Jujube/current: Difference between revisions
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= | = Make = | ||
# rough cut Act One (tutorials on Monday), cut convo cut convo cut convo | |||
# transcribe London conversations | |||
# edit beach footage | |||
= | = Write = | ||
*[[Jujube/memoir2]] | *[[Jujube/memoir2]] | ||
*[[Jujube/ | *[[Jujube/synopsis]] | ||
*[[Jujube/ | *[[Jujube/abstracts-text]] | ||
*[[Jujube/ | *[[Jujube/abstracts-non-text]] | ||
*[[Jujube/ | *[[Jujube/bibliography]] | ||
*Don't forget about your learnings: [[Jujube/summer]] | |||
== | = Read = | ||
==Academic == | |||
* Rhetoric of the Image by Roland Barthes [https://faculty.georgetown.edu/irvinem/theory/Barthes-Rhetoric-of-the-image-ex.pdf -->pdf] | * Rhetoric of the Image by Roland Barthes [https://faculty.georgetown.edu/irvinem/theory/Barthes-Rhetoric-of-the-image-ex.pdf -->pdf] | ||
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* SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120423&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019. | * SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120423&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019. | ||
== | == Stories (Modern Love, Moth, etc.) == | ||
Making A Judgment On Love | With Giancarlo Esposito [http://one.npr.org/i/649817527:649817529] | Making A Judgment On Love | With Giancarlo Esposito [http://one.npr.org/i/649817527:649817529] | ||
Revision as of 22:26, 26 September 2019
Make
- rough cut Act One (tutorials on Monday), cut convo cut convo cut convo
- transcribe London conversations
- edit beach footage
Write
- Don't forget about your learnings: Jujube/summer
Read
Academic
- Rhetoric of the Image by Roland Barthes -->pdf
- Against Interpretation by Susan Sontag
- Abstraction and Empathy by Wilhelm Worringer -->pdf
--
- Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2
- Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118
--
- Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019)
- The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [1]
- WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019.
- PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120422&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019
- WUSS, P. Cinematic Narration and Its Psychological Impact : Functions of Cognition, Emotion and Play. Newcastle: Cambridge Scholars Publishing, 2009. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=539490&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019.
- SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120423&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019.
Stories (Modern Love, Moth, etc.)
Making A Judgment On Love | With Giancarlo Esposito [2]
The Moth Radio Hour: Stepchild, Big Brother, Mugshot [3]
What Can You Hear? [4]
Hasan's prom [5]
>>>> Bye-Bye New York [6]
>>>> Aconite, My Roots [7]