User:Kimberley/Final presentation: Difference between revisions
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<div class="mw-collapsible mw-collapsed"> Cloverleaf <div class="mw-collapsible-content"> | <div class="mw-collapsible mw-collapsed"> Cloverleaf <div class="mw-collapsible-content"> [[File:Cloverleaf-varia.jpg|thumb|center|Cloverleaf explained before being used collectively]] | ||
* [[User:Kimberley#"Cloverleaf"|Experiment]] | * [[User:Kimberley#"Cloverleaf"|Experiment]] | ||
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| <div class="mw-collapsible mw-collapsed"> 52.948.000 tales <div class="mw-collapsible-content"> | | <div class="mw-collapsible mw-collapsed"> 52.948.000 tales <div class="mw-collapsible-content"> | ||
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<br> <div class="mw-collapsible mw-collapsed"> Public moment #1 <div class="mw-collapsible-content"> | <br> <div class="mw-collapsible mw-collapsed"> Public moment #1 <div class="mw-collapsible-content"> [[File:Scan MFP-528 2436 001.jpg|thumb|center|The event's space as experienced by a visitor.]] | ||
* [[User:Kimberley#1._Leeszaal:|Co-hosting with Erica]], self-proclaimed host | * [[User:Kimberley#1._Leeszaal:|Co-hosting with Erica]], self-proclaimed host | ||
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<br> <div class="mw-collapsible mw-collapsed"> "Somewhere on the highway, publishing" (thesis) <div class="mw-collapsible-content"> | <br> <div class="mw-collapsible mw-collapsed"> "Somewhere on the highway, publishing" (thesis) <div class="mw-collapsible-content"> [[File:Photo 6051148152133762798 y (1).jpg|thumb|center|"Somewhere on the highway, publishing"]] | ||
* A thesis investigating collective practices of graphic design and self-organisation tools made by self-organised groups with a publishing practice. | * A thesis investigating collective practices of graphic design and self-organisation tools made by self-organised groups with a publishing practice. | ||
* Opens up to the project (in which excerpts of the thesis are featured) </div> | * Opens up to the project (in which excerpts of the thesis are featured) </div> | ||
<br> <div class="mw-collapsible mw-collapsed"> "To whom it may affect" (project) <div class="mw-collapsible-content"> | <br> <div class="mw-collapsible mw-collapsed"> "To whom it may affect" (project) <div class="mw-collapsible-content> [[File:Screenshot 2023-06-18 at 23.15.08.png|thumb|center|"To whom it may affect," (TOC)]] <br> [[File:Screenshot 2023-06-18 at 23.14.33.png|thumb|center|"To whom it may affect," (TOC)]] | ||
* Project extending the thesis research to a series of letters addressed to 4 individuals concerned with collective processes leading to publishing. The letters describes and analyse past "publishing situations", gives an account of the tools originating from these encountered situations and proposes a series of instructions, methods, exercises to an audience of designers, editors, publishers (or others) concerned with questions around collectivity. | * Project extending the thesis research to a series of letters addressed to 4 individuals concerned with collective processes leading to publishing. The letters describes and analyse past "publishing situations", gives an account of the tools originating from these encountered situations and proposes a series of instructions, methods, exercises to an audience of designers, editors, publishers (or others) concerned with questions around collectivity. | ||
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* Launch in various design bookshop which I collaborated with in the past such as San Serriffe (Ams) and Rile (Bx). | * Launch in various design bookshop which I collaborated with in the past such as San Serriffe (Ams) and Rile (Bx). | ||
* Hosting a workshop at W139 (Ams) as continuation of the ones I co-hosted in the past | * Hosting a workshop at W139 (Ams) as continuation of the ones I co-hosted in the past as a "logistician for collective publications". | ||
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Latest revision as of 08:13, 19 June 2023
"Graduation project":
To whom it may affect, (This page is a temporary form, the design of the publication is still in process
"What follows is a corpus of four letters respectively addressed to Jeanne van Heeswijk, Erica Gargaglione, Carolina Castro and Chaiyoung Kim (Chae)—but also, to all of them at once and, ultimately, "to whom it may affect".
Each addressee is concerned with collective approaches whether their practice comprises rehearsing collectiveness, inspecting and documenting mechanics of self-organised cultural organisations, actually co-organising activities within a cultural organisation or more particularly questioning the effect of intimacy on publishing practices through experiments. At last, I would like to acknowledge all addressees for having played a consented or incidental role in the process and the publication of this epistolary chronicle.
Departing from a local issue—itself stemming from the context-specific process of a collective publication—these letters intend to give an account of recurring conflicts relating to collective processes.
The publishing of private missives both represents an invitation and a record of the relations involved in a process that is challenging to document or that may be overridden by its design. These series of epistles are punctuated with a collection of methods to practice collectiveness in publishing contexts. In turn, the suggested methods may be enacted and adapted to any collectivity."
Previous experiments at XPUB:
Annotating | ||||
CCTV
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Collective editing tools | Restaging reality | Acknowledgment | |
Annotation compass
Cloverleaf |
52.948.000 tales
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Audience's agency | Space and surrounding | |
Common narration to host multiple voices | Price tag SI17
AccAcc
Public moment #1
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X-Kitchen
SI18, "Uneven pattern"
SI18, "SIX"
...where an ordinary private setting was turned into a stage, hosting and broadcasting a program.
1. 2. gesture: (dis)placed in an empty room, the familiar arrangement becomes a stage (reenactment)— awareness prompted by the mic, the script and other recording materials. Repurpose an old setting, turning a private space into a space of publication.
F.N.P
Miller's Hollow
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Retrospective narration as a tool to document a situation | |||
Interdependencies introduction assignment
"Somewhere on the highway, publishing" (thesis)
"To whom it may affect" (project)
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Timeline | Tools for collective editing and self-organisation | Narration | Addressees | Letters | At the show | Beyond the show |
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Somewhere on the highway, publishing (thesis) Take-away ("public moment n.3") This part recounts the process and outcome of a publishing event collectively organised to present the work in progress of 11 graduating student at XPUB (class of 2023) |
Jeanne van Heeswijk
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Dear Jeanne,
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Erica Gargaglione
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Dear Erica,
One operating as an equal division of things and resulting in a sequence of individual contributions (as an example), the other being an act of engaging with others to produce something collectively, taking a position and acknowledging other's resulting in an equitable outcome. (see line 15)
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Carolina Castro
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Dear Carolina,
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Chaiyoung Kim (Chae)
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Dear Chae,
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References:
- Heeswijk, J. "Preparing for the not-yet", in Paula Pais, A. & F. Strauss, C. (2016)Slow Reader. Amsterdam: Valiz pp.42—53.
- Hirshhorn, T. (2005) Anschool. Bonnefanten museum
- Garcés, M. (2012). Honesty with the real. Journal of Aesthetics & Culture, 4(1), p.18820. doi: [link]
- Groten, A. 2022. Figuring things out together: On the relationship between design and collective practice. Ph.D. Universiteit Leiden [online] Accessible at: link