Jujube/ambacht: Difference between revisions
No edit summary |
No edit summary |
||
| (15 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
<div style="width:50%;"> | <div style="width:50%;"> | ||
= Ambacht = | = Ambacht = | ||
{{vimeo|304208326}} pwd is jue's pziwiki user name :) | |||
n. craftsmanship | n. craftsmanship | ||
| Line 25: | Line 27: | ||
* cultural interest: "anger", "Dutch directness" | * cultural interest: "anger", "Dutch directness" | ||
== | == reading/seeing == | ||
type "(video) portrait" in the search box... | type "(video) portrait" in the search box... | ||
| Line 31: | Line 33: | ||
* an informal survey: [https://petapixel.com/2016/06/01/hail-video-portrait/| video portraits] | * an informal survey: [https://petapixel.com/2016/06/01/hail-video-portrait/| video portraits] | ||
* the documentary type: [https://vimeo.com/81750995| Portrait of a Sound Design Artist] | * the documentary type: [https://vimeo.com/81750995| Portrait of a Sound Design Artist] | ||
* self-portrait in narrative: [https://vimeo.com/75369174] | |||
* ''very short'' films (equal story + character): [http://archive.nytimes.com/www.nytimes.com/interactive/2013/11/25/magazine/2013-making-a-scene-movies-issue.html| Making a Scene] | * ''very short'' films (equal story + character): [http://archive.nytimes.com/www.nytimes.com/interactive/2013/11/25/magazine/2013-making-a-scene-movies-issue.html| Making a Scene] | ||
| Line 37: | Line 40: | ||
* Humans of New York: [https://www.instagram.com/humansofny/| photography] [https://www.facebook.com/honytheseries/| video] | * Humans of New York: [https://www.instagram.com/humansofny/| photography] [https://www.facebook.com/honytheseries/| video] | ||
== | == production == | ||
See '''[[Jujube/ambacht-production-notes| production notes]]''' | |||
== | == editing == | ||
See '''[[Jujube/ambacht-editing-notes| editing notes]]''' | |||
== post-production == | |||
TBD | |||
= Learning = | |||
== | == audio == | ||
"Audio in a documentary is a key piece of footage." | "Audio in a documentary is a key piece of footage." | ||
| Line 75: | Line 68: | ||
File formats: AIFF or WAV (not a compressed format like MP3) | File formats: AIFF or WAV (not a compressed format like MP3) | ||
== cinematography == | |||
- | |||
Camera Angle. "The camera is the viewer's eyes." | |||
Continuity/Cutting | |||
Close-ups | |||
Composition. "The subject is moving, or the camera is moving. You will compose at the beginning of the movement, and at the end of it." | |||
</div> | |||
Latest revision as of 20:03, 3 December 2018
Ambacht
http://vimeo.com/304208326 pwd is jue's pziwiki user name :)
n. craftsmanship
"People can come have a coffee and see her work... It works in Amsterdam or Haarlem, but not here."
the inklings
"She's fucking tired."
"I think you need anger to do that."
"That's a place where gentrification worked. Gentrification will never work here."
"I hate the word jazz."
"I like Hendrik-Ido-Ambacht, because it has Ambacht in it."
the intrigues
- learning about a new place through people (other rationales can come later)
- medium: video/speech
- content of speech will reflect the nuances
- cultural interest: "anger", "Dutch directness"
reading/seeing
type "(video) portrait" in the search box...
- an informal survey: video portraits
- the documentary type: Portrait of a Sound Design Artist
- self-portrait in narrative: [1]
- very short films (equal story + character): Making a Scene
reminded of
- Humans of New York: photography video
production
See production notes
editing
See editing notes
post-production
TBD
Learning
audio
"Audio in a documentary is a key piece of footage."
DSLR built-in mics are not meant for audio production. Keep the mic on for reference audio. Turn off the Auto Gain Control.
Shotgun mic on camera serves as good reference.
External mic: lavalier v. boom v. handheld
Alternative to External mic setup: iPhone + Pro Audio To Go + Cable adapter (with headphone jack and an XLR jack)
File formats: AIFF or WAV (not a compressed format like MP3)
cinematography
Camera Angle. "The camera is the viewer's eyes."
Continuity/Cutting
Close-ups
Composition. "The subject is moving, or the camera is moving. You will compose at the beginning of the movement, and at the end of it."