|
|
| (24 intermediate revisions by the same user not shown) |
| Line 1: |
Line 1: |
|
| |
|
| |
|
| Skin Acts - Michelle Ann Stephens
| |
|
| |
|
| |
|
| |
|
| |
| Monique Truong’s The Book of Salt (2003)
| |
|
| |
| Kim Fu’s For Today I Am a Boy (2014)
| |
|
| |
| Kai Cheng Thom’s Fierce Femmes and Notorious Liars (2016)
| |
|
| |
|
| |
|
| |
|
| |
| '''''✨回 - Emily Lee Luan'''''
| |
|
| |
| '''''✨Brenda Shaughnessy'''''
| |
|
| |
| '''''✨Not here - Hieu Minh Nguyen'''''
| |
|
| |
| '''''✨'''''Barbie Chang: Poems Victoria Chang
| |
|
| |
|
| |
|
| |
| '''''✨'''''Franny Choi
| |
|
| |
| '''''✨'''''Jess X. Snow
| |
|
| |
| '''''✨'''''https://theharmonyshow.com/
| |
|
| |
|
| |
|
| |
| '''''✨'''''Cathy Park Hong
| |
|
| |
| '''''✨'''''Sally Wen Mao
| |
|
| |
| '''''✨'''''Racist Love: Asian Abstraction and the Pleasures of Fantasy, Leslie Bow
| |
|
| |
| https://bombmagazine.org/articles/2019/04/25/sallywenmao-anneanlincheng/
| |
|
| |
| '''''✨'''''Racial Melancholia, Racial Dissociation: On the Social and Psychic Lives of Asian Americans
| |
|
| |
| '''''✨'''''Ann An-Lin Cheng
| |
|
| |
| === Performance ===
| |
| '''''✨'''''Karen Shimakawa
| |
|
| |
| '''''✨'''''José Esteban Muñoz
| |
|
| |
| '''''✨'''''Surface Relations: Queer Forms of Asian American Inscrutability
| |
|
| |
| === Toxicity ===
| |
| CA Conrad, ''Ecodeviance: (Soma)tics for the Future Wilderness'' (2014)
| |
|
| |
| CA Conrad, “Somatic Poetry Exercises”: read, and then choose between #s 6, 16, 19, 23, 28, 29, 35, 47 (Chalk)
| |
|
| |
| Cody-Rose Clevidence, selections from ''Beast Feast'' (Chalk)
| |
|
| |
| Don DeLillo, ''White Noise'' (1985)
| |
|
| |
|
| |
|
| |
| https://www.samuelace.com/text#/poems/
| |
|
| |
|
| |
|
| |
| https://kristinvoigt.net/
| |
|
| |
| Relational equality
| |
|
| |
| https://www.mcgill.ca/philosophy/files/philosophy/phil_644_fall_2021.pdf
| |
|
| |
| Contemporary Moral Issues
| |
|
| |
| https://s3.amazonaws.com/docuum/attachments/7523/winter%202013%20syllabus.pdf?1377210831
| |
|
| |
|
| |
| Poetry
| |
|
| |
| https://www.e-flux.com/journal/144/
| |
|
| |
| https://www.e-flux.com/journal/144/599224/on-being-porous/
| |
|
| |
|
| |
|
| |
| '''''✨'''''Unruly Visions The Aesthetic Practices of Queer Diaspora'''''✨'''''The Movies of Racial Childhoods Screening Self-Sovereignty in Asian/America'''''✨'''''Phanuel Antwi: On Cuddling
| |
|
| |
| '''''✨'''''Interventions into Modernist Cultures Poetry from Beyond the Empty Screen
| |
|
| |
| '''''✨'''''The biopolitics of languaging in the cybernetic fold: a decolonial and queer ear to the cosmo-poetics
| |
|
| |
| '''''✨'''''Prosthetic Memories Postcolonial Feminisms in a More-Than-Human World
| |
|
| |
| '''''✨'''''The Intimacies of Four Continents
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| '''''✨'''''Border Thinking Marina Gržinić (Ed.)
| |
|
| |
| '''''✨'''''Gloria Anzaldúa
| |
|
| |
| '''''✨'''''Radicalizing Care Feminist and Queer Activism in Curating
| |
|
| |
|
| |
|
| |
| Dizziness— A Resource
| |
|
| |
| Redeeming Indigo - Michael Taussig
| |
|
| |
| My animal husband - Candice Lin
| |
|
| |
|
| |
|
| |
| https://www.slq.qld.gov.au/visit/spaces/black-opium-fiona-foley
| |
|
| |
| [https://lithub.com/how-can-we-make-the-mfa-workshop-more-hospitable-to-writers-of-color/ How Can We Make the MFA Workshop More Hospitable to Writers of Color? Sabina Murray and Ocean Vuong on Silencing, Compassion, and Pedagogy]
| |
|
| |
| [https://poetrylondon.co.uk/essay-the-feel-of-thinking-sarah-howe-on-lyric-connections-and-incisions/ Essay: The Feel of Thinking – Sarah Howe on lyric connections and incisions]
| |
|
| |
|
| |
| '''''✨'''''<nowiki>https://carolinebergvall.com/</nowiki>
| |
|
| |
| '''''✨'''''<nowiki>https://zocalopoets.com/2013/08/31/problematic-jay-bernard-on-poems-performance-problem-solving/</nowiki>
| |
|
| |
| '''''✨'''''Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval Saidiya V. Hartman
| |
|
| |
|
| |
| === STRESSED HERMS, SWEAT, & PERIOD GAS. ===
| |
| 1. Agard-Jones, Vanessa. “Bodies in the System.” Small Axe 17, no. 3 (42) (November 2013): 182–192. <nowiki>https://doi.org/10.1215/07990537-2378991</nowiki>.
| |
|
| |
| 2. Biss, Eula. On Immunity. Minneapolis: Graywolf Press, 2014.
| |
|
| |
| 3. Buhner, Stephen Harrod. The Secret Teaching of Plants. Rochester: Inner Traditions Bear and Company, 2004.
| |
|
| |
| 4. Buhner, Stephen Harrod. Pine Pollen: Ancient Medicine for a New Millennium. Springvale: Surthrival, 2012.
| |
|
| |
| 5. Buhner, Stephen Harrod. Plant Intelligence and the Imaginal Realm. Rochester: Inner Traditions Bear and Company, 2014.
| |
|
| |
| 6. Chen, Mel Y.. Animacies. Durham: Duke University Press, 2012.
| |
|
| |
| 7. Chen, Mel Y.. “‘The Stuff of Slow Constitution’: Reading Down Syndrome for Race, Disability, and the Timing that Makes Them So.” Somatechnics 6, no. 2 (September 2016): 235–248.
| |
|
| |
| 8. Cheng, Jih-Fei. “‘El tabaco se ha mulato’: Globalizing race, viruses, scientific observation in the late nineteenth century.” Catalyst: Feminism, Theory, Technoscience 1, no. 1 (2015): 1-41.
| |
|
| |
| 9. Cleo, Woelfle-Erskine, and July Cole. “Transfiguring the Anthropocene.” TSQ: Transgender Studies Quarterly 2, no. 2 (May 2015): 297-316. <nowiki>https://doi.org/10.1215/23289252-2867625</nowiki>.
| |
|
| |
| 10. Cohen, Ed. A Body Worth Defending: Immunity, Biopolitics, and the Apotheosis of the Modern Body. Durham: Duke University Press, 2009.
| |
|
| |
| 11. Cohen, Ed. “The Paradoxical Politics of Viral Containment; or, How Scale Undoes Us One and All.” Social Text 106, 29, no. 1 (March 2011): 15-35. <nowiki>https://doi.org/10.1215/01642472-1210247</nowiki>.
| |
|
| |
| 12. Glissant, Édouard. "For Opacity." In Poetics of Relation, translated by Betsy Wing, 189-194. Ann Arbor: University of Michigan Press, 1997.
| |
|
| |
| 13. Grant, Paul, and Shamin Ramasamy. “An Update on Plant Derived Anti-Androgens.” International Journal of Endocrinology and Metabolism 10, no. 2 (2012): 497-502. <nowiki>https://doi.org/10.5812/ijem.3644</nowiki>.
| |
|
| |
| 14. Hanrahan, Brían. “The Anthropoid Condition.” Los Angeles Review of Books, 10 July 2015. <nowiki>https://lareviewofbooks.org/article/the-anthropoid-condition-an-interviewwith-john-durham-peters/</nowiki>.
| |
|
| |
| 15. Hayward, Eva. “Lessons from a Starfish.” In Queering the Non/Human, edited by Myra J. Hird, and Noreen Giffney, 249-264. Abingdon, GB: Routledge, 2008.
| |
|
| |
| 16. Hayward, Eva. “Spider city sex.” Women & Performance: a journal of feminist theory 20, no. 3 (2010): 225-251. <nowiki>https://doi.org/10.1080/0740770X.2010.529244</nowiki>.
| |
|
| |
| 17. Lamoreaux, Janelle. “‘Swimming in Poison’: Reimagining Endocrine Disruption through China’s Environmental Hormones.” In Cross-Currents: East Asian History and Culture Review (e-journal) 30, 78-100. <nowiki>https://cross-currents.berkeley.edu/e-journal/issue30/lamoreaux</nowiki>.
| |
|
| |
| 18. Lin, Candice, Mel Chen, and Jih-Feh Cheng. “What Is Contagion.” Sublevel, 2 February 2017.
| |
|
| |
| 19. Luciano, Dana, and Mel Y. Chen, eds. “Queer Inhumanisms.” GLQ 21, no. 2-3 (June 2015): 183-458.
| |
|
| |
| 20. Nissim, Rina. Natural Healing in Gynecology. New York: Pandora Press, 1986.
| |
|
| |
| 21. Pollack, Anne. "Queering Endocrine Disruption." In Object Oriented Feminism, edited by Katherine Behar, 183-199. Minneapolis: University of Minnesota Press, 2016.
| |
|
| |
|
| |
|
| |
| === Ocean Vuong ===
| |
| '''''✨'''''1. The Narrow Road to the Deep North and Other Travel Sketches, Matsuo Bashõ (Penguin Classics)
| |
|
| |
| 2. Leaves of Grass [1855], Walt Whitman (Oxford 150" Anniversary edition, 2005)
| |
|
| |
| 3. Arthur Rimbaud: Complete Works, Arthur Rimbaud; tr. Wallace Fowlie (University of Chicago Press)
| |
|
| |
| 4. Spring and All, Williams Carlos Williams (Dew Directions, Anniversary Edition)
| |
|
| |
| 5. Notebook of a Return to the Native Land, Aimé Césaire (Wesleyan University Press)
| |
|
| |
| 6. Generations, Lucille Clifton (New York Review of Books)
| |
|
| |
| 7. Midwinter's Day, Bernadette Mayer (New Directions)
| |
|
| |
| 8. Meet Me There, Samuel Ace/ Linda Smukler (Belladonna)
| |
|
| |
| 9. Cooling Time: an American poetry vigil, C.D. Wright (Copper Canyon)
| |
|
| |
| One Big Self, C.D. Wright
| |
|
| |
| 10. Schizophrene, Bhanu Kapil (Nightboat Books)
| |
|
| |
| '''''✨'''''11. Autobiography of Death, Kim Hyesoon; tr. Don Mee Choi (New Directions)
| |
|
| |
| '''''✨'''''12. Dictee, Theresa Hak Kyung Cha
| |
|
| |
| 13. The Lover, Marguerite Duras
| |
|
| |
| 14. The Gentle Order of Girls and Boys, Dao Strom
| |
|
| |
| === Asian ===
| |
| '''''✨'''''Grace Lee Boggs
| |
|
| |
| Yuri Kochiyama
| |
|
| |
| Mary Jean Chan(Kei Miller & Sarah Howe & Ocean Vuong)
| |
|
| |
| Sally Wen Mao
| |
|
| |
| Arthur Sze
| |
|
| |
| Brenda Shaughnessy (Plath, Ashbery, O’Hara)
| |
|
| |
| Hua Hsu
| |
|
| |
| === Sarah Howe ===
| |
|
| |
| * '''Ezra Pound'''
| |
| * '''John Ashbery (Lyrics)'''
| |
| * '''Denise Riley (Lyrics)'''
| |
| * '''''✨''Peter Streckfus (Influence by Pound & Ashbery)'''
| |
| * '''Robert Hass'''
| |
| * '''Haiku'''
| |
| * '''Sylvia Plath'''
| |
| * '''Timothy Donnelly'''
| |
| * '''Ben Lerner'''
| |
| * '''Oli Hazzard'''
| |
| * '''Kei Miller'''
| |
| * '''Andrea Brady'''
| |
| * '''''✨''Brenda Shaughnessy'''
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| '''''✨'''''John Ashbery(John Cage)
| |
|
| |
|
| |
|
| |
| Richard Siken’s Crush
| |
|
| |
|
| |
| Frank O’Hara (Ashbery)
| |
|
| |
|
| |
| Ted Berrigan (O’Hara)
| |
|
| |
| Jack Underwood
| |
|
| |
|
| |
| Terrance Hayes
| |
|
| |
| === Short Poems ===
| |
| Andrea Zanzotto, Tomas Tranströmer, Octavio Paz,
| |
|
| |
| Alejandra Pizarnik, Edmond Jabès, George Seferis
| |
|
| |
|
| |
|
| |
|
| |
| Poetic Closure: A Study of How Poems End by Barbara Herrnstein Smith
| |
|
| |
| Hybrid of Plants and of Ghosts by Jorie Graham
| |
|
| |
| To 2040 by Jorie Graham
| |
|
| |
| Asylum by Quan Barry
| |
|
| |
| Loose Strife by Quan Barry
| |
| Ilya Kaminsky
| |
|
| |
| Jorie Graham
| |
|
| |
| E.E. Cummings
| |
|
| |
| # Denise Riley 的《A Shortened Set》
| |
| # John Ashbery 的《Paradoxes and Oxymorons》
| |
| # Wallace Stevens 的《The Glass of Water》
| |
| # John Donne 的《A Valediction: Forbidding Mourning》
| |
| # Andrew Marvell
| |
| # John Ashbery 的《Wet Casements》
| |
| # Donne 的《A Valediction of My Name, in the Window》
| |
| # Denise Riley 的《Rep》
| |
| # Denise Riley 的《Lyric》
| |
| # Denise Riley 的《When It’s Time to Go》
| |
| # Denise Riley 的《Affections of the Ear》
| |
| # Denise Riley 的《Wherever You Are, Be Somewhere Else》
| |
| # Denise Riley 的《Lure, 1963》
| |
| # Denise Riley 的《A Misremembered Lyric》
| |
| # Denise Riley 的《Sorrow alone reveals its constant pulse》
| |
|
| |
| Uncreative Writing Managing Language in the Digital Age Kenneth Goldsmith
| |
|
| |
| Against Expression: An Anthology of Conceptual Writing
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| === -------------------- Readings Before March ---------------------- ===
| |
| *'''''The Neutral, Roland Barthes'''''
| |
| *'''''Lovebug, Daisy Lafarge'''''
| |
| *'''''Time is a Mother, Ocean Vuong'''''
| |
| *'''''On Earth We're Briefly Gorgeous, Ocean Vuong'''''
| |
| *'''''✨Bright Fear, Mary Jean Chan'''''
| |
| *'''''Diane Seuss'''''
| |
|
| |
| *'''''✨Terrance Hayes'''''
| |
| *'''''✨Arthur Sze'''''
| |
| *'''''Taneda Santoka'''''
| |
| *'''''廖伟棠'''''
| |
| *'''''Sally Wen Mao'''''
| |
| *'''''Jack Underwood'''''
| |
| *'''''Lucille Clifton'''''
| |
| *'''''Sonia Sanchez'''''
| |
| *'''''Yusef Komunyakaa'''''
| |
| *'''''✨Sarah Howe'''''
| |
| *'''''✨Kei Miller'''''
| |
| *'''''Li-Young Lee'''''
| |
| *'''''Marilyn Chin'''''
| |
| *'''''万夏'''''
| |
| *'''''梁小曼'''''
| |
|
| |
| *'''''✨罔两问景 II：中间物'''''
| |
| *'''''✨罔兩問景：酷兒閱讀攻略'''''
| |
| *'''''✨Intoxicated Race, Disability, and Chemical Intimacy across Empire (2023), Mel Y. Chen'''''
| |
|
| |
| *'''''✨Aster of Ceremonies poems, JJJJJerome Ellis'''''
| |
| *'''''✨Almanas, Journal of Trans Poetics'''''
| |
| *'''''✨Val Plumwood, “Tasteless: Towards a Food-Based Approach to Death,” Environmental Values 17, no. 3 (2008): 323–30.'''''
| |
| *'''''✨100 Queer Poems'''''
| |
| *'''''Face of the Deep: A Theology of Becoming'''''
| |
| *'''''Porno-graphing ‘dirty’ subjectivities & self-objectification in contemporary lens-based art'''''
| |
| *'''''The Fox Spirit, the Stone Maiden, and Other Transgender Histories from Late Imperial China'''''
| |
| *'''''Burn & Gloom! Glow & Moon!, Katrina Daschner'''''
| |
| *'''''Critical (Auto) Theory, McKenzie Wark'''''
| |
| *'''''Love and Money, Sex and Death, McKenzie Wark'''''
| |
| *'''''Ama Josephine Budge'''''
| |
|
| |
| *'''''Queer Fire: Ecology, Combustion and Pyrosexual Desire'''''
| |
| *'''''The White West'' – ''Fascism, Unreason, and the Paradox of Modernity'''''
| |
| *'''''Burn & Gloom! Glow & Moon! Katrina Daschner'''''
| |
| *'''''TCOET: Queer theory, pornography, science fiction'''''
| |
| *'''''Sands Murray-Wassink'''''
| |
|
| |
| *'''''✨The Intimacies of Four Continents (2015), Lisa Lowe'''''
| |
|
| |
| *✨'''''The Queer Art of Failure (2011), Jack Halberstam'''''
| |
| *✨'''''ERRANS, Going Astray, Being Adrift, Coming to Nothing (2022), ICI BERLIN'''''
| |
| *'''''TRANSDUALISM (2018), Zairong Xiang'''''
| |
| *'''''Against Ageism, A Queer Manifesto (2023), Simon(e) van Saarloos'''''
| |
| *'''''On Cuddling Loved to Death in the Racial Embrace (2023), Phanuel Antwi'''''
| |
| *'''''Vibrant Death: A Posthuman Phenomenology of Mourning (2021), Nina Lykke'''''
| |
|
| |
| *'''''[https://www.timesmuseum.org/cn/journal/south-of-the-south/venus-in-two-acts 维纳斯双幕剧 赛蒂亚·哈特曼 翻译 黄琨 关于批判性虚构] [[Notes for Critical Fabulation|notes]]'''''
| |
| *'''''https://www.e-flux.com/journal/130/491388/kinship-is-anarchy/'''''
| |
| *'''''The Mustache, Emmanuele Carrère'''''
| |
| *'''''Yoga, Emmanuele Carrère'''''
| |
| *'''''X, Davey Davis'''''
| |
| *'''''Biography of X, Catherine Lacey'''''
| |
| *'''''The Willows, Algernon Blackwood'''''
| |
| *'''''Solaris, Stanislaw Lem'''''
| |
| *'''''Annihilation, Jeff VanderMeer'''''
| |
| *[https://www.e-flux.com/criticism/497319/queering-the-crip-cripping-the-queer '''''“Queering the Crip, Cripping the Queer”''''']
| |
| *[https://poets.org/poem/diving-wreck '''''Diving Into the Wreck, Adrienne Rich''''']
| |
| *[https://www.ces.uc.pt/projectos/intimidade/media/Queering%20the%20crip_sandahl.pdf '''''QUEERING THE CRIP OR CRIPPING THE QUEER? Intersections of Queer and Crip Identities in Solo Autobiographical Performance, Carrie Sandahl''''']
| |
| *'''''[https://queer-crip.schwulesmuseum.de/en/ Queer Crip]'''''
| |
| *[https://www.alternatorcentre.com/essay/time-as-relative-hanss-lujan-torres '''''Time As Relative // Hanss Lujan Torres''''']
| |
| *[https://www.e-flux.com/journal/44/60146/queer-corpses-grupo-chaclacayo-and-the-image-of-death/ '''''Queer Corpses: Grupo Chaclacayo and the Image of Death''''']
| |
|
| |
| *[https://pw-magazine.com/2021/jack-halberstam-refusal-an-aesthetics-of-collapse '''''ART SPECIALS BERLIN Jack Halberstam Refusal: An Aesthetics of Collapse''''']
| |
| *[https://www.youtube.com/watch?v=tshNSOjd5aY '''''Jack Halberstam, Unworlding and Q&A at Queer Earth and Liquid Matters | Serpentine''''']
| |
| *[https://nieuweinstituut.nl/en/events/wild-things-jack-halberstam '''''Wild Things with Jack Halberstam''''']
| |
| *[https://www.youtube.com/watch?v=yJge51E4WMY '''''Paul B. Preciado with Jack Halberstam''''']
| |
| *'''''[https://watermark.silverchair.com/GLQ212-3_01Intro_FF.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAA2IwggNeBgkqhkiG9w0BBwagggNPMIIDSwIBADCCA0QGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMq-2T3SKg5mDNcDuRAgEQgIIDFYiJiDl7XXkW5WcV0nRBwqo1y7YBLZjxG-KxJKvwRKRKfAJ11_l_Dc2ta6ViqFVce9x9QUmjbD3mbyWRR4JsCPeDGVEL8Rm0vyWKL8ELUYX9d5bKrmu23zey1hIo5jNSdslNWAFSXgIgLItCXpTHJtlrlubNgsbAgwk5ld60Uup9iWmrWUbCh2DlMdjWU6P4yk8icfG5X_yQ2AoFsXRGRZeYlxI0zrZyTuiJPohWYGdBXltxnkH7-xMLRVKSdoQDUtbN5Y_v-oJSWAIWuLQQf1xmalytuO2wK76_8w_c-1YOjfNlg5vH8Gkk9XnHX49c0qGmhAVqw5QeDQgh3sNiV2uwLqy4j93dtrTEkRMb9ij5A2Q0Uks-wKYXgtzn8x7IUScgkU8aLigZtF0B15-LwBjmbT2mVBZsYwLLF068Xk5IMgIhGAp2meN-2qrGMR0vlhgu_xgKeqlhlUFDBKGmcopalEpseWGcoyFaSssU_kGzvu5WkiJ4S7_3GB5_anejGGl9yEIzxThVqz4S7tZF21GaPujn0DfVX5YPWZ7EH-O0ytQhwgb7DNdi69yJUJOGIlwrufMAKrLjFkltWT_YcBtLI8m1deVflMQaayqjY-6j2inChpdhtRAN8FWxWfkcZrptAC_Gi-AocYwKOMK9tyKAa-QKFh9Iam85iT9EgtjlUMmVLOBSuLOiScVbIV46T5g40qaX2b7-JVLs7R_vMNx88r0wv9jHWVk04HPzaXqLMXRWIkxJbZ-SCy1yYOztcpa5rubTdmoZNd6X2ZHabZOEy4mFIdndawOFJ3zPJ9ITjE6p83mRQdTQm9UCtFRFfQDD5qorf46KNER3bl3ACkC7aizM01aoGtIF4NhWcQUwkxvl7pIrBqJ-J3c4lpcCgHabOBiM9-vWxSurFD7V7n51YHUk2IMDL-RRX9nsXrgAz68E6PZhVwu-kw575ocALKTAKRLEd_3Qo4xdwutp3WkJ3YVxLDHgGJIdaE5lCD6szE9e4_5pt9_xsx6ashiG9ksVWiye81TBuVkw353BE6YSwXR-zw Has the Queer Ever Been Human? Dana Luciano and Mel Y. Chen]'''''
| |
| *✨[https://www.betonsalon.net/IMG/pdf/bs22-final-complet.pdf '''''A Hard White Body - Candice Lin''''']
| |
| *[https://www.e-flux.com/architecture/sick-architecture/352870/the-virus-figure-and-infrastructure/ '''''The Virus: Figure and Infrastructure (2020), Elizabeth A. Povinelli''''']
| |
| *'''''The Against Nature Journal'''''
| |
| *✨'''''Sex Ecologies (2021), Stefanie Hessler'''''
| |
| *✨'''''The Material Kinship Reader (2022), Kris Dittel and Clementine Edwards'''''
| |
| *✨'''''Death by Landscape (2022), Elvia Wilk'''''
| |
| *'''''Elsewhere, Within Here Immigration, Refugeeism and the Boundary Event (2010), Trinh T. Minh-ha'''''
| |
| *'''''Alien Rhymes (2019), Amy Ireland'''''
| |
| *'''''Vampires in Space (2023), Isadora Neves Marques'''''
| |
| *'''''YWY, Searching for a Character Between Future Worlds (2022),''''' '''''Isadora Neves Marques'''''
| |
| *[https://mp.weixin.qq.com/s/9NYWVwYatOnq0JFzg4bZVQ '''''天使岛, 翁笑雨''''']
| |
| *[https://mp.weixin.qq.com/mp/appmsgalbum?action=getalbum&__biz=MjM5MjAzMzUyMA==&scene=1&album_id=1761260037747834888&count=3#wechat_redirect '''''猪仔叹和毒物赋，林从欣''''']
| |
| *[https://www.guggenheim.org/articles/checklist/responding-to-anti-asian-xenophobia-during-the-pandemic-part-one '''''Responding to Anti-Asian Xenophobia during the Pandemic, 翁笑雨''''']
| |
| *'''''[https://www.e-flux.com/journal/28/68031/queer-temporalities-and-the-chronopolitics-of-transtemporal-drag/ Queer Temporalities and the Chronopolitics of Transtemporal Drag (2011), Antke Engel]'''''
| |
| *✨'''''[https://www.e-flux.com/journal/44/60173/toxic-assemblages-queer-socialities-a-dialogue-of-mutual-poisoning/ Toxic Assemblages, Queer Socialities: A Dialogue of Mutual Poisoning (2013), Antke Engel and Renate Lorenz]'''''
| |
| *[https://www.boudry-lorenz.de/media/Aftershow_Letters_Virginie.pdf '''''Aftershow Letters Virginie''''']
| |
| *'''''Rethinking Homonationalism (2013), Jasbir K. Puar'''''
| |
| *'''''Racism or Race Play: A Conceptual Investigation of the Race Play Debates (2017), Susanne Schotanus'''''
| |
| *✨'''''White Innocence: Paradoxes of Colonialism and Race (2016), Gloria Wekker'''''
| |
| *✨'''''The RIght to Sex (2021), Amia Srinivasan'''''
| |
| *✨'''''[https://www.awhammagazine.com/queeronomics-neoliberal-co-optation-of-queer-masculinities Queeronomics: Neoliberal Co-Optation Of Queer Masculinities, Mudar Al-Khufash]'''''
| |
| *'''''The Impotence Epidemic Men's Medicine and Sexual Desire in Contemporary China (2015), Everett Yuehong Zhang'''''
| |
| ===[https://www.dukeupress.edu/series/Perverse-Modernities-A-Series-Edited-by-Jack-Halberstam-and-Lisa-Lowe Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe]===
| |
| *✨'''''Animacies - Biopolitics, Racial Mattering, and Queer Affect (2012), Mel Y. Chen'''''
| |
| *✨'''''Wild Things The Disorder of Desire (2020), Jack Halberstam'''''
| |
| *'''''A View from the Bottom Asian American Masculinity and Sexual Representation (2014), Tan Hoang Nguyen'''''
| |
| *'''''Chinese Surplus Biopolitical Aesthetics and the Medically Commodified Body (2018), Ari Larissa Heinrich'''''
| |
| *'''''Racial Castration Managing Masculinity in Asian America (2001), David L. Eng'''''
| |
| ===[https://www.dukeupress.edu/series/ANIMA-Critical-Race-Studies-Otherwise ANIMA: Critical Race Studies Otherwise]===
| |
| *'''''Intoxicated Race, Disability, and Chemical Intimacy across Empire (2023), Mel Y. Chen'''''
| |
| *'''''Racist Love Asian Abstraction and the Pleasures of Fantasy (2022), Leslie Bow'''''
| |
| ===...===
| |
| Anicka Yi
| |
|
| |
| Zach Blas
| |
|
| |
| Carlos Motta
| |
|
| |
| https://vimeo.com/127254583
| |
|
| |
| https://lithub.com/toward-a-theory-of-the-new-weird/
| |
|
| |
| Adham Faramawy
| |
|
| |
| Basel Abbas and Ruanne Abou-Rahme
| |
|
| |
| Fuyuhiko Takata
| |
|
| |
| Sunpride Foundation
| |
|
| |
| Jimmy DeSana
| |
|
| |
| ..
| |
|
| |
| Alberta Whittle
| |
|
| |
| Jes Fan
| |
|
| |
| Okwui Okpokwasili
| |
|
| |
| Margrethe Pettersen
| |
|
| |
| Ibrahim Fazlic
| |
|
| |
| Laure Prouvost
| |
| ==New Ecologies from Institute for Postnatural Studies==
| |
| '''Main Bibliography'''
| |
|
| |
| ''-'' Wark, McKenzie. ''Sensoria: Thinkers for the Twentieth-First Century. 2020''
| |
|
| |
| ''-'' Abram, David. ''The Spell of the Sensuous: Perception and Language in a More-Than-Human World. 1996''
| |
|
| |
| ''-'' Demos, T.J''. Against the Anthropocene.Visual Culture and Environment Today. 2017''
| |
|
| |
| ''-'' Haraway, Donna J''. Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene. 2016''
| |
|
| |
| ''-'' Tsing, Anna. ''The Mushroom at the end of the world. 2015''
| |
|
| |
| ''-'' Morton, Timothy. ''Dark Ecology: For a Logic of Future Coexistence (Columbia University Press). 2016.''
| |
|
| |
| - Bennett, Jane. ''Vibrant Matter: A Political Ecology of Things. 2010''
| |
|
| |
| - Kathryn Yusoff, ''A Billion Black Anthropocenes Or None'', 2018
| |
|
| |
| '''Dissolving the Nature/Culture Binomial'''
| |
|
| |
| '''GENEALOGIES OF THE POSTNATURAL'''
| |
|
| |
| '''Related Bibliography'''
| |
|
| |
| - ''Lord Byron. Darkness. 1816''
| |
|
| |
| - ''Latour, Bruno. Facing Gaia. 2011''
| |
|
| |
| - ''Morton, Timothy. Ecology without nature. 2016''
| |
|
| |
| - ''Ballard, J. The Drowned World. 1962''
| |
|
| |
| - ''Sloterdijk, Peter. Terror from the Air, trans. Amy Patton and''
| |
|
| |
| ''Steve Corcoran. Los Angeles: Semiotext(e), 2009''
| |
|
| |
| - ''Morton, Timothy. Hyperobjects. 2013''
| |
|
| |
| - ''Di Palma, Vittoria. Wasteland, a history. 2014''
| |
|
| |
| - ''Horn, Eva. The last man. 2014''
| |
|
| |
| - ''Parikka, Jussi. A Geology of Media. University of Minnesota''
| |
|
| |
| ''Press 2015''
| |
|
| |
| '''AGAINST THE ANTHROPOCENE'''
| |
|
| |
| '''Related Bibliography'''
| |
|
| |
| ''- Demos, T.J. Against the Anthropocene.Visual Culture and''
| |
|
| |
| ''Environment Today. 2017''
| |
|
| |
| - ''Bennett, Jane. Vibrant Matter: A Political Ecology of Things.''
| |
|
| |
| ''Duke University Press. 2009''
| |
|
| |
| ''- Morton, Timothy. Dark Ecology: For a Logic of Future''
| |
|
| |
| ''Coexistence (Columbia University Press). 2016.''
| |
|
| |
| ''- Demos, T.J. Art after Nature: The Post-natural Condition.''
| |
|
| |
| ''2017''
| |
|
| |
| - ''Stringer, Anna-Sophie & Turpin, Etienne. Land & Animal &''
| |
|
| |
| ''Non Animal. 2014''
| |
|
| |
| - ''Jason Moore. Capitalocene. 2018''
| |
|
| |
| '''DECOLONIZING TIME'''
| |
|
| |
| '''Related Bibliography'''
| |
|
| |
| ''- Haraway, Donna J., Tentacular Thinking: Anthropocene,''
| |
|
| |
| ''Capitalocene, Chthulucene. 2016''
| |
|
| |
| ''- Parikka, Jussi. Media Archaeology. 2015''
| |
|
| |
| ''Nature, History, and the Crisis of Capitalism, ed. JasoN''
| |
|
| |
| ''Moore. Oakland, CA: PM Press, 2016''
| |
|
| |
| ''- Davis, Heather and Turpin, Etienne. Art in the Anthropocene:''
| |
|
| |
| ''Encounters Among Aesthetics, Politics, Environments and''
| |
|
| |
| ''Epistemologies. 2016''
| |
|
| |
| ''- Mbembe, Achille. On the postcolony. 2001''
| |
|
| |
| ''- De la Cadena, Marisol. Earth Beings. Ecologies of Practice''
| |
|
| |
| ''Across Andean Worlds. 2015''
| |
|
| |
| ''- Demos, T.J. Against the Anthropocene: Visual Culture and''
| |
|
| |
| ''Environment Today. 2017''
| |
|
| |
| '''GARDENS OF DELIGHTS: Geopolitics and botanics, displacements of seeds and bodies'''
| |
|
| |
| '''Related Bibliography'''
| |
|
| |
| ''- Mancuso, Stefano. The Incredible Journey of Plants, 2022''
| |
|
| |
| ''- Marder, Michael. Plant-Thinking: A Philosophy of Vegetal Life,''
| |
|
| |
| ''2013''
| |
|
| |
| '''ECOLOGIES FOR THE FUTURE'''
| |
|
| |
| '''Bibliography'''
| |
|
| |
| - ''Haraway, Donna J. “Staying with the Trouble: Anthropocene,''
| |
|
| |
| ''Capitalocene, Chthulucene,” in Anthropocene or''
| |
|
| |
| ''Capitalocene?''
| |
|
| |
| - ''Steyerl, Hito. Politics of Art, 2012''
| |
|
| |
| - ''Bennett, Jane. Vibrant Matter: A Political Ecology of Things.''
| |
|
| |
| ''Duke University Press. 2009''
| |
|
| |
| - ''Tsing, Anna. The Mushroom at the end of the world. 2015''
| |
|
| |
| - ''Tsing, Anna. Arts of Living on a Damaged Planet: Ghosts and''
| |
|
| |
| ''Monsters of the Anthropocene. 2017''
| |
| ==Counter, Revolution, Film==
| |
| ====''Reading''====
| |
| *'''''Aaron J. Leonard, and Connor A. Gallagher. Heavy Radicals: The FBI's Secret War on America's Maoists. London: Zero Books, 2015.'''''
| |
| *'''''Adorno, T.W. “Commitment.” In The Essential Frankfurt School Reader. Edited by Andrew Arato and Eike Gebhardt, 300-318. New York: Continuum, 1998..'''''
| |
| *'''''Alter, Nora. “The Political Im/perceptible in the Essay Film: Farocki’s ‘Images of the World and Inscriptions of War’.” New German Critique 68 (1996): 165–192.'''''
| |
| *'''''Baumann, Stefanie (2021). "Images of the Real: Introductory Notes 1." Cinema Journal of Philosophy and the Moving Image 12 (2021): 8-21.'''''
| |
| *'''''Benjamin, Walter. The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Edited by Michael W. Jennings, Brigid Doherty and Thomas Y. Levin. Cambridge: Belknap Press of Harvard University Press, 2008.'''''
| |
| *'''''Bevins, Vincent. The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program that Shaped Our World. New York: Public Affairs, 2020.'''''
| |
| *'''''Davis, Angela. If They Come in the Morning…: Voices of Resistance. London: Verso, 2016.'''''
| |
| *'''''Eshun, Kodwo, and Ros Gray, (eds).”The Militant Image: A Ciné‐Geography. Editors’ Introduction.” Third Text, 25, no. 1 (2011): 1-12.'''''
| |
| *'''''Fanon, Frantz. The Wretched of the Earth. Translated by Constance Farrington. London: Penguin, 1963.'''''
| |
| *'''''Harvey, Sylvia. “Whose Brecht? Memories for the Eighties.” Screen 23, no. 1 (1982): 45-59.'''''
| |
| *'''''Khalili, Laleh. Time in the Shadows: Confinement in Counterinsurgencies. Stanford: Standford University Press, 2012.'''''
| |
| *'''''James, CLR. “They Showed the Way to Labor Emancipation: On Karl Marx and the 75th Anniversary of the Paris Commune,” Labor Action Newspaper of the Workers Party of the United States (March 18, 1946). Last accessed November 12, 2023 <nowiki>https://libcom.org/article/karl-marx-and-paris-commune-clr-james</nowiki>.'''''
| |
| *'''''de Laurot, Edouard. “Composing as the Praxis of Revolution: The Third World and the USA.” Third Text 25, no. 1 (2011): 67-91.'''''
| |
| *'''''Lorde, Audre. “Apartheid U.S.A.” In I Am Your Sister: Collected and Unpublished Writings of Audre Lorde. Edited by Rudolph B. Byrd, Johnetta Betsch Cole and Beverly Guy-Sheftall. Oxford: Oxford University Press, 2009.'''''
| |
| *'''''Marx, Karl. “The Paris Commune.” In The Civil War in France. (1871). Last accessed November 3, 2023 <nowiki>https://www.marxists.org/archive/marx/works/1871/civil-war-france/ch05.htm</nowiki>'''''
| |
| *'''''Meister, Robert. After Evil: The Politics of Human Rights. New York: Columbia University Press, 2021.'''''
| |
| *'''''Minh-Ha, Trinh T. “Documentary Is/Not a Name.” October 52 (1990): 76-98.'''''
| |
| *'''''Mokhtefi, Elaine. Algiers Third World Capital: Freedom Fighters, Revolutionaries, Black Panthers. London: Verso Books 2022.'''''
| |
| *'''''Nichols, Bill. Speaking Truths with Film. Evidence, Ethics, Politics in Documentary. Oakland: University of California Press, 2016.'''''
| |
| *'''''Rabinowitz, Paula. They Must Be Represented: The Politics of Documentary. London: Verso, 2004.'''''
| |
| *'''''Rodowick, D. N. The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Criticism. Oakland: University of California Press, 1995.'''''
| |
| *'''''Ross, Kristin. Communal Luxury: The Political Imaginary of the Paris Commune. London and New York: Verso, 2016.'''''
| |
| *'''''Toscano, Alberto. Late Facscism. London and New York: Verso, 2023.'''''
| |
| *'''''Whyte, Jessica. The Morals of the Market: Human Rights and the Rise of Neoliberalism. London and New York: Verso, 2019.'''''
| |
| ====''Film list''====
| |
| *'''''Solanas and Getino, The Hour of the Furnaces (1973)'''''
| |
| *'''''Gilles Pontecorvo, La Bataille d’Algers (1966)'''''
| |
| *'''''John Frankenheimer, The Manchurian Candidate (1962)'''''
| |
| *'''''Stanley Kubrik, Doctor Strangleove (1964)'''''
| |
| *'''''Don Siegel, Invasion of the Body Snatchers (1956)'''''
| |
| *'''''Thom Andersen, Red Hollywood (1996)'''''
| |
| *'''''Barbet Schroeder, The Devil’s Advocate (2007)'''''
| |
| *'''''Black Audio Film Collective, Handsworth Song (1986)'''''
| |
| *'''''Mustafa Abu Ali, several'''''
| |
| *'''''Kassem Hawal, Return to Haifa (1982)'''''
| |
| *'''''Tokyo Reels'''''
| |
| *'''''Ivens, Marker, Klein, Resnais, Varda, Godard, Lelouch, Loin du Vietnam (1967)'''''
| |
| *'''''Joshua Oppenheimer, The Act of Killing (2011)'''''
| |
| *'''''Chris Marker, Level 5 (1999) and La Jetée (1966)'''''
| |
| *'''''JL Godard, Anne Marie Mieville and JP Gorin, Içi et Ailleurs and Notre Musique'''''
| |
| *'''''Godard, La Chinoise (1967)'''''
| |
| *'''''Steve McQueen, Small Axe: Mangrove (2022)'''''
| |
| *'''''Peter Watkins, La Commune (2002)'''''
| |
| *'''''Sarah Gomez, One Way or Another (1974)'''''
| |
| *'''''Wes Hondo, West Indies: The Fugitive Slaves of Liberty (1979)'''''
| |
| *'''''Dziga Vertov, Man with a Movie Camera (1925)'''''
| |
| *'''''Sergei Eisenstein, Battleship Potemkin (1925) or Ten Days that Shook the World (1928)'''''
| |
| *'''''Harun Farocki Workers Leaving the Factory (1995)'''''
| |
| *'''''Flora Gomes and Diana Andringa The Two Faces of War (2000)'''''
| |
| *'''''Sarah Maldoror (1969) Monangambee'''''
| |
| *'''''Trinh T. Minh-ha (1983) Reassemblage: From the Firelight to the Screen'''''
| |
| *'''''Laura Poitras, Citizenfour (2014)'''''
| |
| ==Feminisms Readings from Institute for Postnatural Studies==
| |
| *'''''Death by Landscape, Elvia Wilk'''''
| |
| *'''''The Left Hand of Darkness, Ursula K. Le Guin'''''
| |
| ====''From Mindy Seu''====
| |
| *'''''A [White] Cyborg’s Manifesto_ the overwhelmingly Western ideology driving technofeminist theory'''''
| |
| *'''''Race, Gender, and Virtual Inequality_ Exploring the Liberatory Potential of Black Cyberfeminist Theory'''''
| |
| ======''From Carmen Lael''======
| |
| *'''''Podcast: <nowiki>https://archive.ica.art/whats-on/what-can-post-cyber-feminism-do-reproductive-justice/</nowiki>'''''
| |
| *'''''Legacy Russell, Glitch Feminism: A Manifesto (London: Verso, 2020)'''''
| |
| *'''''Tiziana Terranova, ‘Free Labour: Free Labour, Producing Culture for the Digital Economy,’ Social Text 63: <nowiki>https://web.mit.edu/schock/www/docs/18.2terranova.pdf</nowiki>'''''
| |
| *'''''Anastasia Siaoka and Elisabetta Biasin, ‘Bleeding Data: The Case of Fertility and Menstruation Tracking Apps,’ Internet Policy Review: <nowiki>https://policyreview.info/articles/analysis/bleeding-data-case-fertility-and-menstruation-tracking-apps</nowiki>'''''
| |
| ====''From Amy Ireland''====
| |
| *'''''Sadie Plant, 'On the Matrix: Cyberfeminist Simulations' in The Cybercultures Reader, eds. David Bell and Barbara M. Kennedy (London: Routledge, 2000), 325–336.'''''
| |
| *'''''Annihilation (film), Alex Garland dir., 2018.'''''
| |
| *'''''Amy Ireland, ‘Alien Rhythms’, Litteraria Pragensia, vol. 29, no. 58, ‘Avant-Futures’, 2019: 58–71 (or online).'''''
| |
| ====''From Ama Josephine Budge''====
| |
| *'''''Troubling Ecology: Wangechi Mutu, Octavia Butler, and Black Feminist Interventions in Environmentalism (32 pages) Chelsea M. Frazier in Critical Ethnic Studies Vol. 2, No. 1 (University of Minnesota Press, 2016)'''''
| |
| *'''''What the Sands Remember (21 pages) Vanessa Agard Jones (GLQ, 2012)'''''
| |
| *'''''Story/Podcast: The Ocean that Fades into Sky Kathleen Kayembe (Lightspeed Magazine, 2019)'''''
| |
| *'''''Undrowned: Black Feminist Lessons from Marine Mammals Alexis Pauline Gumbs (A.K Press, 2020)'''''
| |
| *'''''Black Atlantic Queer Atlantic (26 pages) Omise’eke Natasha Tinsley (GLQ, 2008)'''''
| |
| *'''''Bodyminds Reimagined: (Dis)ability, race and gender in Black Women’s Speculative Fiction Sami Schalk, (Duke University Press, 2018)'''''
| |
| *'''''Podcast: Back to Earth - Queer Currents Serpentine Gallery (2020)'''''
| |
| *'''''Introduction: Black Ecology Nathan Hare (The Black Scholar, 1970)'''''
| |
| *'''''Let them Drown: the Violence of Othering in a Warming World Naomi Klein, (London Review of Books, 2016)'''''
| |
| *'''''Black Feminist Ecological Thought: A Manifesto Chelsea M. Frazier (Atmos Magazine, 2020)'''''
| |
| *'''''Aww Shucks: How do we Prepare for Climate Apocalypse [podcast episode, transcript available] adrienne maree brown & Autumn Brown, How to Survive the End of the World Podcast (2018)'''''
| |
| *'''''Introduction: Black Global Ecologies J.T. Roane & Justin Hosbey, Environment and Society: Advances in Research (2022)'''''
| |
| ==FEMINIST KILLJOY, Reading from Sara Ahmed==
| |
| *'''''Gloria Anzaldúa, Borderlands / La Frontera: The New Mes-tiza (San Francisco: Aunt Lune Books, 2nd edn, 1999)'''''
| |
| *'''''Lauren Berlant, The Queen of America Goes to Washington City (Durham: Duke University Press, 1997) and Cruel Optimism (Durham: Duke University Press, 2011)'''''
| |
| *'''''Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990) and Precarious Life: The Powers of Mourning and Violence (London: Verso, 2004)'''''
| |
| *'''''Angela Y. Davis, Freedom is a Constant Struggle (Chicago: Haymarket Books, 2016) and Abolition. Feminism. Now., with Gina Dent, Erica R. Meiners and Beth E. Richie (Chicago: Haymarket Books, 2021)'''''
| |
| *'''''Reni Eddo-Lodge, Why I'm No Longer Talking to White People about Race (London: Bloomsbury, 2017)'''''
| |
| *'''''Mona Eltahawy, Seven Necessary Sins for Women and Girls (Dublin: Tramp Press, 2021)'''''
| |
| *'''''Marilyn Frye, The Politics of Reality: Essays in Feminist Theory (Trumansburg: The Crossing Press, 1993)'''''
| |
| *'''''Roxane Gay, The Bad Feminist (London: Corsair, 2014)'''''
| |
| *'''''Alexis Pauline Gumbs, Undrowned: Black Feminist Lessons from Marine Mammals (Chico, CA: AKA Press, 2020)'''''
| |
| *'''''Ruby Hamad, White Tears, Browm Scars: How White Feminism Betrays Women of Color (New York: Orion, 2020)'''''
| |
| *'''''Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval (London: Serpent's Tail, 2009)'''''
| |
| *'''''bell hooks, Feminist Theory: From Margin to Center (London: Pluto Press, 2000) and Talking Back: Thinking Feminism, Thinking Black (Boston: South End Press, 1989)'''''
| |
| *'''''Audre Lorde, Sister Outsider: Essays and Speeches (Tru-mansburg: The Crossing Press, 1984) and A Burst of Light: Essays (Ithaca: Firebrand Books, 1988)'''''
| |
| *'''''Aileen Moreton-Robinson, Talkin' Up to the White Woman: Indigenous Women and Feminism (Brisbane: University of Queensland Press, 2020) and The White Possessive: Property, Power and Indigenous Sovereignty (Minneapolis: University of Minnesota Press, 2015)'''''
| |
| *'''''Mikki Kendall, Hood Feminism: Notes from the Women White Feminism Forgot (London: Bloomsbury, 2020)'''''
| |
| *'''''Lola Olufemi, Feminism, Interrupted: Disrupting Power (London: Pluto Press, 2020)'''''
| |
| *'''''Claudia Rankine, Citizen: An American Lyric (Min-neapolis: Greywood Press, 2014) and Just Us: An American Conversation (London: Allen Lane, 2020)'''''
| |
| *'''''Prisca Dorcas Mojica Rodriguez, For Brown Girls with Sharp Edges and Tender Hearts: A Love Letter to Women of Color (New York: Seal Press, 2021)'''''
| |
| *'''''Chelsea Watego, Another Day in the Colony (Brisbane, University of Queensland, 2021)'''''
| |
| *'''''Rafia Zakaria, Against White Feminism (London: Hamish Hamilton, 2021)'''''
| |
| ==[https://www.notion.so/d985e47ce8cf49eb97f417fb12ca8088 他者的身份政治：马华文学，或理论的克里奥化 中文课程]==
| |
| ==[https://dynamic-quiver-01d.notion.site/ed6f0940735d4e218dc0aa0a09017468 女神、女性和女巫 中文课程]==
| |
| ==[https://www.notion.so/octopus-in-drag/d5220285aecf4dc5b3af2c6d58e568ad 未知的身体 — 舞动的“我”及东亚感知 中文课程]==
| |
| ==[https://www.notion.so/octopus-in-drag/98e2548edcb6440082ae557989e89760 女性主义理论、文本与临床 中文课程]==
| |
| ==[https://www.notion.so/octopus-in-drag/20-95fdfc71059d48c78baadf8d59c45b12 戈达尔的电影史导论：20世纪的经验与历史 中文课程]==
| |
| ==[[Queering the Narrative|Queering the Narrative From Future Host 酷儿化叙事]]==
| |
| ==[http://artjournal.collegeart.org/?p=16500 A Syllabus on Transgender and Nonbinary Methods for Art and Art History 艺术和艺术史中的跨性别和非二元方法提纲]==
| |
| ==[[Homosexual Literature and Inter-Asia (trans)Culture|Homosexual Literature and Inter-Asia (trans)Culture 同志文学与亚际文化交流]]==
| |
| ==[https://www.dukeupress.edu/series/Perverse-Modernities-A-Series-Edited-by-Jack-Halberstam-and-Lisa-Lowe Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe]==
| |
| ==[https://www.dukeupress.edu/series/ANIMA-Critical-Race-Studies-Otherwise ANIMA: Critical Race Studies Otherwise Mel Y. Chen, Ezekiel J. Dixon-Román, Jasbir K. Puar]==
| |
| ==[[Erotic Writing Muyang|Erotic Writing 情欲写作 by Alice Sparkly Kat]]==
| |
| ==Margins and Identities==
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Theory The Margins of Theory]===
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Language The Margins of Language]===
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Empire The Margins of Empire]===
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Time The Margins of Time]===
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Diaspora The Margins of Diaspora]===
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Gender The Margins of Gender]===
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Ethnicity The Margins of Ethnicity]===
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Culture The Margins of Culture]===
| |
| ==Feminism, Queerness==
| |
| ===The Material Kinship Reader===
| |
| ===Sex Ecologies===
| |
| ===The Against Nature Journal===
| |
| ===Queer Ecologies: Sex, Nature, Politics, Desire===
| |
| ===Pedro Neves Marques===
| |
| *YWY, Searching for a Character between Future Worlds
| |
| *Vampires in Space
| |
| ===Tabita Rezaire===
| |
| ===Heather Davis===
| |
| ===Sara Ahmed===
| |
| ===Sophie Lewis===
| |
| ===Paul B. Preciado===
| |
| *''Manifiesto contrasexual''
| |
| *''Testo yonqui''
| |
| *''Un apartamento en Urano.''
| |
| *''Dysphoria Mundi''
| |
| *Preciado write articles for: <nowiki>https://www.liberation.fr/?redirected=1</nowiki>;
| |
| *[[Anus my|Anal Politics]]
| |
| ===Jack Halberstam===
| |
| ===Donna Haraway===
| |
| *[[Donna Haraway Muyang|notes]]
| |
| ===Elvia Wilk===
| |
| *<nowiki>https://elviapw.com/</nowiki>
| |
| *<nowiki>https://lithub.com/toward-a-theory-of-the-new-weird/</nowiki>
| |
| *<nowiki>https://www.e-flux.com/journal/92/205298/the-word-made-fresh-mystical-encounter-and-the-new-weird-divine/</nowiki>
| |
| *<nowiki>https://granta.com/erotics-of-rot/</nowiki>
| |
| ===Antke Engel + Pauline Boudry / Renate Lorenz===
| |
| *<nowiki>https://www.e-flux.com/journal/52/59935/the-elegantly-strong-triad-defamiliarizing-the-family-in-works-by-latoya-ruby-frazier-and-henrik-olesen/</nowiki>
| |
| *<nowiki>https://www.e-flux.com/journal/17/67418/desire-for-within-economic-transformation/</nowiki>
| |
| *<nowiki>https://www.e-flux.com/journal/28/68031/queer-temporalities-and-the-chronopolitics-of-transtemporal-drag/</nowiki>
| |
|
| |
| *https://www.e-flux.com/journal/44/60173/toxic-assemblages-queer-socialities-a-dialogue-of-mutual-poisoning/
| |
| *http://www.queer-institut.de/en/
| |
| ===Mel Y. Chen + Candice Lin===
| |
| *Animacies
| |
| *<nowiki>https://www.e-flux.com/journal/130/492951/death-to-death-life-by-cuts/</nowiki>
| |
| *<nowiki>https://gws.berkeley.edu/about/department-faculty/mel-y-chen/</nowiki>
| |
|
| |
| *https://read.dukeupress.edu/glq/article-abstract/17/2-3/265/34745/Toxic-Animacies-Inanimate-Affections?redirectedFrom=fulltext
| |
| ===Carlos Motta===
| |
| *https://www.e-flux.com/journal/44/
| |
| *https://carlosmotta.com/
| |
| *https://vimeo.com/user3319523
| |
| ===Zairong Xiang===
| |
| *https://www.xiangzairong.com/
| |
| *[[Yin-yang, Transdualism|Yinyang, Transdualism]]
| |
| *https://timesmuseum.org/cn/journal/south-of-the-south/shanzhai-a-theory-of-the-south
| |
| ===[[Taoism Muyang|Zhengbo, Daoism, Ecology]]===
| |
| ===Cyberfeminism===
| |
| *Glitch Feminism
| |
| *Mindy Seu
| |
| ===Glossary===
| |
| <nowiki>https://keywords.nyupress.org/</nowiki>
| |
|
| |
| Posthuman glossary
| |
|
| |
| <nowiki>https://www.queernature.org/</nowiki>
| |
|
| |
| <nowiki>https://queerecology.org/</nowiki>
| |
XPUB & Lens-Based wiki