Commuters of Erasmusbrug

Commuters of Erasmusbridge (working title) is a photo series, depicting portraits of cyclists and people who ride their scooters over the Erasmusbridge. The photo series is a collaborative work with Susanna Fasciolo.

The people will be photographed on two positions of the Erasmusbridge on two or three times of the day. The first position will be on the ascent of the Erasmusbridge (it does not matter which end of the bridge). Position number two shall be after the ascension, when the commuters can go idle/freewheel on their two-wheeler. The series is set to be shot on the morning commute around 8am and on the evening at approximately 4-6pm (since the sun is setting already at 5pm in November, the decision still has to be made, if we want to use a flash as an additional light source or only want to rely on the sunlight at 4-5pm). The photographer shall remain hidden to not distract the subjects, keeping them act unaltered and authentic.

The Erasmusbridge - on one hand - is a famous photo motif for tourists and - on the other hand - an important landmark for everyday commuters. Since it is connecting the north and south parts of Rotterdam it attracted about 11,647 cyclists every day in 2017. There is a remarkable variety of people cycling, of all ages and from all walks of life. There are young people listening to music while sitting on the scooter, old couples riding e-bikes. There are parents with their kids, sometimes one on the front, one on the back. Some people are very focused and aware of their surrounding, some lost in thoughts and others are pedaling in exhaustion. The outfits, cycling gear, emotions (anticipation, concentration, self-attention, reflection, meditation, joy, etc.), physical fitness (exhaustion, relaxation, speeding etc.) of the person on the two-wheeler shall let the viewer make assumptions about the purpose of the ride. The photo series - sometimes even in a humorous way - shall leave disclosed, whether the depicted persons are getting to work or school, going out for a night on the town, transporting goods, bringing children to kindergarten, just going for a ride and so on.

First tryout

Shot at approximately 5pm:

Second tryout

(between 8 and 9am) Over time we realised that it would be nice to have either a good Telelens to better hide from the cyclists and not have them look at the camera. OR to use a full-frame camera to have the ability to crop to the faces without much loss of quality. Since the rental „only“ (in quotation marks, since it is a fairly good camera) has one EOS 800D or several 700Ds with the Kit-Lens (18-55mm) for rent and does not have any lenses we had to come up with a solution of using our available equipment. That is why I wanted to give my analogue gear a try, since I have a 200mm lens.

Tryout with a 200mm lens on the Minolta XG-1:

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  interesting colorshift on the beginning of the film

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  person out of focus

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  the small focal ratio is giving a nice bokeh in the background

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  the facial expressions are exactly what we like to show.

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Eventually I had difficulties with the focusing. Due to the relatively fast movement of the people half the photos were out of focus. After all, this series perfectly displays that with a telelens the photographer can hide better, but the focus is too much of a problem.

Thoughts

Thoughts from and with Barend

I did the experiment of not telling him at first what the project is precisely about. Instead I showed him contact sheets of the various cropped faces of the commuters. His first thought was that it may be a crowd at an demonstration or at a sports event. He is suggesting to try out various ways of sorting the pictures in the photo book. Either sort it by time (and write down the time on the according pages), or by weather (for example by showing a weather icon), or by ascent and descent. He also suggested to document the work in progress and not only what might work for us in the end. Besides that he asked if the landscape-orientation (crop) is actually working so good in the mass of all pictures, since the overall majority has the portrait-orientation. Furthermore we might try to juxtapose several faces with something connected to the bridge, but without showing the commuters/cyclists again.

Inspiration:

Various facial expressions that Messerschmidt depicted on his portrait sculptures. Not necessarily connected to this project, but good to keep in the back of the head. Paula Winkler took photos of the faces the models in the moment they were told that they are the „Miss World“. She captured the moment by photographing the TV since it was being live casted. See the photo series here: http://www.paulawinkler.com/worldpeace/