User:Llujan: Difference between revisions
No edit summary |
|||
Line 15: | Line 15: | ||
== Reading list == | == Reading list == | ||
=== | ==== Decolonialidad/Decolonialism & migration ==== | ||
[https://www.mondriaanfonds.nl/en/activities/vistas-of-modernity-decolonial-aesthesis-and-the-end-of-the-contemporary/ Vistas of Modernity – decolonial aesthesis and the end of the contemporary]. Rolando Vázquez | |||
==== Ethics & participatory art ==== | |||
[https://mitpress.mit.edu/books/ethics Ethics]. Edited by Walead Beshty. | [https://mitpress.mit.edu/books/ethics Ethics]. Edited by Walead Beshty. | ||
A | Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop. | ||
A Restless Art: How Participation Won, and why it Matters. François Matarasso | |||
==== Hauntology & horror ==== | |||
Nermin Sayibasili - BORDERS AND GHOSTS | |||
A | A glossary of haunting - Eve Tuck and C. Ree | ||
Noel Carroll - The Philosophy of Horror. |
Revision as of 10:00, 24 March 2022
Reading, Writing & Research Methodologies
What/How/Why - The abandoned house
Short experimental text on practice
Self Reflection
Archive of my own - Archontic analysis of experiences, network and projects
Reading list
Decolonialidad/Decolonialism & migration
Vistas of Modernity – decolonial aesthesis and the end of the contemporary. Rolando Vázquez
Ethics & participatory art
Ethics. Edited by Walead Beshty.
Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop.
A Restless Art: How Participation Won, and why it Matters. François Matarasso
Hauntology & horror
Nermin Sayibasili - BORDERS AND GHOSTS
A glossary of haunting - Eve Tuck and C. Ree
Noel Carroll - The Philosophy of Horror.