User:Llujan: Difference between revisions
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Migration As Decolonization. Tendayi Achiume | Migration As Decolonization. Tendayi Achiume | ||
The Figure of the Migrant. Stanford University Press. Thomas Nail | |||
[https://www.mondriaanfonds.nl/en/activities/vistas-of-modernity-decolonial-aesthesis-and-the-end-of-the-contemporary/ Vistas of Modernity – decolonial aesthesis and the end of the contemporary]. Rolando Vázquez | [https://www.mondriaanfonds.nl/en/activities/vistas-of-modernity-decolonial-aesthesis-and-the-end-of-the-contemporary/ Vistas of Modernity – decolonial aesthesis and the end of the contemporary]. Rolando Vázquez | ||
Revision as of 18:02, 24 March 2022
Luis Luján 🇲🇽
Reading, Writing & Research Methodologies
Luis Text on practice (first draft, March 2022)
What/How/Why - The abandoned house
Short experimental text on practice
Self Reflection
Archontic analysis of concepts, resources and projects
Reading list
Decolonialidad & migration
Esferas de la insurrección. Apuntes para descolonizar el inconsciente. Suely Rolnik
Migration As Decolonization. Tendayi Achiume
The Figure of the Migrant. Stanford University Press. Thomas Nail
Vistas of Modernity – decolonial aesthesis and the end of the contemporary. Rolando Vázquez
Ethics & participatory art
Ethics. Edited by Walead Beshty
Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop
A Restless Art: How Participation Won, and why it Matters. François Matarasso
Hauntology & horror
Borders and ghosts - Nermin Sayibasili
A glossary of haunting - Eve Tuck and C. Ree
The Philosophy of Horror - Noel Carroll