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| <blockquote>not so much about homosexuality, it is what happens if you are so afraid that you finally cannot love anybody
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| -- James Baldwin</blockquote><blockquote>It’s only from the destituent standpoint that one can grasp all that is incredibly constructive in the breakage. -- The Invisible Committee</blockquote>I would write to you as a way to process
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|
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| (The fascism of water,
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|
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| human-beaver worlds,
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|
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| the national site of transformation: China,
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| the “curse”,
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| cultural tourism,
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|
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| mirrored heartbreak
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|
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| the archival presence
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| of a white man’s disease
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|
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| the backfiring of good intentions)
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|
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|
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| a kind of infectious melancholy
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|
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| a state of unfitting-ness of being,
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|
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| of not being the universal
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|
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| so incendiary
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|
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| I feel suspicious
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|
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|
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| I shouldn’t want to know the people or keep them
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|
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|
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| an abstraction
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|
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| a perfect fantasy of whiteness
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|
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| a fleshy contingency.
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|
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| You told me when we were hanging out at the beginning that I didn’t
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|
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| feel
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|
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| “that white”.
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|
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| THAT WHITE
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|
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| NON-WHITE
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|
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| WHITE TERRORISM
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|
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| But I know the epidermis. What do I have to say of
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|
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| race,
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|
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| WHITE LIBERALISM
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|
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| of colonialist rampage? I am the oblivious offspring of
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| conquerors,
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|
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| WHITE LIBERALS
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|
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| educated in its willful amnesia, crafting a body out of
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|
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| desire,
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|
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| WHITE MAINSTREAM
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|
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| to be what I wasn’t assigned to be
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|
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| be.
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|
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| TOO WHITE-WASHED
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|
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|
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| LOVE OF WHITES
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|
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| WHITE MEN
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|
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| WHITE WOMAN
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|
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| WHITE PERSON
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|
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| WHITE HEROES
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|
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| BECOME WHITE
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|
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| WHITE SUIT
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|
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| WHITE FILAMENTS
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|
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| SNOWY WHITE
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|
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| SAFE WHITE FRAME
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|
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| WHITE HUNGRY BEAST
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|
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| WHITE BUTCHERS
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|
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| WHITE SUPREMACY
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|
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| WHITE SEPARATISM
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|
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|
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| In the book you lent me,
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|
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| Maya Deren writes,
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|
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| “the artist constitutes... an ‘ethnic group’
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|
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| subject to the full
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|
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| ‘native’ treatment.”
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|
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| The entitlement to experience “Orientals
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|
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| because they are clean”.
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|
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|
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| If I say, “I am partial to you” as in
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|
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| “I prefer lemon sorbet to cookies and
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|
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| cream”
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|
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| you might object to the comparison.
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|
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|
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| DARK CHOCOLATE
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|
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| MILK CHOCOLATE
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|
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|
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| But one is always in some kind of
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|
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| BUTTER filled with things that tend
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|
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| store
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|
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| CHOCOLATE
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|
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| towards disappearance: being
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|
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|
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| CHOCOLATE
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|
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| PAIN
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|
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| AU CHOCOLATE
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|
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|
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| eaten, melted, evaporated.
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|
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| MOUSSE
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|
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|
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| Our fugitive bravery.
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|
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| The vague feeling of release.
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|
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|
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| STRAIGHT FROM THE JAR
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|
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| PAYDAY
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|
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| the vagueness between my legs
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|
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| I, too, find it hard to follow recipes.
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|
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|
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| About performativity, words do things.
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|
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| If anyone asked me—
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|
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| “yes,” “I do,” “I promise.”
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|
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| in silence
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|
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| The cost of relation
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|
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| parallel to each other
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|
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| a certainty of being infringed upon
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|
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| or the impossibility of imagining such.
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|
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| wound
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|
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| But the skin persists
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|
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| I hid it under a fallen rock
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|
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| One has to deal with the given
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|
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| A form of bureaucracy.
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|
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| Speaking of a lesbian frown, I once saw these two pictures in close intervals of time and was struck by the similar
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|
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| expression, especially in the gums. Could there be such a thing as a lesbian smile? How does sexuality shape one’s
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|
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| face?
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|
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| not only ‘sir-ed’ when encountered but also on the telephone
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|
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| what is that fear that gets solved through classification?
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|
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| how ironic that when confronted with a real symbiosis,
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|
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| when I became aware that I wasn’t one but two,
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|
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| perhaps many
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|
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| that I was never alone
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|
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| a melange of signifiers sprouting or harvested from our bodies
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|
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| however fraught the feelings inside
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|
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| the
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| one
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|
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| I learned to deceive the master to recognize me as its equal
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|
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| There will never be a master narrative
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|
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| a simple Google question
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|
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| intersectional emasculation
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|
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| where one tragic body transforms another.
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|
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| our interest is mutual although it might not be the same
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|
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| “Wrath” in Spanish is colera, like the disease, where the Mississippi river
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|
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| bends became thick and gelatinous with fat and skin.
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|
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| Phantom symptoms for equal rights
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|
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| transforming into a commodity.
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|
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| imprinted on my skin, staining the course of the rest of my existence
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|
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| Homosexual in modern Turkey is tulip, like the disease
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|
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| A national symbol
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|
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| A eugenic process of purity or
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|
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| “how we bled across each other”
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|
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| replicating the parlance of power
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|
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| a clash of diseases striving to emerge triumphant
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|
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| I stopped taking the medicine.
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|
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| I so wanted that flexibility
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|
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| I wanted something else but I got “this”
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|
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| the mismatch
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|
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| mistranslation
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|
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| a decorative object to be contemplated
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|
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| your “high faggoty voice”
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|
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| a translucent oily bubble
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|
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| wrapped around my heart like a fried onion
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|
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| a miracle of display.
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|
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| I find myself rankled by your latest writing
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|
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| as perhaps you were by mine that
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|
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| won’t wash out of your hands
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|
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| standardized regulations
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|
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| speculative frenzy
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|
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| unused build-up
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|
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| the untruth is too angering
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|
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| divination of an invisible, internal state
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|
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| more complex and subtle means.
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|
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| So you can say
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|
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| It’s a mystery I’d like to work on with you
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|
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| I shrug and think, everything has work in it.
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|
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| What time are you out of your meetings?
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|
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| ==Graduation Project Reading Research - Octopus in Drag==
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| 毒性、多孔性、传染、爱情、边界、苦中作乐、种族批判、性/酷儿生态学、动物性、有生性、怪物性、新怪异小说、异诗学、移民、理论的克里奥化、批判性虚构、变装表演、黄色恐怖、崩塌，他方，雄性气质，多孔性
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|
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| === Latest thinking ===
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|
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| * From ''Animals, Sex, and Transsubstantiation:''
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| * What do to think about the various issues of metamorphosis and Trans- in this work?
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| * What do you think about octopus genitalia? Or orifice?
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| * cannibalistic tendencies?
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| * How to threat whites?
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| * From ''Following Mercurial Affect:''
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| * Differences in virus and toxicity
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|
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| ===Core Readings===
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|
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| *'''''Animacies - Biopolitics, Racial Mattering, and Queer Affect (2012), Mel Y. Chen'''''
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| *'''''Wild Things The Disorder of Desire (2020), Jack Halberstam'''''
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| *[https://pw-magazine.com/2021/jack-halberstam-refusal-an-aesthetics-of-collapse '''''ART SPECIALS BERLIN Jack Halberstam Refusal: An Aesthetics of Collapse''''']
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| *[https://www.youtube.com/watch?v=tshNSOjd5aY '''''Jack Halberstam, Unworlding and Q&A at Queer Earth and Liquid Matters | Serpentine''''']
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| *[https://nieuweinstituut.nl/en/events/wild-things-jack-halberstam '''''Wild Things with Jack Halberstam''''']
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| *[https://www.youtube.com/watch?v=yJge51E4WMY '''''Paul B. Preciado with Jack Halberstam''''']
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| *[https://www.betonsalon.net/IMG/pdf/bs22-final-complet.pdf '''''A Hard White Body - Candice Lin''''']
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| *[https://www.e-flux.com/architecture/sick-architecture/352870/the-virus-figure-and-infrastructure/ '''''The Virus: Figure and Infrastructure (2020), Elizabeth A. Povinelli''''']
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| *'''''More Lessons from a Starfish: Prefixial Flesh and Transspeciated Selves (2008), Eva Hayward'''''
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| *[https://thedrummersrevenge.wordpress.com/2009/03/31/racism-and-homophobia-the-chinese-in-victorian-canada/ '''''Racism and Homophobia: The Chinese in Victorian Canada (2009), Hamish''''']
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| *'''''A View from the Bottom Asian American Masculinity and Sexual Representation (2014), Tan Hoang Nguyen'''''
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| *'''''The Against Nature Journal'''''
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| *'''''Sex Ecologies (2021), Stefanie Hessler'''''
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| *'''''The Material Kinship Reader (2022), Kris Dittel and Clementine Edwards'''''
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| *'''''Death by Landscape (2022), Elvia Wilk'''''
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| *'''''Lovebug (2023), Daisy Lafarge'''''
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| *'''''Elsewhere, Within Here Immigration, Refugeeism and the Boundary Event (2010), Trinh T. Minh-ha'''''
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| *'''''Alien Rhymes (2019), Amy Ireland'''''
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| *'''''Vampires in Space (2023), Isadora Neves Marques'''''
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| *'''''YWY, Searching for a Character Between Future Worlds (2022),''''' '''''Isadora Neves Marques'''''
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| *'''''[https://www.notion.so/d985e47ce8cf49eb97f417fb12ca8088 他者的身份政治：马华文学，或理论的克里奥化]'''''
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| *[https://mp.weixin.qq.com/s/9NYWVwYatOnq0JFzg4bZVQ '''''天使岛, 翁笑雨''''']
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| *[https://mp.weixin.qq.com/mp/appmsgalbum?action=getalbum&__biz=MjM5MjAzMzUyMA==&scene=1&album_id=1761260037747834888&count=3#wechat_redirect '''''猪仔叹和毒物赋，林从欣''''']
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| *[https://www.guggenheim.org/articles/checklist/responding-to-anti-asian-xenophobia-during-the-pandemic-part-one '''''Responding to Anti-Asian Xenophobia during the Pandemic, 翁笑雨''''']
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| *'''''[https://www.e-flux.com/journal/28/68031/queer-temporalities-and-the-chronopolitics-of-transtemporal-drag/ Queer Temporalities and the Chronopolitics of Transtemporal Drag (2011), Antke Engel]'''''
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| *'''''[https://www.e-flux.com/journal/44/60173/toxic-assemblages-queer-socialities-a-dialogue-of-mutual-poisoning/ Toxic Assemblages, Queer Socialities: A Dialogue of Mutual Poisoning (2013), Antke Engel and Renate Lorenz]'''''
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| *[https://www.boudry-lorenz.de/media/Aftershow_Letters_Virginie.pdf '''''Aftershow Letters Virginie''''']
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| *'''''Rethinking Homonationalism (2013), Jasbir K. Puar'''''
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| *'''''Racism or Race Play: A Conceptual Investigation of the Race Play Debates (2017), Susanne Schotanus'''''
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| *'''''White Innocence: Paradoxes of Colonialism and Race (2016), Gloria Wekker'''''
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| *'''''The RIght to Sex (2021), Amia Srinivasan'''''
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| *'''''[https://www.awhammagazine.com/queeronomics-neoliberal-co-optation-of-queer-masculinities Queeronomics: Neoliberal Co-Optation Of Queer Masculinities, Mudar Al-Khufash]'''''
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| ===Creolization===
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| Edouard Glissant
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|
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| Shu-mei Shih
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|
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| Trinh T. Minh-ha
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|
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| ===Toxicity, Infectiousness, Animality, Migration===
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| Candice Lin
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|
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| Mel Y. Chen
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|
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| Isadora Neves Marques
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|
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| Antke Engel
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|
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| Pauline Boudry / Renate Lorenz
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|
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| Anicka Yi
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|
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| ===Monstrousness, Collapse, Failure, Dance===
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| Paul B. Preciado
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|
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| Jack Halberstam
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|
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| ''Hysteria'' by The Institute of Queer Ecology
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|
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| ===Cyberfeminism, Critical Fabulation, Gathering===
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| Saidiya Hartman
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|
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| Mindy Seu
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|
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| ===Xenopoetics, Compost, New Weird ===
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| Amy Ireland
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|
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| Mark Fisher
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|
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| Elvia Wilk
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|
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| ===Sex, Sexuality, Race===
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| Andil Gosine
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|
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| Gloria Wekker
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|
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| Amia Srinivasan
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|
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| Susanne Schotanus
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|
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| Awhãm Magazine
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|
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| The Against Nature Journal
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|
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| Jasbir K. Puar
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|
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| ===...===
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| Zach Blas
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|
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| Carlos Motta
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|
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| Adham Faramawy
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|
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| Basel Abbas and Ruanne Abou-Rahme
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|
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| Fuyuhiko Takata
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|
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| Sunpride Foundation
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|
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| Jimmy DeSana
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|
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| == Readings ==
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|
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| === Readings from Institute for Postnatural Studies ===
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|
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| * '''''Death by Landscape, Elvia Wilk'''''
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| * '''''The Left Hand of Darkness, Ursula K. Le Guin'''''
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| * '''''A [White] Cyborg’s Manifesto_ the overwhelmingly Western ideology driving technofeminist theory'''''
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| * '''''Race, Gender, and Virtual Inequality_ Exploring the Liberatory Potential of Black Cyberfeminist Theory'''''
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| * '''''Podcast: <nowiki>https://archive.ica.art/whats-on/what-can-post-cyber-feminism-do-reproductive-justice/</nowiki>'''''
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| * '''''Legacy Russell, Glitch Feminism: A Manifesto (London: Verso, 2020)'''''
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| * '''''Tiziana Terranova, ‘Free Labour: Free Labour, Producing Culture for the Digital Economy,’ Social Text 63: <nowiki>https://web.mit.edu/schock/www/docs/18.2terranova.pdf</nowiki>'''''
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| * '''''Anastasia Siaoka and Elisabetta Biasin, ‘Bleeding Data: The Case of Fertility and Menstruation Tracking Apps,’ Internet Policy Review: <nowiki>https://policyreview.info/articles/analysis/bleeding-data-case-fertility-and-menstruation-tracking-apps</nowiki>'''''
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| * '''''Sadie Plant, 'On the Matrix: Cyberfeminist Simulations' in The Cybercultures Reader, eds. David Bell and Barbara M. Kennedy (London: Routledge, 2000), 325–336.'''''
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| * '''''Annihilation (film), Alex Garland dir., 2018.'''''
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| * '''''Amy Ireland, ‘Alien Rhythms’, Litteraria Pragensia, vol. 29, no. 58, ‘Avant-Futures’, 2019: 58–71 (or online).'''''
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| * '''''Troubling Ecology: Wangechi Mutu, Octavia Butler, and Black Feminist Interventions in Environmentalism (32 pages) Chelsea M. Frazier in Critical Ethnic Studies Vol. 2, No. 1 (University of Minnesota Press, 2016)'''''
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| * '''''What the Sands Remember (21 pages) Vanessa Agard Jones (GLQ, 2012)'''''
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| * '''''Story/Podcast: The Ocean that Fades into Sky Kathleen Kayembe (Lightspeed Magazine, 2019)'''''
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| * '''''Undrowned: Black Feminist Lessons from Marine Mammals Alexis Pauline Gumbs (A.K Press, 2020)'''''
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| * '''''Black Atlantic Queer Atlantic (26 pages) Omise’eke Natasha Tinsley (GLQ, 2008)'''''
| |
| * '''''Bodyminds Reimagined: (Dis)ability, race and gender in Black Women’s Speculative Fiction Sami Schalk, (Duke University Press, 2018)'''''
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| * '''''Podcast: Back to Earth - Queer Currents Serpentine Gallery (2020)'''''
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| * '''''Introduction: Black Ecology Nathan Hare (The Black Scholar, 1970)'''''
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| * '''''Let them Drown: the Violence of Othering in a Warming World Naomi Klein, (London Review of Books, 2016)'''''
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| * '''''Black Feminist Ecological Thought: A Manifesto Chelsea M. Frazier (Atmos Magazine, 2020)'''''
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| * '''''Aww Shucks: How do we Prepare for Climate Apocalypse [podcast episode, transcript available] adrienne maree brown & Autumn Brown, How to Survive the End of the World Podcast (2018)'''''
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| * '''''Introduction: Black Global Ecologies J.T. Roane & Justin Hosbey, Environment and Society: Advances in Research (2022)'''''
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|
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| === FEMINIST KILLJOY, Reading from Sara Ahmed ===
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|
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| * '''''Gloria Anzaldúa, Borderlands / La Frontera: The New Mes-tiza (San Francisco: Aunt Lune Books, 2nd edn, 1999)'''''
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| * '''''Lauren Berlant, The Queen of America Goes to Washington City (Durham: Duke University Press, 1997) and Cruel Optimism (Durham: Duke University Press, 2011)'''''
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| * '''''Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990) and Precarious Life: The Powers of Mourning and Violence (London: Verso, 2004)'''''
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| * '''''Angela Y. Davis, Freedom is a Constant Struggle (Chicago: Haymarket Books, 2016) and Abolition. Feminism. Now., with Gina Dent, Erica R. Meiners and Beth E. Richie (Chicago: Haymarket Books, 2021)'''''
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| * '''''Reni Eddo-Lodge, Why I'm No Longer Talking to White People about Race (London: Bloomsbury, 2017)'''''
| |
| * '''''Mona Eltahawy, Seven Necessary Sins for Women and Girls (Dublin: Tramp Press, 2021)'''''
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| * '''''Marilyn Frye, The Politics of Reality: Essays in Feminist Theory (Trumansburg: The Crossing Press, 1993)'''''
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| * '''''Roxane Gay, The Bad Feminist (London: Corsair, 2014)'''''
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| * '''''Alexis Pauline Gumbs, Undrowned: Black Feminist Lessons from Marine Mammals (Chico, CA: AKA Press, 2020)'''''
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| * '''''Ruby Hamad, White Tears, Browm Scars: How White Feminism Betrays Women of Color (New York: Orion, 2020)'''''
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| * '''''Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval (London: Serpent's Tail, 2009)'''''
| |
| * '''''bell hooks, Feminist Theory: From Margin to Center (London: Pluto Press, 2000) and Talking Back: Thinking Feminism, Thinking Black (Boston: South End Press, 1989)'''''
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| * '''''Audre Lorde, Sister Outsider: Essays and Speeches (Tru-mansburg: The Crossing Press, 1984) and A Burst of Light: Essays (Ithaca: Firebrand Books, 1988)'''''
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| * '''''Aileen Moreton-Robinson, Talkin' Up to the White Woman: Indigenous Women and Feminism (Brisbane: University of Queensland Press, 2020) and The White Possessive: Property, Power and Indigenous Sovereignty (Minneapolis: University of Minnesota Press, 2015)'''''
| |
| * '''''Mikki Kendall, Hood Feminism: Notes from the Women White Feminism Forgot (London: Bloomsbury, 2020)'''''
| |
| * '''''Lola Olufemi, Feminism, Interrupted: Disrupting Power (London: Pluto Press, 2020)'''''
| |
| * '''''Claudia Rankine, Citizen: An American Lyric (Min-neapolis: Greywood Press, 2014) and Just Us: An American Conversation (London: Allen Lane, 2020)'''''
| |
| * '''''Prisca Dorcas Mojica Rodriguez, For Brown Girls with Sharp Edges and Tender Hearts: A Love Letter to Women of Color (New York: Seal Press, 2021)'''''
| |
| * '''''Chelsea Watego, Another Day in the Colony (Brisbane, University of Queensland, 2021)'''''
| |
| * '''''Rafia Zakaria, Against White Feminism (London: Hamish Hamilton, 2021)'''''
| |
|
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| === Queering the Narrative ===
| |
|
| |
| ==== '''''Write in anachronistically with multitude (rethink time)''''' ====
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|
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| * '''''Mark Fisher - The Slow Cancellation Of The Future'''''
| |
| * '''''PBS Idea Channel - What is history'''''
| |
| * '''''Aihe Wang - Cosmology and politics in Ancient China'''''
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| * '''''Future Host - Xiangliu'''''
| |
|
| |
| ==== '''''Write anachronistically with multitude (rethink space)''''' ====
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|
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| * '''''Gayatri C. Spivak - Planetarity'''''
| |
| * '''''Mike Parker Pearson -The Archaeology of Death and Burial'''''
| |
| * '''''Yuri Pines -The One that pervades All in Ancient Chinese Political Thought: Origins of “The Great Unity” Paradigm'''''
| |
| * '''''Future Host - Ze + Youli'''''
| |
|
| |
| ==== '''''Playing with pronounce/ Write erotica''''' ====
| |
|
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| * '''''Future Host - Shuangshuang'''''
| |
| * '''''Zairong Xiang - Yingyang transdualism '''''
| |
| * '''''Zairong Xiang - Queer Ancient Ways: A Decolonial Exploration'''''
| |
| * '''''Adrienne Maree Brown - Pleasure Activism: The Politics of Feeling Good'''''
| |
|
| |
| ==== '''''Bending the reality (rethink genres)''''' ====
| |
|
| |
| * '''''McKenzie Wark - A_Hacker_Manifesto'''''
| |
| * '''''Rebecca Jennings - Is a new kind of religion forming on the internet?'''''
| |
| * '''''Helen Hester - XENOFEMINISM'''''
| |
| * '''''Friedrich Engels and Karl Marx - The Communist Manifesto'''''
| |
|
| |
| ==== '''''Embodying the narrative''''' ====
| |
|
| |
| * '''''Alice Sparkly Kat - Introduction To Postcolonial Astrology'''''
| |
| * '''''Lindsay Choi - Transverse '''''
| |
| * '''''Robin R. Wang - Kundao'''''
| |
| * '''''Yuhang Li - Becoming Guanyin'''''
| |
| * '''''Michael Taussig - The Magic of the State'''''
| |
|
| |
| ==== '''''Return (alternative autobiography)''''' ====
| |
|
| |
| * '''''Bassem Saad - Syringe Spindle Scepter'''''
| |
| * '''''Elvia Wilk - Oval'''''
| |
| * '''''Nieh Hua-ling - Mulberry and Peach'''''
| |
|
| |
| === [http://artjournal.collegeart.org/?p=16500 A Syllabus on Transgender and Nonbinary Methods for Art and Art History] ===
| |
|
| |
| == Research Methodologies ==
| |
| *[[MuyangPOP@)@|Text on Practice]]
| |
| *Project Proposal
| |
| *[https://vanilla-tennis-f53.notion.site/Octopus-in-Drag-_-Thesis-Outline-_-Muyang-Teng-bdc0db5503334732a12e7fdaf9558913?pvs=4 Thesis Outline]
| |
| *Graduation Thesis
| |
|
| |
| ==Practice==
| |
| HOW DO YOU throw a brick through the window of a bank?
| |
|
| |
| [[VPMY|An Artist Who Only Participates in Group Exhibitions]]
| |
|
| |
| [[The ruined map|The Ruined Map]]
| |
|
| |
| [[Writing Through Editing TMY|Echos of an Unverifiable World]]
| |
|
| |
| [[DAF2|Purple Kiss]]
| |
|
| |
| [[Dear Abliz (ئابلىز)]]
| |
|
| |
| ==Margins and Identities==
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Theory The Margins of Theory] ===
| |
|
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Language The Margins of Language]===
| |
|
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Empire The Margins of Empire]===
| |
|
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Time The Margins of Time]===
| |
|
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Diaspora The Margins of Diaspora]===
| |
|
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Gender The Margins of Gender]===
| |
|
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Ethnicity The Margins of Ethnicity]===
| |
|
| |
| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Culture The Margins of Culture]===
| |
|
| |
| ==Feminism, Queerness==
| |
|
| |
| ===[[Erotic Writing Muyang|Erotic Writing]]===
| |
|
| |
| ===The Material Kinship Reader===
| |
|
| |
| ===Sex Ecologies===
| |
|
| |
| ===The Against Nature Journal===
| |
|
| |
| ===Queer Ecologies: Sex, Nature, Politics, Desire===
| |
|
| |
| ===Pedro Neves Marques===
| |
| *YWY, Searching for a Character between Future Worlds
| |
| *Vampires in Space
| |
|
| |
| ===Tabita Rezaire===
| |
|
| |
| === Heather Davis===
| |
| ===Sara Ahmed===
| |
| ===Sophie Lewis ===
| |
| ===Paul B. Preciado===
| |
|
| |
| * ''Manifiesto contrasexual''
| |
| *''Testo yonqui''
| |
| *''Un apartamento en Urano.''
| |
| *''Dysphoria Mundi''
| |
| *Preciado write articles for: <nowiki>https://www.liberation.fr/?redirected=1</nowiki>;
| |
| *[[Anus my|Anal Politics]]
| |
|
| |
| ===Jack Halberstam===
| |
|
| |
| ===Donna Haraway===
| |
|
| |
| *[[Donna Haraway Muyang|notes]]
| |
|
| |
| ===Elvia Wilk===
| |
|
| |
| *<nowiki>https://elviapw.com/</nowiki>
| |
| *<nowiki>https://lithub.com/toward-a-theory-of-the-new-weird/</nowiki>
| |
| *<nowiki>https://www.e-flux.com/journal/92/205298/the-word-made-fresh-mystical-encounter-and-the-new-weird-divine/</nowiki>
| |
| *<nowiki>https://granta.com/erotics-of-rot/</nowiki>
| |
|
| |
| ===Antke Engel + Pauline Boudry / Renate Lorenz===
| |
|
| |
| *<nowiki>https://www.e-flux.com/journal/52/59935/the-elegantly-strong-triad-defamiliarizing-the-family-in-works-by-latoya-ruby-frazier-and-henrik-olesen/</nowiki>
| |
| *<nowiki>https://www.e-flux.com/journal/17/67418/desire-for-within-economic-transformation/</nowiki>
| |
| * <nowiki>https://www.e-flux.com/journal/28/68031/queer-temporalities-and-the-chronopolitics-of-transtemporal-drag/</nowiki>
| |
|
| |
| *https://www.e-flux.com/journal/44/60173/toxic-assemblages-queer-socialities-a-dialogue-of-mutual-poisoning/
| |
| *http://www.queer-institut.de/en/
| |
|
| |
| ===Mel Y. Chen + Candice Lin===
| |
|
| |
| *Animacies
| |
| *<nowiki>https://www.e-flux.com/journal/130/492951/death-to-death-life-by-cuts/</nowiki>
| |
| *<nowiki>https://gws.berkeley.edu/about/department-faculty/mel-y-chen/</nowiki>
| |
|
| |
| *https://read.dukeupress.edu/glq/article-abstract/17/2-3/265/34745/Toxic-Animacies-Inanimate-Affections?redirectedFrom=fulltext
| |
| ===Carlos Motta===
| |
|
| |
| *https://www.e-flux.com/journal/44/
| |
| *https://carlosmotta.com/
| |
| *https://vimeo.com/user3319523
| |
|
| |
| ===Zairong Xiang===
| |
|
| |
| *https://www.xiangzairong.com/
| |
| *[[Yin-yang, Transdualism|Yinyang, Transdualism]]
| |
| *https://timesmuseum.org/cn/journal/south-of-the-south/shanzhai-a-theory-of-the-south
| |
|
| |
| ===[[Taoism Muyang|Zhengbo, Daoism, Ecology]]===
| |
|
| |
| ===Cyberfeminism===
| |
|
| |
| *Glitch Feminism
| |
| *Mindy Seu
| |
|
| |
| ===Glossary===
| |
| <nowiki>https://keywords.nyupress.org/</nowiki>
| |
|
| |
| Posthuman glossary
| |
|
| |
| <nowiki>https://www.queernature.org/</nowiki>
| |
|
| |
| <nowiki>https://queerecology.org/</nowiki>
| |
|
| |
| ==Other Readings==
| |
|
| |
| ===[[Post-colonial, Post-Soviet, Post-Earth]]===
| |
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