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A first-person narration in a piece that could be broadly characterized as literary non-fiction. Memories, shards of (self-)reflection, pieces of theory from various disciplines (phenomenology, sociology, linguistics, art theory etc) come together to express with the use of a personal yet all-encompassing story − revolving around labeling, stereotyping and it's relation to self-image − the spiraling nature of change and the importance of repetition when it comes to the establishment as well as the rejection of labels. Performativity will be equally evident in the format and the content of the story, as a binding element between repetition and bias. | A first-person narration in a piece that could be broadly characterized as literary non-fiction. Memories, shards of (self-)reflection, pieces of theory from various disciplines (phenomenology, sociology, linguistics, art theory etc) come together to express with the use of a personal yet all-encompassing story − revolving around labeling, stereotyping and it's relation to self-image − the spiraling nature of change and the importance of repetition when it comes to the establishment as well as the rejection of labels. Performativity will be equally evident in the format and the content of the story, as a binding element between repetition and bias. | ||
[[User:Mxrwho/The Final Project/Bibliography|Bibliography]] | |||
Revision as of 13:09, 14 October 2024
Outline
Working title: I've Gone Back a Thousand Times
A first-person narration in a piece that could be broadly characterized as literary non-fiction. Memories, shards of (self-)reflection, pieces of theory from various disciplines (phenomenology, sociology, linguistics, art theory etc) come together to express with the use of a personal yet all-encompassing story − revolving around labeling, stereotyping and it's relation to self-image − the spiraling nature of change and the importance of repetition when it comes to the establishment as well as the rejection of labels. Performativity will be equally evident in the format and the content of the story, as a binding element between repetition and bias.