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{{Graduation work
{{Graduation work
|Creator=Artyom
|Creator=Artyom Kocharyan
|Date=2015
|Date=2015
|Bio=Artyom Kocharyan (AM) is visual artist based in Rotterdam. His work explores the contemporary visual culture, namely the culture of images that increasingly dominate the world of communication. Artyom’s work is concerned with the representation aspect of images and their ability to determine our vision of the world. Artyom is engaged with the representation apparatus that is peculiar to current digital and online culture.
|Bio=Artyom Kocharyan (AM) is a visual artist based in Rotterdam. His work explores the peculiarities of current image culture, namely the relationship between images and technology that encompasses them.
|Thumbnail=Vietnam-3.jpg
|Thumbnail=Vietnam-3.jpg
|Website=www.artyomkocharyan.com
|Website=http://www.artyomkocharyan.com/
|Description=Artyom Kocharyan
|Description=“Unintended Images” is a series of digital paintings based on Google’s image search. Artyom uses screenshots of search results, exploring the multiplicity of images within them. Drawing inspiration from painting, particularly those of Pieter Bruegel the Elder, that regardless their overcrowded aesthetics managed to retain a coherent composition. Artyom’s work reflects on the inability of Google’s search results to be read as a whole and attempts to introduce the coherence of a single image.
|Catalog-Text1=Apocalypse (Viet-google.jpg - turned vertically+title+full page)
}}


Artyom’s work entitled “Broken Images” is a series of digital paintings that are based on search results of Google Images. In his work Artyom examines the dynamics of current image culture, namely their multiplicity within the online world.
<gallery>
File:Vietnam-3.jpg
File:Viet-google.jpg
File:Bruegel.jpg|Pieter Bruegel the Elder “Netherlandish Proverbs” (1559)
</gallery>


As a result of image proliferation the online world become a space where images appear to their viewer within multiplicity. Google’s image search is a prime example of this phenomenon. By gathering multiple images from far corners of the web, Google creates a new ‘large image’ that is being framed by our screens. However this ‘large images’ appear as ‘broken’ and fragmented since Google disregards their aesthetic form. As a tool that is intended to find single images, Google arranges individual images according to their relevance rather then their visual content. As a result, the ‘large images’ that it creates have no visual coherence and refuse to be read as a single image.  
As a result of image proliferation the online world become a space where images appear to their viewer within multiplicity. Google’s image search is a prime example of this phenomenon. By gathering multiple images inside one space, Google creates a new ‘large image’ that is being framed within our computer screens. However as a tool that is intended to find single images, Google disregards the aesthetic form of those ‘large images’, which it creates rather unintentionally. It arranges individual images within the search result according to their relevance to the topic rather then their visual coherence with each other. As a result those images appear as ‘broken’ and fragmented, and refuse to be read as a single image.  


Artyom’s work reflects on the incoherence that comes with the multiplicity of images. He uses screenshots of different Google search result, which he manipulates within Photoshop by using ‘healing’ and ‘patching’ tools. For his series Artyom drew inspiration from several paintings, particularly those of Pieter Bruegel the Elder, which regardless of their overcrowded and noisy aesthetics manage to remain their wholeness as an image. Those paintings took into account the gaze of the viewer, providing pathways through which the human eye could travel and explore the image. Similar Artyom’s work attempts to rehabilitate those ‘broken’ images and reintroduce a coherence that would allow them to be read as a whole.
Artyom’s work reflects on the incoherence that comes with the multiplicity of images within the online world. He uses screenshots of different Google search results, which he manipulates in Photoshop by using ‘healing’ and ‘patching’ tools. For his work Artyom draws inspiration from painting, particularly those of Pieter Bruegel the Elder, which regardless of their overcrowded and noisy aesthetics managed to retain their wholeness as an image. Those paintings took into account the gaze of the viewer, providing pathways through which the human eye could travel and explore the image. Similar Artyom’s work attempts to rehabilitate those ‘broken’ images and reintroduce a coherence that would allow them to be read as a whole.
}}

Latest revision as of 16:34, 13 February 2017

Unintended Images
Creator Artyom Kocharyan
Year 2015
Bio Artyom Kocharyan (AM) is a visual artist based in Rotterdam. His work explores the peculiarities of current image culture, namely the relationship between images and technology that encompasses them.
Thumbnail
Vietnam-3.jpg
Website http://www.artyomkocharyan.com/

“Unintended Images” is a series of digital paintings based on Google’s image search. Artyom uses screenshots of search results, exploring the multiplicity of images within them. Drawing inspiration from painting, particularly those of Pieter Bruegel the Elder, that regardless their overcrowded aesthetics managed to retain a coherent composition. Artyom’s work reflects on the inability of Google’s search results to be read as a whole and attempts to introduce the coherence of a single image.



As a result of image proliferation the online world become a space where images appear to their viewer within multiplicity. Google’s image search is a prime example of this phenomenon. By gathering multiple images inside one space, Google creates a new ‘large image’ that is being framed within our computer screens. However as a tool that is intended to find single images, Google disregards the aesthetic form of those ‘large images’, which it creates rather unintentionally. It arranges individual images within the search result according to their relevance to the topic rather then their visual coherence with each other. As a result those images appear as ‘broken’ and fragmented, and refuse to be read as a single image.

Artyom’s work reflects on the incoherence that comes with the multiplicity of images within the online world. He uses screenshots of different Google search results, which he manipulates in Photoshop by using ‘healing’ and ‘patching’ tools. For his work Artyom draws inspiration from painting, particularly those of Pieter Bruegel the Elder, which regardless of their overcrowded and noisy aesthetics managed to retain their wholeness as an image. Those paintings took into account the gaze of the viewer, providing pathways through which the human eye could travel and explore the image. Similar Artyom’s work attempts to rehabilitate those ‘broken’ images and reintroduce a coherence that would allow them to be read as a whole.