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<small>“What are the words you do not yet have? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence?” | <small> | ||
“What are the words you do not yet have? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence?” | |||
- Audre Lorde | - Audre Lorde | ||
I started reading feminist literature because it gives me a sense of understanding what it means to be living in a patriarchy. I’m interested in understanding these structures and be part of calling out oppressive systems and help dismantling them. | I started reading feminist literature because it gives me a sense of understanding what it means to be living in a patriarchy. | ||
Up until now I haven’t really connected my reading to my artistic practice. I feel like my work itself shouldn’t per se be about feminism. I like my work to be subtle and hope that a feministic undertone will be something that seeps through my work naturally. | I’m interested in understanding these structures and be part of calling out oppressive systems and help dismantling them. | ||
Up until now I haven’t really connected my reading to my artistic practice. I feel like my work itself shouldn’t per se be about feminism. | |||
I like my work to be subtle and hope that a feministic undertone will be something that seeps through my work naturally. | |||
I’m interested in story telling, textually but also visually. Especially the combination of both is something I would like to dive into more. | I’m interested in story telling, textually but also visually. | ||
I like writing small personal stories, they enable me to try and find my own voice. | Especially the combination of both is something I would like to dive into more. I like writing small personal stories, they enable me to try and find my own voice. | ||
I’ve always been attracted to personal stories that at the same time are universal. | I’ve always been attracted to personal stories that at the same time are universal. | ||
I want to be able to tell a story that feels familiar and touches people. | I want to be able to tell a story that feels familiar and touches people. | ||
What makes a story too personal and what then makes it universal? This is something I continue to be fascinated about and try to make conscious decisions in. | What makes a story too personal and what then makes it universal? | ||
This is something I continue to be fascinated about and try to make conscious decisions in. | |||
“Your Silence Will not Protect You” by Audre Lorde is a collection of essays and poems. For this semester I would like to produce something similarly. | |||
I would like to find my own voice by trying out different forms of creative writing (essay, poem, journal, memoir, letter, script, speech) | |||
Eventually binding them together and or maybe see to what extent I can bring in a visual aspect as well. | |||
</small> | </small> |
Latest revision as of 17:57, 21 January 2020
“What are the words you do not yet have? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence?” - Audre Lorde
I started reading feminist literature because it gives me a sense of understanding what it means to be living in a patriarchy. I’m interested in understanding these structures and be part of calling out oppressive systems and help dismantling them. Up until now I haven’t really connected my reading to my artistic practice. I feel like my work itself shouldn’t per se be about feminism. I like my work to be subtle and hope that a feministic undertone will be something that seeps through my work naturally.
I’m interested in story telling, textually but also visually. Especially the combination of both is something I would like to dive into more. I like writing small personal stories, they enable me to try and find my own voice.
I’ve always been attracted to personal stories that at the same time are universal. I want to be able to tell a story that feels familiar and touches people. What makes a story too personal and what then makes it universal? This is something I continue to be fascinated about and try to make conscious decisions in.
“Your Silence Will not Protect You” by Audre Lorde is a collection of essays and poems. For this semester I would like to produce something similarly. I would like to find my own voice by trying out different forms of creative writing (essay, poem, journal, memoir, letter, script, speech) Eventually binding them together and or maybe see to what extent I can bring in a visual aspect as well.