User:Llujan: Difference between revisions
No edit summary |
|||
| Line 27: | Line 27: | ||
Migration As Decolonization. Tendayi Achiume | Migration As Decolonization. Tendayi Achiume | ||
The Figure of the Migrant. Stanford University Press. Thomas Nail | The Figure of the Migrant. Stanford University Press. Thomas Nail. [https://miro.com/app/board/uXjVOCI61Vs=/?invite_link_id=851095751698 Notes.] | ||
[https://www.mondriaanfonds.nl/en/activities/vistas-of-modernity-decolonial-aesthesis-and-the-end-of-the-contemporary/ Vistas of Modernity – decolonial aesthesis and the end of the contemporary]. Rolando Vázquez | [https://www.mondriaanfonds.nl/en/activities/vistas-of-modernity-decolonial-aesthesis-and-the-end-of-the-contemporary/ Vistas of Modernity – decolonial aesthesis and the end of the contemporary]. Rolando Vázquez | ||
Revision as of 13:23, 25 March 2022
Luis Luján 🇲🇽
Reading, Writing & Research Methodologies
Luis Text on practice (first draft, March 2022)
What/How/Why - The abandoned house
Short experimental text on practice
Self Reflection
Archontic analysis of concepts, resources and projects
Reading list
Decolonialidad & migration
Esferas de la insurrección. Apuntes para descolonizar el inconsciente. Suely Rolnik
Migration As Decolonization. Tendayi Achiume
The Figure of the Migrant. Stanford University Press. Thomas Nail. Notes.
Vistas of Modernity – decolonial aesthesis and the end of the contemporary. Rolando Vázquez
Ethics & participatory art
A Restless Art: How Participation Won, and why it Matters. François Matarasso
Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop
Ethics - Edited by Walead Beshty
Ethics and Participatory Art - Arlene Goldbard, François Matarasso
Filmmaking
ReFocus: The Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema - Nuno Barradas Jorge
Hauntology & horror genre
Borders and ghosts - Nermin Sayibasili
A glossary of haunting - Eve Tuck and C. Ree
The Philosophy of Horror - Noel Carroll
Philosophy
A Weak Messianic Power Figures of a Time to Come in Benjamin, Derrida, and Celan - Michael G. Levine
On the Concept of History - Walter Benjamin