Y.Q Hackpact Here: Difference between revisions

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== Sept 25 2022 ==
== Sept 25 2022 ==
--我最近想要尝试一下做演员。(I'm trying to be an actor recently .)
--为什么?(Why?)
--也不能笼统的称之为“演员”,只是想做一点远离自己的事。(It can't be called an "actor" in general, but I just want to do something far away from myself.)
--那你可以假装自己是动物,猫,狗,青蛙都可以。(You can pretend to be an animal, cat, dog, flower, no matter what.)
--昨天邻居家的猫跑丢了,到现在还没找到。(Yesterday, the neighbour's cat got lost, and they haven't found it yet.)
--你觉得它会去哪?(Where do you think it will go?)
--不知道,可能它伪装起来了,现在就在我们身边,还会跟你说早上好。(I don't know, maybe it's disguised, it's always with us, and it says good morning to you.)
--所以那只猫自由了。(So it's free.)
--这就是我想要的状态。(This is the state I want.)

Revision as of 11:53, 25 September 2022

Sept 24 2022

Cecile.B.Evanshttps://cecilebevans.com/images

Amos's World: Reality and fantasy merge in the World of Amos."Amos's World"creates an appropriately inclusive environment in which stories of individual hubris resisted collectively, lost souls in search of acts of networking, and events that turn lone discontent into collective tendencies.

In my current script conception, I also hope to build a virtual space that extends outwards and into which we can project our emotions and consciousness. This space is an arbitrary unit in our interconnection with the outside world, which points to countless other units. I'm not sure how to present this space, I want this space to be a real room that actually appears in my film, such as the room of the interviewee, the actor. In the era of mobile internet, we seem to have two living spaces, a real home and a virtual home.

I'm also thinking about how to get the interviewee to improvise. A story, an experience, a chat log to share? I contacted some of my friends and I asked them to prepare some of their own stories, they were born in the 60s, 70s, 80s and 90s. The dialogue in Cecile's work is very interesting. I am deeply impressed by the separation between the moving image and the sound, which is in line with the feeling I want to express: the actors are just separated units, they are skins, but the consciousness behind them can be projected by everyone, which can point to any individual, unit, pouch. He was like a puppet, or a disguise. We can appear in any form in these virtual spaces, we can project consciousness onto any object, and these consciousnesses stretch until they are submerged in the carnival of the digital crowd.

I was also inspired by the synthetic music in Cecile's work,each note seemed to swell, and the mood rose with it.

File:Music01.mp4

Sept 25 2022

--我最近想要尝试一下做演员。(I'm trying to be an actor recently .) --为什么?(Why?) --也不能笼统的称之为“演员”,只是想做一点远离自己的事。(It can't be called an "actor" in general, but I just want to do something far away from myself.) --那你可以假装自己是动物,猫,狗,青蛙都可以。(You can pretend to be an animal, cat, dog, flower, no matter what.) --昨天邻居家的猫跑丢了,到现在还没找到。(Yesterday, the neighbour's cat got lost, and they haven't found it yet.) --你觉得它会去哪?(Where do you think it will go?) --不知道,可能它伪装起来了,现在就在我们身边,还会跟你说早上好。(I don't know, maybe it's disguised, it's always with us, and it says good morning to you.) --所以那只猫自由了。(So it's free.) --这就是我想要的状态。(This is the state I want.)