Revision as of 11:34, 26 September 2019

summer 2019

the learnings

ongoing

Jujube/memoir2

further

academic

Rhetoric of the Image by Roland Barthes -->pdf
Against Interpretation by Susan Sontag
Abstraction and Empathy by Wilhelm Worringer -->pdf

Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2
Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118

Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019)
The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [1]
WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019.
PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120422&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019

stories

Making A Judgment On Love | With Giancarlo Esposito [2]

The Moth Radio Hour: Stepchild, Big Brother, Mugshot [3]

What Can You Hear? [4]

Hasan's prom [5]

>>>> Bye-Bye New York [6]

>>>> Aconite, My Roots [7]

This I believe

https://www.npr.org/series/4538138/this-i-believe

non-academic (but no less informative)

notice how people explain complicated concepts in an accessible, informative, helpful way

memory

cinematographic language (via Vox x BBC Planet Earth)

@@ Line 13: / Line 13: @@
 = further =
+==academic ==
 * Rhetoric of the Image by Roland Barthes [https://faculty.georgetown.edu/irvinem/theory/Barthes-Rhetoric-of-the-image-ex.pdf -->pdf]
-* Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019)
 * Against Interpretation by Susan Sontag
 * Abstraction and Empathy by Wilhelm Worringer [https://monoskop.org/images/a/a2/Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf -->pdf]
-* The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f]
 * Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2
 * Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118
+* Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019)
+* The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f]
 * WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019.
+* PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120422&lang=nl&site=ehost-live&scope=site>. Acesso em: 26 set. 2019
 == stories ==

Jujube/current: Difference between revisions