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| == Research Methodologies ==
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| [[TMY 1|Session 1]]
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| [[TMY 2|Session 2]]
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| [[MuyangScratch|Scratch]]
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| [[TMY3|16NovMethods]]
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| [[MuyangPOP@)@|Text on Practice]]
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| == Practice ==
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| [https://honey-yang.me/HOW-DO-YOU-throw-a-brick-through-the-window-of-a-bank HOW DO YOU throw a brick through the window of a bank?]
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| [[VPMY|An Artist Who Only Participates in Group Exhibitions]]
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| [[The ruined map|The Ruined Map]]
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| [[Writing Through Editing TMY|Echos of an Unverifiable World]]
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| [[DAF2|Purple Kiss]]
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| [[What is “Japan” to white people?|What is “Japan” to white queers?]]
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| [[CMMMM|Chinese Medicine]]
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| == Notes ==
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| [[Margins and Identities: Sinophone Literature and Cultural Production]]
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| [[Taoism Muyang|Daoism and Eco-art and Zhengbo]]
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| Howard Chiang
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| #After Eunuchs
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| #Transtopia in the Sinophone Pacific
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| [[Homosexual Literature and Inter-Asia (trans)Culture|Reading List: Homosexual Literature and Inter-Asia (trans)Culture]]
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| R[[Sexuality, Ecology my|eading List: Gender and Ecology]]
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| [[Queering the Narrative]]
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| [[Transgender and Nonbinary Methods for Art and Art History|Transgender and Nonbinary Methods]]
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| [[Yin-yang, Transdualism|Yinyang, Transdualism]]
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| [[My Dancing Body and East Asian Perception]]
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| [[Feminist/Queer Theory MY|Feminist/Queer Theory]]
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| Transgender and Nonbinary Methods
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| Anti-Orientalist Queer
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| Queer diaspora/against diaspora
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| [[Anarchism my|Anarchism]]
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| [[Post-colonial, Post-Soviet, Post-Earth]] [https://linktr.ee/bognamk Bogna Konior]
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| [[Go Beyond the Essay Film|Video and Philosophy]]
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| [[Telepathy my|Fourth-Dimension, Telepathy, In-human...]]
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| Art and Cosmotechnics
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| Sex work
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| Glitch
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| Body and Screen
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| Body and Archive
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| </div>
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| <p>Founded in 2017, IQECO was initially created as a kind of lie. “It came out of a class I was taking at RISD called ‘Pants on Fire’ that focused on artist practices rooted in lying or stretching the truth,”Pivnik explained. Inspired by groups like the Yes Men, the institute was born out of a desire for an art practice that could catalyze change and engage in the world more directly than a sculpture or a painting. Pivnik was particularly interested in creating something that could subvert mainstream environmentalism. </p>
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| </div>
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