Y.Q Hackpact Here

Sept 24 2022

Cecile.B.Evans：https://cecilebevans.com/images

Amos's World: Reality and fantasy merge in the World of Amos."Amos's World"creates an appropriately inclusive environment in which stories of individual hubris resisted collectively, lost souls in search of acts of networking, and events that turn lone discontent into collective tendencies.

In my current script conception, I also hope to build a virtual space that extends outwards and into which we can project our emotions and consciousness. This space is an arbitrary unit in our interconnection with the outside world, which points to countless other units. I'm not sure how to present this space, I want this space to be a real room that actually appears in my film, such as the room of the interviewee, the actor. In the era of mobile internet, we seem to have two living spaces, a real home and a virtual home.

I'm also thinking about how to get the interviewee to improvise. A story, an experience, a chat log to share? I contacted some of my friends and I asked them to prepare some of their own stories, they were born in the 60s, 70s, 80s and 90s. The dialogue in Cecile's work is very interesting. I am deeply impressed by the separation between the moving image and the sound, which is in line with the feeling I want to express: the actors are just separated units, they are skins, but the consciousness behind them can be projected by everyone, which can point to any individual, unit, pouch. He was like a puppet, or a disguise. We can appear in any form in these virtual spaces, we can project consciousness onto any object, and these consciousnesses stretch until they are submerged in the carnival of the digital crowd.

I was also inspired by the synthetic music in Cecile's work，each note seemed to swell, and the mood rose with it.

File:Music01.mp4