SPECIAL ISSUE 15 MARTIN DAILY BOARD: Difference between revisions

Revision as of 15:34, 22 April 2021

Overview

Keywords

Implicancies vocabulary https://pad.constantvzw.org/p/implicanties
Situated knowledges (Donna Haraway)
Worlding (Haraway:

_ making of worlds. language, science, technology : these forces produce worlds. world doesn't exist w/o language, language is an active part of the world

The poetic of relations (Eduard Glissant)
Entanglement (Karen Barad)

_ entanglement assumes that we have different things that are being knotted together _ state of being knotted together Denise Ferreira Da Silva: introduces "implicancies" things be co-response-able for each other starting point is particles

Response-ability (Barad + Haraway)
Implicancies (Denise Ferreira Da Silva)

_ The term "implicancies" brings together: entanglement, response-ability & relations. That is why this SI is called Radio Implicancies

Techno-epistomologies:

_ Technological knowledge systems [metadata etc how algorithms produce data]

Techno-ontology: How social media puts a filter on the world. We know a lot about bodies through scanning technologie. In line with that: algorithms are part of the world, while structuring the world. So when it is claimed to work on "fair AI" or "fair algorithms", algorithms are placed outside the worlding forces.

_ Donna Haraway's frames of references: biology, US based, 75 year old https://www.youtube.com/watch?v=J2DcAf16zeI _ 2nd person that is important in thinking through relations: Eduart Glissant in French context.

Ressources

From https://pzwiki.wdka.nl/mediadesign/Implicancies_Resources

Watching / listening

Ron Morrison (2018), Decoding space: Liquid infrastructures https://vimeo.com/showcase/5551892/video/306993793 + https://medium.com/digital-earth/when-the-history-repeats-itself-lithium-extraction-in-d-r-congo-b372090c4a5c
Aimee Bahng (2017), Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-Queer Commons https://soundcloud.com/thehuntington/plasmodial-improprieties
Martine Syms (2013), The Mundane Afrofuturist Manifesto https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-manifesto
Ursula Leguin (1985), She Unnames Them http://ursulakleguinarchive.com/MP3s/BuffaloGals.html
Edouard Glissant (Manthia Diawara, 2010) One World in Relation https://www.youtube.com/watch?v=aTNVe_BAELY
Denise Fereira Da Silva, Arjuna Neuman (2019) Four waters: deep implicancy https://hub.xpub.nl/sandboxradio/ingredients/4%20WATERS%20-%20DEEP%20IMPLICANCY.mp4
Four Rooms – Denise Ferreira Da Silva (2020), on the Logics of Exclusion and Obliteration https://video.constantvzw.org/Four_rooms/Four%20Rooms,%20Denise%20Ferreira%20Da%20Silva,%20on%20the%20Logics%20of%20Exclusion%20and%20Oblitera...-152937289377315.mp4
Natalie Jeremijenko + Kate Rich Track 12: The mutual synchronisation of coupled oscillators (This was one track from a CD released as an "insert" to Mute Magazine Vol 1, No. 21, September 2001). The other tracks are available as well. In the recording, Jeremijenko speaks; the audio production/remix was done by Rich. They worked together as the Bureau of Inverse Technology.

Reading

Romi Ron Morrison (2019), Gaps between the digits. On the fleshy unknowns of the HUMAN https://benjamins.com/catalog/idj.25.1.05mor
Oulimata Gueye (2019), No Congo, no technologies https://medium.com/digital-earth/no-congo-no-technologies-163ea2caec0a
Martine Syms (2013), The Mundane Afrofuturist Manifesto http://thirdrailquarterly.org/martine-syms-the-mundane-afrofuturist-manifesto/
Ramon Amaro (2019), Artificial intelligence: Warped, colorful forms and their unclear geometries https://research.gold.ac.uk/27052/1/SoU_AI%2C%20warped%2C%20colorful%20forms....pdf
Sylvia Wynter (2015), On Being Human as Praxis -- interview with Katherine Mckittrick
Donna Haraway (2019), A Giant Bumptious Litter: Donna Haraway on Truth, Technology, and Resisting Extinction https://logicmag.io/nature/a-giant-bumptious-litter/?fbclid=IwAR13RpmuwM17aSvo6V-G5EDWF8MpxKunBf-1KuTfExrDsfCK1BHFvCWNv3
Denise Fereira Da Silva (2016), 'On difference without separability'
Katherine Mckittrick, Mathematics Black Life
Zach Blas & Micha Carde (2015), Imaginary computational systems: queer technologies and transreal aesthetics
Noah Tsika (2016), CompuQueer: Protocological Constraints, Algorithmic Streamlining, and the Search for Queer Methods Online
Anaïs Nony (2017), Technology of Neo-Colonial Epistemes
Wendy Hui Kyong Chun (2009), Race and/as Technology; or, How to Do Things to Race
Syed Mustafa Ali (2016), A brief introduction to decolonial computing
Michael Murtaugh, Eventual consistency https://diversions.constantvzw.org/wiki/index.php?title=Eventual_Consistency
Saidiya Hartman, The Plot of Her Undoing
Alexis Pauline Gumbs and Julia Roxanne Wallace, Black Feminist Calculus Meets Nothing to Prove: A Mobile Homecoming Project Ritual toward the Postdigital

Sketch a musical composition

Each of the 2 system login sounds slowed down as a starter

Legend Radio with Louisa

Louisa and I created a musical dialogue between Microsoft and Mac operating sound systems. In order to create this soundtrack, we first used Musiclab, a Google song maker allowing to make simple songs with visual patterns. In a second step, we tryed to remake our song with Earsketch, a sound editor working with Python language. By refering to Musicalab visual pattern, we could quiet easily understand how to reconstruct our track in Python. Some screenshots bellow will eventually even show so visual links between the two things!

#		python code
#		script_name:
#
#		author:
#		description:
#

from earsketch import *

init()
setTempo(115)

# Add Sounds
fitMedia(MARTINFOUCAUT_STARTUP_CUSTOM , 15, 1, 3)
fitMedia(MARTINFOUCAUT_START_UP_WINDOWS2, 16, 1.5, 4)
fitMedia(MARTINFOUCAUT_STARTUP20, 15, 19, 26)
fitMedia(MARTINFOUCAUT_EVERY_WINDOWS_STARTUP_SHUTDOWN_SOUND_TRIM, 16, 19, 20)
#fitMedia(MARTINFOUCAUT_LOOPE, 5, 20, 30)
#fitMedia(MARTINFOUCAUT_LOOPF, 6, 25, 35)
#fitMedia(MARTINFOUCAUT_LOOPG, 7, 30, 40)
#fitMedia(MARTINFOUCAUT_LOOPH, 8, 35, 45)
#fitMedia(YG_RNB_TAMBOURINE_1, 10, 1, 5)
#fitMedia(YG_FUNK_CONGAS_3, 11, 1, 5)
#fitMedia(YG_FUNK_HIHAT_2, 12, 5, 9)
#fitMedia(RD_POP_TB303LEAD_3, 13, 5, 9)

 
# Effects fade in
#setEffect(1, VOLUME,GAIN, -20, 5, 1, 10)

# Fills
fillA = "----0-------0-------0-------0---"
fillB = "0-00------0---0-0-00------0---0-"
fillN = "0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-"


fillC = "--------------0---0---0---0-----"
fillD = "--0--0--0--0----0---0-----0-0-0-"
fillE = "-0--0--0--0---0---0---0---------"
fillF = "0--0--0--0------0---0-----0-0-0-"

fillG = "----------------------0-------0-"
fillH = "---0--0--0--0-------------------"
fillI = "-------------0--------0---------"
fillJ = "--------------0------0------0---"
fillK = "------------0---0---0--------0--"
fillL = "------------------------------0-"
fillM = "------------0---0---0--00---0---"

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 3, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 3, fillB)

makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 2, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 4, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 6, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 8, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 10, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 12, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 14, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 16, fillN)
makeBeat(MARTINFOUCAUT_SPEECH_MISRECOGNITION, 14, 18, fillN)

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 4, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 4, fillB)

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 6, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 6, fillB)

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 8, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 8, fillB)

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 10, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 10, fillB)

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 12, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 12, fillB)

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 14, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 14, fillB)

makeBeat(MARTINFOUCAUT_WINDOWS_RECYCLE2, 12 , 16, fillA)
makeBeat(MARTINFOUCAUT_BASSO, 13, 16, fillB)

makeBeat(MARTINFOUCAUT_WINDOWS_DING4, 1, 6, fillC)
makeBeat(MARTINFOUCAUT_WINDOWS_DING3, 2, 6, fillD)
makeBeat(MARTINFOUCAUT_WINDOWS_DING2, 3, 6, fillE)
makeBeat(MARTINFOUCAUT_WINDOWS_DING1, 4, 6, fillF)

makeBeat(MARTINFOUCAUT_WINDOWS_DING4, 1, 8, fillC)
makeBeat(MARTINFOUCAUT_WINDOWS_DING3, 2, 8, fillD)
makeBeat(MARTINFOUCAUT_WINDOWS_DING2, 3, 8, fillE)
makeBeat(MARTINFOUCAUT_WINDOWS_DING1, 4, 8, fillF)

makeBeat(MARTINFOUCAUT_WINDOWS_DING4, 1, 12, fillC)
makeBeat(MARTINFOUCAUT_WINDOWS_DING3, 2, 12, fillD)
makeBeat(MARTINFOUCAUT_WINDOWS_DING2, 3, 12, fillE)
makeBeat(MARTINFOUCAUT_WINDOWS_DING1, 4, 12, fillF)

makeBeat(MARTINFOUCAUT_WINDOWS_DING4, 1, 16, fillC)
makeBeat(MARTINFOUCAUT_WINDOWS_DING3, 2, 16, fillD)
makeBeat(MARTINFOUCAUT_WINDOWS_DING2, 3, 16, fillE)
makeBeat(MARTINFOUCAUT_WINDOWS_DING1, 4, 16, fillF)


makeBeat(MARTINFOUCAUT_GLASS5, 5, 10, fillG)
makeBeat(MARTINFOUCAUT_GLASS, 6, 10, fillH)
makeBeat(MARTINFOUCAUT_GLASS2, 7, 10, fillI)
makeBeat(MARTINFOUCAUT_GLASS3, 8, 10, fillJ)
makeBeat(MARTINFOUCAUT_GLASS4, 9, 10, fillK)
makeBeat(MARTINFOUCAUT_GLASS7, 10, 10, fillL)
makeBeat(MARTINFOUCAUT_GLASS6, 11, 10, fillM)

makeBeat(MARTINFOUCAUT_GLASS5, 5, 12, fillG)
makeBeat(MARTINFOUCAUT_GLASS, 6, 12, fillH)
makeBeat(MARTINFOUCAUT_GLASS2, 7, 12, fillI)
makeBeat(MARTINFOUCAUT_GLASS3, 8, 12, fillJ)
makeBeat(MARTINFOUCAUT_GLASS4, 9, 12, fillK)
makeBeat(MARTINFOUCAUT_GLASS7, 10, 12, fillL)
makeBeat(MARTINFOUCAUT_GLASS6, 11, 12, fillM)

makeBeat(MARTINFOUCAUT_GLASS5, 5, 14, fillG)
makeBeat(MARTINFOUCAUT_GLASS, 6, 14, fillH)
makeBeat(MARTINFOUCAUT_GLASS2, 7, 14, fillI)
makeBeat(MARTINFOUCAUT_GLASS3, 8, 14, fillJ)
makeBeat(MARTINFOUCAUT_GLASS4, 9, 14, fillK)
makeBeat(MARTINFOUCAUT_GLASS7, 10, 14, fillL)
makeBeat(MARTINFOUCAUT_GLASS6, 11, 14, fillM)

finish()

LT_MF_EarchsetchCapture_01

LTMF_MusicLab_Song01

Eachsketch_Pattern_01

Prototyping

https://earsketch.gatech.edu/earsketch2/ Editing/Importing/Composing/Transitioning/Randomizing with soundtracks recorded over many years.
Random musical composition 1 https://musiclab.chromeexperiments.com/Song-Maker/song/6595644437823488
Random musical composition 2 https://musiclab.chromeexperiments.com/Song-Maker/song/5504410688421888

Pads

https://pad.xpub.nl/p/radio-legends

Tools

https://earsketch.gatech.edu/ Work with sound with python or javascript
https://www.beatsperminuteonline.com/ Get BPM Manualy
https://musiclab.chromeexperiments.com/ Make song from music box patterns
https://bpmdetector.knifftech.org/file/ Get BPM by importing audio file
https://www.produitencroix.com/ How to get the good sound lengh and fix it to 120 bpm (desired BPM x current BPM / current sound lengh new sound lengh with desired BPM)
https://www.youtube.com/watch?v=vxz7mOu4XOM Python Sounds tutorial
https://pypi.org/project/playsound/ Python playsound
https://stackoverflow.com/questions/43904019/how-can-i-make-sound-with-frequency-in-python3 Sound frequency in Python

Individual Research

Links

https://www.liveatc.net/search/?icao=klou Air Traffic Radio
https://radiooooo.com/ One country, One decade, One music style, and play
http://radio.garden/ Explore live radios around the globe
https://driveandlisten.herokuapp.com/ Radio in cars around the globe
https://duuuradio.fr/ Duuu is a radio dedicated to contemporary creation. Founded in 2012 by artists, this radio was born from the desire to make people hear situations of reflection and work.
https://ezekielaquino.com/
https://boniver.withspotify.com/ No exactly a radio, but impressive ascii style visualiser only using the character i

@@ Line 9: / Line 9: @@
 * Implicancies Guests + contributors https://pzwiki.wdka.nl/mediadesign/Implicancies_Guests_%2B_contributors#Steve_Rushton
 * Aesthetic Porgramming https://aesthetic-programming.net/
+* Difraction vs Reflection https://possiblebodies.constantvzw.org/files/implicancies/reflection-diffraction.pdf
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