 31 | Principles are a useful intellectual tool as long as they are alive. Dead principles correspond to intellectual laziness. p 31 | ||
Jan Tschichold | |||
We pledge ourselves to Elementalist art. It is elemental because it does not philosophize, because its built exclusive of its own elements... Down with the reactionary in art! p 37 | |||
Revision as of 17:36, 10 June 2015
Hollins, Richard (2006) Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965, London Laurence King
At every moment of the past all variations of the past where 'new'. But it was new 'THE' new. We should not forget that we stand at the end of a culture, at the end of everything old. - Piet Mondrian . epigraph in Jan Schichold. Die neue Typographie, Berlin 1928. p6. (p15)
Van de Velde was not alone in wanting reform. In 1907 group of German industrialist, architect and designers had from the Deutscher Werkbound, an association amid to bringing together art and industry. p 17
Walter Cyliax - German printer executive Woking in Zurich. as an art director and typographer Principles are a useful intellectual tool as long as they are alive. Dead principles correspond to intellectual laziness. p 31
Jan Tschichold We pledge ourselves to Elementalist art. It is elemental because it does not philosophize, because its built exclusive of its own elements... Down with the reactionary in art! p 37