User:Nicole Hametner/Graduate Research Seminar 2013-TM4.02: Difference between revisions
No edit summary |
No edit summary |
||
(51 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
= | Nicole Hametner, Trimester 4, december 2013 | ||
* | = Relation to previous practice = | ||
* ''Aster'', 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant | |||
<table border="0" padding="2"> | |||
<tr> | |||
<td valign="top">[[File:NHametnerAster.jpg| frame | Nicole Hametner, ''Aster'', 2008]]</td> | |||
<td valign="top"></td> | |||
</tr> | |||
<tr> | |||
</tr> | |||
</table> | |||
* ''Le Sapin'', 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world | |||
= | <table border="0" padding="2"> | ||
<tr> | |||
<td valign="top">[[File:NHametnerLeSapin.jpg| frame | Nicole Hametner, ''Le Sapin'', 2010]]</td> | |||
<td valign="top"> | |||
</td> | |||
</tr> | |||
* | <tr> | ||
</tr> | |||
</table> | |||
* ''Schwarzes Licht'', 2010: intention to integrate the space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates | |||
= | <table border="0" padding="2"> | ||
<tr> | |||
<td valign="top">[[File:NHametnerSchwarzesLicht01.jpg| frame | right | Nicole Hametner, ''Schwarzes Licht'', 2010]]</td> | |||
<td valign="top"></td> | |||
</tr> | |||
<tr> | |||
</tr> | |||
</table> | |||
* | * ''Montchoisi'', 2011: photographs of a swimmingpool/ different seasons/ the element of water and its different states/ from frozen to constant flow | ||
<table border="0" padding="2"> | |||
<tr> | |||
<td valign="top">[[File:NHametnerMontchoisi01.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td> | |||
</tr> | |||
<tr> | |||
</tr> | |||
</table> | |||
== | * First Trimester at Piet Zwart: built up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ [http://pzwart3.wdka.hro.nl/~nhametner/thaumatrope01.html <font color="black">pulsing thaumathrope</font>], theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image | ||
<table border="0" padding="2"> | |||
<tr> | |||
<td valign="top">[[File:Thaumatrope.jpg| frame | right | Thaumatrope, 2012]]</td> | |||
<td valign="top"></td> | |||
</tr> | |||
<tr> | |||
</tr> | |||
[[File: | </table> | ||
* | |||
[[File: |
Latest revision as of 12:11, 10 December 2013
Nicole Hametner, Trimester 4, december 2013
Relation to previous practice
- Aster, 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant
- Le Sapin, 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world
- Schwarzes Licht, 2010: intention to integrate the space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates
- Montchoisi, 2011: photographs of a swimmingpool/ different seasons/ the element of water and its different states/ from frozen to constant flow
- First Trimester at Piet Zwart: built up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ pulsing thaumathrope, theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image