User:Natasa Siencnik: Difference between revisions
| (70 intermediate revisions by the same user not shown) | |||
| Line 5: | Line 5: | ||
<br /> | <br /> | ||
==Thematic Project Portfolio== | ==Thematic Project Portfolio== | ||
[[User:Natasa Siencnik/project1 | my thematic project #1 <i>Still Life in Progress</i>]]<br /> | |||
[[User:Natasa Siencnik/workshop1 | my thematic project #2 <i>Time for Revolution</i>]]<br /> | |||
[[User:Natasa Siencnik/project3 | my thematic project #3 <i>History Will Repeat Itself</i>]]<br /> | |||
==Theory Sessions== | ==Theory Sessions== | ||
===Writings=== | ===Writings=== | ||
[[Media:Dissertation_2007.pdf | MA Thesis 10-2007]]<br /> | |||
[[Media:Essay_Mapping-02.pdf | Essay 12-2010]]<br /> | |||
[[Media:Natasa_Essay2_version-may.pdf | Essay 03-2011]]<br /> | |||
[[Media:NATASA_Essay_Trimester3.pdf | Essay 06-2011]]<br /> | |||
===Readings=== | ===Readings=== | ||
Geoffrey Batchen <i>Vernacular Photographs</i> (2000)<br /> | |||
Walter Benjamin <i>The Work of Art in the Age of Mechanical Reproduction</i> (1935)<br /> | |||
Florian Wüst <i>Aesthetics Against Repression</i> (2005)<br /> | |||
Steve Rushton <i>Playing Dead</i> (2005)<br /> | |||
André Lepecki <i>In the Mist of the Event</i> (2008)<br /> | |||
Maria Hlavajova <i>The Social Studio</i> (2008)<br /> | |||
Gilles Deleuze <i>Postscript on the Societies of Control</i> (1990)<br /> | |||
Gilles Deleuze <i>Difference and Repetition</i> (1968)<br /> | |||
Jacques Rancière <i>The Emancipated Spectator</i><br /> | |||
Geoffrey Batchen <i>Each wild Idea</i><br /> | |||
Michel Foucault <i>The Birth of Biopolitics</i><br /> | |||
Jürgen Habermas <i>The Structural Transformation of the Public Sphere</i><br /> | |||
Susan Sontag <i>Regarding the Pain of others</i><br /> | |||
Ernst Cassirer <i>The Philosophy of Symbolic Forms</i><br /> | |||
Jacques Rancière <i>The Politics of Aesthetics</i><br /> | |||
Marshall McLuhan <i>The Galaxy Reconfigured</i> and <i>The Medium is the Message</i><br /> | |||
Noah Wardrip-Fruin and Nick Montfort (Ed.) <i>The New Media Reader</i><br /> | |||
Michel de Certeau <i>The Practice of Everyday Life</i><br /> | |||
Alexander Galloway <i>Protocol: How Control Exists after Decentralization</i><br /> | |||
Pierre Bourdieu <i>The Field of Cultural Production</i><br /> | |||
Bertrand Russell <i>History of Western Philosophy</i><br /> | |||
===Notes=== | ===Notes=== | ||
[[User:Natasa_Siencnik/notes/arns/ | Inke Arns / Gabriele Horn (ed.) <i>History will Repeat Itself</i> (2007)]]<br /> | |||
[[User:Natasa_Siencnik/notes/stone/ | Allucquere Rosanne Stone <i>Will the real Body please stand up?</i> (1991)]]<br /> | |||
[[User:Natasa_Siencnik/notes/schaefer/ | Mirko Schaefer <i>Made by Users</i> (2004)]]<br /> | |||
[[User:Natasa_Siencnik/notes/lialina/ | Olia Lialina and Dragan Espenschied <i>Digital Folklore</i> (2009)]]<br /> | |||
[[User:Natasa_Siencnik/notes/raymond/ | Eric S. Raymond <i>The New Hacker's Dictionary</i> (1996)]]<br /> | |||
[[User:Natasa_Siencnik/notes/keen/ | Andrew Keen <i>The Cult of the Amateur</i> (2007)]]<br /> | |||
[[User:Natasa_Siencnik/notes/jenkins/ | Henry Jenkins <i>Blog This!</i> (2002)]]<br /> | |||
[[User:Natasa_Siencnik/notes/lyon/ | David Lyon <i>Surveillance Sorting</i> (2002)]]<br /> | |||
[[User:Natasa_Siencnik/notes/holmes/ | Brian Holmes <i>Future Map</i> (2007)]]<br /> | |||
[[User:Natasa_Siencnik/notes/palfrey/ | John Palfrey / Urs Gasser <i>Born Digital. Understanding the First Generation of Digital Natives</i> (2008)]]<br /> | |||
[[User:Natasa_Siencnik/notes/turkle2/ | Sherry Turkle <i>Video Games and Computer Holding Power</i> (1984)]]<br /> | |||
[[User:Natasa_Siencnik/notes/bourdieu/ | Pierre Bourdieu <i>The Field of Cultural Production</i> (1993)]]<br /> | |||
[[User:Natasa_Siencnik/notes/bush/ | Vannevar Bush <i>As We May Think</i> (1945)]]<br /> | |||
[[User:Natasa_Siencnik/notes/gentner/ | Don Gentner and Jakob Nielson <i>The Anti-Mac Interface</i> (2000)]]<br /> | |||
[[User:Natasa_Siencnik/notes/bardini2/ | Thierry Bardini <i>Bootstrapping. Arrival of the Real User</i> (2000)]]<br /> | |||
[[User:Natasa_Siencnik/notes/bardini/ | Thierry Bardini <i>Bootstrapping. Inventing the Virtual User</i> (2000)]]<br /> | |||
[[User:Natasa_Siencnik/notes/turkle/ | Sherry Turkle <i>Personal Computers with Personal Meanings</i>]]<br /> | |||
[[User:Natasa_Siencnik/notes/nelson/ | Ted Nelson <i>Computer Lib. Dream Machines</i> (1974)]]<br /> | |||
[[User:Natasa_Siencnik/notes/goldberg/ | Alan Kay and Adele Goldberg <i>Personal Dynamic Media</i> (1977)]]<br /> | |||
[[User:Natasa_Siencnik/notes/dibbell/ | Julian Dibbell <i>A Rape in Cyberspace. Or TINYSOCIETY, and How to Make One</i> (1993)]]<br /> | |||
[[User:Natasa_Siencnik/notes/gladwell/ | Malcolm Gladwell <i>Small Change. Why the revolution will not be tweeted</i> (2010)]]<br /> | |||
<br /> | <br /> | ||
==Thematic Project== | ==Thematic Project== | ||
====Build, Break, Broadcast==== | ====Build, Break, Broadcast==== | ||
[[User:Natasa Siencnik/bbb/pechakucha/ | <i>Pecha Kucha</i> Presentation]]<br /> | |||
[[User:Natasa Siencnik/project1 | <i>Rebelhouse</i> Speedshow]]<br /> | |||
====Sniff, Scrape, Crawl==== | ====Sniff, Scrape, Crawl==== | ||
[[User:Natasa Siencnik/workshop2 | Video Intervention <i>Live better than others</i>]]<br /> | |||
[[User:Natasa Siencnik/workshop1 | Crawler <i>Rumor of Revolution</i>]]<br /> | |||
====History Will Repeat Itself==== | ====History Will Repeat Itself==== | ||
[[User:Natasa Siencnik/project3 | Installation <i>History Will Repeat Itself</i>]]<br /> | |||
<br /> | <br /> | ||
==Workshops== | ==Workshops== | ||
[[User:Natasa Siencnik/lectures/malave/ | Nicolas Malavé]]<br /> | |||
[[User:Natasa Siencnik/lectures/kleiner/ | Dimitry Kleiner]]<br /> | |||
<br /> | |||
== | ==Prototyping== | ||
[[User:Natasa_Siencnik/prototyping/notation | Assignment 1.1: Clapping Music _ Ursonate]]<br /> | |||
[[User:Natasa_Siencnik/prototyping/counting | Assignment 1.2: Clapping Music _ Counting]]<br /> | |||
[[User:Natasa_Siencnik/prototyping/markov | Assignment 3.1: Markov Chain _ Fugue]]<br /> | |||
[[User:Natasa_Siencnik/prototyping/turtle | Assignment 3.2: Turtle Graphics _ City]]<br /> | |||
==Electronics== | |||
[[User:Natasa_Siencnik/electronics/microcontroller | Microcontroller]]<br /> | |||
==External== | |||
[[User:Natasa Siencnik/workshop/masterclass/ | MASTERCLASS _ NIMk Amsterdam 09/2010]]<br /> | |||
[[User:Natasa Siencnik/bbb/folklore/ | DIGITAL FOLCLORE _ Goethe Institut Rotterdam 10/2010]]<br /> | |||
[[User:Natasa Siencnik/workshop/unfixed/ | UNFIXED WORKSHOP _ CBK Dordrecht 11/2010]]<br /> | |||
[[User:Natasa Siencnik/festival/transmediale | TRANSMEDIALE _ HdKW Berlin 02/2011]]<br /> | |||
[[User:Natasa Siencnik/festival/tefaf | TEFAF _ Art and Antiques Fair Maastricht 03/2011]]<br /> | |||
[[User:Natasa Siencnik/conference/book | THE UNBOUND BOOK _ Reading and Publishing in the digital Age 05/2011]]<br /> | |||
==Lectures== | |||
[[Media:Technical-Setup.pdf | Technical Setup]] | |||
<br /> | |||
==Theatre Plays== | |||
<i>Don Carlos by Schiller</i> | Thalia Theater Hamburg<br /> | |||
<i>Rust by Studio Braun</i> | Schauspielhaus Hamburg<br /> | |||
<i>Penthesilea by Kleist</i> | Schauspielhaus Hamburg<br /> | |||
<br /> | |||
http://issuu.com/nedelja/docs/priloga_19?mode=a_p | ==Links== | ||
http://www.natasasiencnik.com/<br /> | |||
http://guestworkerberlin.blogspot.com/2009/10/gastarbajteri-nazaj-doma-migrant.html | http://pzwart3.wdka.hro.nl/~nsiencnik/<br /> | ||
http://transmedialekunst.com/studium/studierende/<br /> | |||
http://www.antipodium.at/?page_id=50<br /> | |||
http://www.eikon.at/content/en/zeitschrift_detail.php?zeitschrift_id=85&suche=natasa<br /> | |||
http://issuu.com/nedelja/docs/priloga_19?mode=a_p<br /> | |||
http://guestworkerberlin.blogspot.com/2009/10/gastarbajteri-nazaj-doma-migrant.html<br /> | |||
<br /> | <br /> | ||
<br /> | <br /> | ||
Latest revision as of 17:01, 12 January 2012
About
Nataša Sienčnik, born 1984, is a media art student at the University of Applied Arts in Vienna and Piet Zwart Institute in Rotterdam. Since she finished her first studies at the Kingston University London (MA Communication design), she is currently working as a designer, filmmaker and artist, mapping different phenomena of being here, there and elsewhere.
Thematic Project Portfolio
my thematic project #1 Still Life in Progress
my thematic project #2 Time for Revolution
my thematic project #3 History Will Repeat Itself
Theory Sessions
Writings
MA Thesis 10-2007
Essay 12-2010
Essay 03-2011
Essay 06-2011
Readings
Geoffrey Batchen Vernacular Photographs (2000)
Walter Benjamin The Work of Art in the Age of Mechanical Reproduction (1935)
Florian Wüst Aesthetics Against Repression (2005)
Steve Rushton Playing Dead (2005)
André Lepecki In the Mist of the Event (2008)
Maria Hlavajova The Social Studio (2008)
Gilles Deleuze Postscript on the Societies of Control (1990)
Gilles Deleuze Difference and Repetition (1968)
Jacques Rancière The Emancipated Spectator
Geoffrey Batchen Each wild Idea
Michel Foucault The Birth of Biopolitics
Jürgen Habermas The Structural Transformation of the Public Sphere
Susan Sontag Regarding the Pain of others
Ernst Cassirer The Philosophy of Symbolic Forms
Jacques Rancière The Politics of Aesthetics
Marshall McLuhan The Galaxy Reconfigured and The Medium is the Message
Noah Wardrip-Fruin and Nick Montfort (Ed.) The New Media Reader
Michel de Certeau The Practice of Everyday Life
Alexander Galloway Protocol: How Control Exists after Decentralization
Pierre Bourdieu The Field of Cultural Production
Bertrand Russell History of Western Philosophy
Notes
Inke Arns / Gabriele Horn (ed.) History will Repeat Itself (2007)
Allucquere Rosanne Stone Will the real Body please stand up? (1991)
Mirko Schaefer Made by Users (2004)
Olia Lialina and Dragan Espenschied Digital Folklore (2009)
Eric S. Raymond The New Hacker's Dictionary (1996)
Andrew Keen The Cult of the Amateur (2007)
Henry Jenkins Blog This! (2002)
David Lyon Surveillance Sorting (2002)
Brian Holmes Future Map (2007)
John Palfrey / Urs Gasser Born Digital. Understanding the First Generation of Digital Natives (2008)
Sherry Turkle Video Games and Computer Holding Power (1984)
Pierre Bourdieu The Field of Cultural Production (1993)
Vannevar Bush As We May Think (1945)
Don Gentner and Jakob Nielson The Anti-Mac Interface (2000)
Thierry Bardini Bootstrapping. Arrival of the Real User (2000)
Thierry Bardini Bootstrapping. Inventing the Virtual User (2000)
Sherry Turkle Personal Computers with Personal Meanings
Ted Nelson Computer Lib. Dream Machines (1974)
Alan Kay and Adele Goldberg Personal Dynamic Media (1977)
Julian Dibbell A Rape in Cyberspace. Or TINYSOCIETY, and How to Make One (1993)
Malcolm Gladwell Small Change. Why the revolution will not be tweeted (2010)
Thematic Project
Build, Break, Broadcast
Pecha Kucha Presentation
Rebelhouse Speedshow
Sniff, Scrape, Crawl
Video Intervention Live better than others
Crawler Rumor of Revolution
History Will Repeat Itself
Installation History Will Repeat Itself
Workshops
Nicolas Malavé
Dimitry Kleiner
Prototyping
Assignment 1.1: Clapping Music _ Ursonate
Assignment 1.2: Clapping Music _ Counting
Assignment 3.1: Markov Chain _ Fugue
Assignment 3.2: Turtle Graphics _ City
Electronics
External
MASTERCLASS _ NIMk Amsterdam 09/2010
DIGITAL FOLCLORE _ Goethe Institut Rotterdam 10/2010
UNFIXED WORKSHOP _ CBK Dordrecht 11/2010
TRANSMEDIALE _ HdKW Berlin 02/2011
TEFAF _ Art and Antiques Fair Maastricht 03/2011
THE UNBOUND BOOK _ Reading and Publishing in the digital Age 05/2011
Lectures
Theatre Plays
Don Carlos by Schiller | Thalia Theater Hamburg
Rust by Studio Braun | Schauspielhaus Hamburg
Penthesilea by Kleist | Schauspielhaus Hamburg
Links
http://www.natasasiencnik.com/
http://pzwart3.wdka.hro.nl/~nsiencnik/
http://transmedialekunst.com/studium/studierende/
http://www.antipodium.at/?page_id=50
http://www.eikon.at/content/en/zeitschrift_detail.php?zeitschrift_id=85&suche=natasa
http://issuu.com/nedelja/docs/priloga_19?mode=a_p
http://guestworkerberlin.blogspot.com/2009/10/gastarbajteri-nazaj-doma-migrant.html