Ugo/readingnotes: Difference between revisions
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* SEGUIN, L. (1999). ''[[Ugo/louisseguin|L'espace au cinéma]]''. Ombres/Cinéma. | * SEGUIN, L. (1999). ''[[Ugo/louisseguin|L'espace au cinéma]]''. Ombres/Cinéma. | ||
* ZILIO, M. (2018). Faceworld: Le visage au XXIe siecle. PUF. (in Progress) | |||
* RONDEAU, C (2013). [[David Claerbout: L'oeil inifini]]. Noeme. (in Progress) | |||
| Line 12: | Line 14: | ||
* LYNCH,D. & RODLEY, C. (2005). ''[[Ugo/lynchonlynch|Lynch on Lynch]]''. FSG Books. | * LYNCH,D. & RODLEY, C. (2005). ''[[Ugo/lynchonlynch|Lynch on Lynch]]''. FSG Books. | ||
* BAUMAN, Z. (2012). ''Liquid Modernity''. Polity Press. (in Progress) | * BAUMAN, Z. (2012). ''[[Ugo/liquidmodernity|Liquid Modernity]]''. Polity Press. (in Progress) | ||
* MENKMAN, R. (2011). The Glitch Momentum. Network Notebooks. (in Progress) | |||
* VANVOLSEM, M. (2011). The Art of Strip Photography. Leuven University Press. (in Progress) | |||
* FLUSSER, V. (1983). [[Towards A Philosophy of Photography]]. Reaction Books Ltd. (in Progress) | |||
===TEXTS & ARTICLES=== | ===TEXTS & ARTICLES=== | ||
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* BARTHES, R. (1975). ''[[Ugo/ensortantducinema|En Sortant Du Cinema]]''. Communications n23 | * BARTHES, R. (1975). ''[[Ugo/ensortantducinema|En Sortant Du Cinema]]''. Communications n23 | ||
* CORONEL, F. (2007). ''[[Vertigo vs La Jetée / La Jetée vs Vertigo]]''. Cadrages.net | * CORONEL, F. (2007). ''[[Vertigo vs La Jetée / La Jetée vs Vertigo]]''. Cadrages.net | ||
* DESMEDT, D. (200). La photographie, donner du corps au regard. Bulletin Freudieunne 35-36 (in Progress) | |||
* TALBOT, P. (2013). [[La photographie en tant qu'art]]. Le Portique n30. | |||
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* SOURIAU, E (1949). [[Ugo/methods/session3|Time in the Plastic Arts]]. The Journal of Aesthetics and Art Criticism, Vol. 7, n4 | * SOURIAU, E (1949). [[Ugo/methods/session3|Time in the Plastic Arts]]. The Journal of Aesthetics and Art Criticism, Vol. 7, n4 | ||
* MAUSS, M (1934) Les Techniques du corps, Journal de Psychologie, n32 | * MAUSS, M (1934). [[Ugo/Les Techniques du corps|Les Techniques du corps]], Journal de Psychologie, n32 | ||
* VANHEULE, S and VERHAEGHE, P (2009). Identity through a Psychoanalytic Looking Glass. Theory & Psychology Vol.19, p391-411 (in Progress) | |||
* WALLACE-WELLS, D. (2017). [[The uninhabitable earth]]. New York Magazine, July 9, 2017. | |||
===CONFERENCES=== | ===CONFERENCES=== | ||
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* [[Lens-Based_Core_Booklist|LENS-BASED CORE BOOKLIST]] | * [[Lens-Based_Core_Booklist|LENS-BASED CORE BOOKLIST]] | ||
Latest revision as of 11:09, 10 March 2020
BOOKS
IN FRENCH
- SEGUIN, L. (1999). L'espace au cinéma. Ombres/Cinéma.
- ZILIO, M. (2018). Faceworld: Le visage au XXIe siecle. PUF. (in Progress)
- RONDEAU, C (2013). David Claerbout: L'oeil inifini. Noeme. (in Progress)
IN ENGLISH
- LYNCH,D. & RODLEY, C. (2005). Lynch on Lynch. FSG Books.
- BAUMAN, Z. (2012). Liquid Modernity. Polity Press. (in Progress)
- MENKMAN, R. (2011). The Glitch Momentum. Network Notebooks. (in Progress)
- VANVOLSEM, M. (2011). The Art of Strip Photography. Leuven University Press. (in Progress)
- FLUSSER, V. (1983). Towards A Philosophy of Photography. Reaction Books Ltd. (in Progress)
TEXTS & ARTICLES
IN FRENCH
- BARTHES, R. (1975). En Sortant Du Cinema. Communications n23
- CORONEL, F. (2007). Vertigo vs La Jetée / La Jetée vs Vertigo. Cadrages.net
- DESMEDT, D. (200). La photographie, donner du corps au regard. Bulletin Freudieunne 35-36 (in Progress)
- TALBOT, P. (2013). La photographie en tant qu'art. Le Portique n30.
IN ENGLISH
- SOURIAU, E (1949). Time in the Plastic Arts. The Journal of Aesthetics and Art Criticism, Vol. 7, n4
- MAUSS, M (1934). Les Techniques du corps, Journal de Psychologie, n32
- VANHEULE, S and VERHAEGHE, P (2009). Identity through a Psychoanalytic Looking Glass. Theory & Psychology Vol.19, p391-411 (in Progress)
- WALLACE-WELLS, D. (2017). The uninhabitable earth. New York Magazine, July 9, 2017.
CONFERENCES
IN ENGLISH
- KAC, E. (2013). Eduardo Kac: Trangenic Artist. Chicago Humanities Festival.