Jujube/current: Difference between revisions
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= Write = | = Write = | ||
*[[Jujube/synopsis]] | *[[Jujube/synopsis]] | ||
*[[Jujube/abstracts-text]] | *[[Jujube/abstracts-text]] | ||
*[[Jujube/abstracts-non-text]] | *[[Jujube/abstracts-non-text]] | ||
*[[Jujube/ | |||
*more specific references for thesis: [[Jujube/thesis-references]] | |||
*Don't forget about your learnings: [[Jujube/summer]] | *Don't forget about your learnings: [[Jujube/summer]] | ||
= Read = | = Read = | ||
[[jujube/thesis-references]] | |||
==Academic == | ==Academic == | ||
* Rhetoric of the Image by Roland Barthes [https://faculty.georgetown.edu/irvinem/theory/Barthes-Rhetoric-of-the-image-ex.pdf | * Rhetoric of the Image by Roland Barthes [https://faculty.georgetown.edu/irvinem/theory/Barthes-Rhetoric-of-the-image-ex.pdf pdf] | ||
* Against Interpretation by Susan Sontag | * Against Interpretation by Susan Sontag [https://library.memoryoftheworld.org/#/book/0cd23c8f-3018-4afc-b2a8-a2b7e4a2821a epub] | ||
* | * Jacques Ranicière, Film Fables [https://quintus.memoryoftheworld.org/Jacques%20Ranciere/Film%20Fables%20(24748)/Film%20Fables%20-%20Jacques%20Ranciere.pdf pdf] | ||
* Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981) [https://anybody.memoryoftheworld.org/Noel%20Burch/Theory%20of%20Film%20Practice%20(Princeton%20Legacy%20Library)%20(479)/Theory%20of%20Film%20Practice%20(Princeton%20Legacy%20-%20Noel%20Burch.pdf pdf] | |||
-- | -- | ||
* Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019) | * Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019) | ||
* The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f] | * The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [https://www.jstor.org/stable/j.ctvpbnq82?refreqid=excelsior%3Ade1aa5a6a7bc5dbf12560a0c44577e5f] | ||
* WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: | * WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: [http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=1433486&lang=en&site=ehost-live&scope=site]. Access: 26 set. 2019. | ||
* PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: | * PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: [http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120422&lang=nl&site=ehost-live&scope=site]. Acesso em: 26 set. 2019 | ||
* WUSS, P. Cinematic Narration and Its Psychological Impact : Functions of Cognition, Emotion and Play. Newcastle: Cambridge Scholars Publishing, 2009. Disponível em: | * WUSS, P. Cinematic Narration and Its Psychological Impact : Functions of Cognition, Emotion and Play. Newcastle: Cambridge Scholars Publishing, 2009. Disponível em: [http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=539490&lang=nl&site=ehost-live&scope=site]. Acesso em: 26 set. 2019. | ||
* SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: | * SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: [http://search.ebscohost.com/login.aspx?direct=true&AuthType=sso,ip,cookie&db=e000xww&AN=120423&lang=nl&site=ehost-live&scope=site]. Acesso em: 26 set. 2019. | ||
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* Pandora's Camera : Photogr@phy after photography https://hogeschoolrotterdam.on.worldcat.org/search?databaseList=&queryString=pandora%27s+camera#/oclc/1015676725 | * Pandora's Camera : Photogr@phy after photography (available at the library [https://hogeschoolrotterdam.on.worldcat.org/search?databaseList=&queryString=pandora%27s+camera#/oclc/1015676725]) | ||
== Stories (Modern Love, Moth, etc.) == | == Stories (Modern Love, Moth, etc.) == | ||
Latest revision as of 17:31, 15 June 2020
Make
https://trello.com/b/yhm4lDLF/make
Write
- more specific references for thesis: Jujube/thesis-references
- Don't forget about your learnings: Jujube/summer
Read
Academic
- Rhetoric of the Image by Roland Barthes pdf
- Against Interpretation by Susan Sontag epub
- Jacques Ranicière, Film Fables pdf
- Noel Burch, Theory of Film Practice (Princeton: Princeton University Press, 1981) pdf
--
- Films and Feelings by Raymond Durgnat (ordered through the library. Sep 2019)
- The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ed. by Julian Hanich and Daniel Fairfax [1]
- WEIK VON MOSSNER, A. Moving Environments: Affect, Emotion, Ecology, and Film . Waterloo, Ontario: Wilfrid Laurier University Press, 2014. Disponível em: [2]. Access: 26 set. 2019.
- PERSSON, P. Understanding Cinema : A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press, 2003. Disponível em: [3]. Acesso em: 26 set. 2019
- WUSS, P. Cinematic Narration and Its Psychological Impact : Functions of Cognition, Emotion and Play. Newcastle: Cambridge Scholars Publishing, 2009. Disponível em: [4]. Acesso em: 26 set. 2019.
- SMITH, G. M. Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003. Disponível em: [5]. Acesso em: 26 set. 2019.
--
- Pandora's Camera : Photogr@phy after photography (available at the library [6])
Stories (Modern Love, Moth, etc.)
Making A Judgment On Love | With Giancarlo Esposito [7]
The Moth Radio Hour: Stepchild, Big Brother, Mugshot [8]
What Can You Hear? [9]
Hasan's prom [10]
>>>> Bye-Bye New York [11]
>>>> Aconite, My Roots [12]