Jujube/current: Difference between revisions
No edit summary |
|||
| Line 20: | Line 20: | ||
* Abstraction and Empathy by Wilhelm Worringer [https://monoskop.org/images/a/a2/Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf -->pdf] | * Abstraction and Empathy by Wilhelm Worringer [https://monoskop.org/images/a/a2/Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf -->pdf] | ||
-- | |||
* Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2 | * Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2 | ||
* Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118 | * Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118 | ||
-- | |||
* Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019) | * Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019) | ||
* The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f] | * The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f] | ||
* WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019. | * WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019. | ||
* PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120422&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019 | * PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120422&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019 | ||
* WUSS, P. Cinematic Narration and Its Psychological Impact : Functions of Cognition, Emotion and Play. Newcastle: Cambridge Scholars Publishing, 2009. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=539490&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019. | |||
* SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120423&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019. | |||
== stories == | == stories == | ||
Revision as of 11:39, 26 September 2019
summer 2019
ongoing
further
academic
- Rhetoric of the Image by Roland Barthes -->pdf
- Against Interpretation by Susan Sontag
- Abstraction and Empathy by Wilhelm Worringer -->pdf
--
- Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2
- Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118
--
- Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019)
- The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [1]
- WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019.
- PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120422&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019
- WUSS, P. Cinematic Narration and Its Psychological Impact : Functions of Cognition, Emotion and Play. Newcastle: Cambridge Scholars Publishing, 2009. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=539490&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019.
- SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120423&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019.
stories
Making A Judgment On Love | With Giancarlo Esposito [2]
The Moth Radio Hour: Stepchild, Big Brother, Mugshot [3]
What Can You Hear? [4]
Hasan's prom [5]
>>>> Bye-Bye New York [6]
>>>> Aconite, My Roots [7]