User:Janis Klimanovs/Term 3: my factory: Difference between revisions
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==Presentation:== | |||
Creative automatization | |||
Automated Leisure: to create an portrait | |||
***Settings: automated photographer = ultimate photo booth | |||
At the moment here are several types of photo booth ideas that I am developing, 3D booth, xray booth, trick booth and error booth; | |||
I will come to an decision this week after discussions; | |||
==Reading journal== | ==Reading journal== | ||
Revision as of 21:23, 3 June 2012
Presentation:
Creative automatization Automated Leisure: to create an portrait
- Settings: automated photographer = ultimate photo booth
At the moment here are several types of photo booth ideas that I am developing, 3D booth, xray booth, trick booth and error booth; I will come to an decision this week after discussions;
Reading journal
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Michael Gondry, You'll Like This Film Because You're In It, Picture Box: 2008
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Vladimir Propp, Morphology of the Folk Tale, University of Texas Press: 1968 (USSR 1928)
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Theodor W. Adorno, Max Horkheimer, Dialectics of Enlightenment, Stanford University Press- 2007 (1947)
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about “Creative industries,” neoliberal fantasies, and the cold, hard facts of global recession: some basic lessons by Chuck Kleinhans
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Richard Florida, The Rise of the Creative Class, Why cities without gays and rock bands are losing the economic development race.