Jujube/current: Difference between revisions
No edit summary |
No edit summary |
||
| Line 17: | Line 17: | ||
'''further''' | '''further''' | ||
Rhetoric of the Image by Roland Barthes [https://faculty.georgetown.edu/irvinem/theory/Barthes-Rhetoric-of-the-image-ex.pdf -->pdf] | * Rhetoric of the Image by Roland Barthes [https://faculty.georgetown.edu/irvinem/theory/Barthes-Rhetoric-of-the-image-ex.pdf -->pdf] | ||
* Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019) | |||
Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019) | * Against Interpretation by Susan Sontag | ||
* Abstraction and Empathy by Wilhelm Worringer [https://monoskop.org/images/a/a2/Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf -->pdf] | |||
Against Interpretation by Susan Sontag | * The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f] | ||
* Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2 | |||
Abstraction and Empathy by Wilhelm Worringer [https://monoskop.org/images/a/a2/Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf -->pdf] | * Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118 | ||
* WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019. | |||
The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f] | |||
Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2 | |||
Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118 | |||
'''non-academic (but no less informative)''' | '''non-academic (but no less informative)''' | ||
Revision as of 11:11, 26 September 2019
summer 2019
ongoing
further
- Rhetoric of the Image by Roland Barthes -->pdf
- Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019)
- Against Interpretation by Susan Sontag
- Abstraction and Empathy by Wilhelm Worringer -->pdf
- The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [1]
- Jacques Ranicière, La fable cinématographique (Paris: Seuil, 2001), pp 201-2
- Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981), p 118
- WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: <http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site >. Access: 26 set. 2019.
non-academic (but no less informative)
notice how people explain complicated concepts in an accessible, informative, helpful way
- memory
- cinematographic language (via Vox x BBC Planet Earth)