Latest revision as of 12:11, 5 October 2019

current

character, behavior, emotion

yr1

lingo

single shots by scale

extremely wide
wide
full
medium full
medium
medium close-up (Wes Anderson, Yasujiro Ozu, character directly talking to the audience)
close-up

---

relational shots

master (show where people are in relation to each other
OTS
single
close OTS

---

places and things

establishing
inserts
CUT IN (extremely close-up face (eyes move) - CUT IN a letter in hand)
CUT AWAY (medium body against a diner table - CUT AWAY a car parking outside)

---

other

POV (through the eyes of the subject)

movements

tripod tips

DIY tools

Jujube/diy-camera-tools

thoughts

The difference between photography and cinematography...

In photography you might miss a moment forever. Errors can be beautiful.

In cinematography, you never miss a moment, yet the moment can become mundane, or ill-illustrated.

Photography camera is like a typewriter. You type, then you hand out that sheet of words.

Cinematography is... a cog in a long process. Can one shot be an entirety? (Maybe... like a loop. But unlikely.)

@@ Line 1: / Line 1: @@
+<div style="width:50%; font-size:20px;">
+=current=
+character, behavior, emotion
+{{youtube|GfqD5WqChUY}}
+= yr1 =
 == lingo ==
-Types of shots
+single shots by scale
 * extremely wide
@@ Line 8: / Line 16: @@
 * medium full
 * medium
-* medium close-up
+* medium close-up (Wes Anderson, Yasujiro Ozu, character directly talking to the audience)
 * close-up
+{{youtube|hWiIEiyWFTY}}
+---
+relational shots
+* master (show where people are in relation to each other
+* OTS
+* single
+* close OTS
+{{youtube|vHY1HeaLSL4}}
 ---
+places and things
+* establishing
+* inserts
 * CUT IN (extremely close-up face (eyes move) - CUT IN a letter in hand)
 * CUT AWAY (medium body against a diner table - CUT AWAY a car parking outside)
+{{youtube|Jqx3xb-avio}}
+---
+other
 * POV (through the eyes of the subject)
----
-* establishing
-* master (show where people are in relation to each other
-* OTS
-* single
-* close OTS
 == movements ==
@@ Line 35: / Line 61: @@
 == DIY tools ==
-slider
+[[Jujube/diy-camera-tools]]
-{{youtube|GE37xI14Fyw}}
-hot shoe adapter
-field recorder with cheaper parts
-https://www.youtube.com/user/thefrugalfilmmaker
 == thoughts ==
@@ Line 57: / Line 75: @@
 Cinematography is... a cog in a long process. Can one shot be an entirety? (Maybe... like a loop. But unlikely.)
-''The vase in Late Spring is interposed between the daughter's half smile and the beginning of her tears. There is  becoming, change, passage. But the form of what changes does not itself change, does not pass on. This is time, time itself, 'a little time in its pure state': a direct time-image, which gives what changes the unchanging form in which the change is produced. The night that changes into day, or the reverse, recalls a still life on which light falls, either fading or getting strong (That Night's Wife, Passing Fancy, 1930). The still life is time, for everything that changes is in time, but time does not itself change, it could itself change only in another time, indefinitely. At the point where the cinematographic image most directly confronts the photo, it also becomes most radically distinct from it. Ozu's still lifes endure, have a duration, over ten seconds of the vase: this duration of the vase is precisely the representation of that which endures, through the succession of changing states.'' (Gilles Deleuz, Beyond the Movement-Image//1985. Cinema 2: The Time-Image (london: Athlone Press, 1989) 16-18)
+</div>

Jujube/cinematography: Difference between revisions