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Joint1: 10:00 - start Thematic Project3: Navigating Borders and Contours From Direct Address to Fuzzy Narrators with Tina Bastajian (day2) [lg. project space]  
Joint1: 10:00 - start Thematic Project3: Navigating Borders and Contours From Direct Address to Fuzzy Narrators with Tina Bastajian (day2) [lg. project space]  
==Tuesday:  Proxies, Subtitles and Other Slippages ==


[[File:Enhancing Subtitles scn shot.png|frameless|Research: Mathew Brooks & Mike Armstrong <http://www.bbc.co.uk/rd/blog/2014-10-tvx2014-short-paper-enhancing-subtitles>]]


"The duration of the subtitles, for example is very ideological. (...) the attempt is always to protect the unity of subject; here to collapse in subtitling, the activities of reading, hearing and seeing into one single activity, as if they were all the same (...)it is because translation is perceived here as a part of the ''operation of suture'' that defines the classical cinema apparatus and the technological effort it deploys to naturalize a dominant, hierarchically unified worldview."
([http://trinhminh-ha.com/ Trinh T. Minha], Framer Framed, 1992)


This thematic will interrogate in theory and praxis the mutable contours of narrative strategies from early cinema, documentary practices, YouTube instructional clips to data driven speculative scenarios. A variety of approaches will be explored such as appropriating and re-positioning the conventions of live narrative “lecturers" or “explicateurs" from the silent era that coalesce with more contemporary practices of what is commonly known as the performance lecture. Interventions within and beyond moving image online archives will provide an initial platform in which to create short moving image and sound works and fuzzy hybrids thereof.
10:00-11:30 Text review/discussion
*present working clips


(Pending: GUEST LECTURE)


http://www.kinostudio.org/
Break 11:30-11:45
 
11:45-13:00 Screening:
 
Lunch 13:00 - 14:00
 
14:00- 17:00 Groups
 
Dinner 17:00-18:00
 
[[File:Trådtelefon-illustration.png|frameless|A tin can telephone is a type of acoustic (non-electrical) speech-transmitting device made up of two tin cans, paper cups or similarly shaped items attached to either end of a taut string or wire. It is a form of mechanical telephony, where sound is converted into and then conveyed by vibrations along a liquid or solid medium, and then reconverted back to sound.]]
 
18:00-21:00 Screening:
* Call Cutta- A documentary by Arjan Dutt (2005)  See the project ''Call Cutta: A Mobile Phone Theater''[http://www.rimini-protokoll.de/website/en/project_143.html] by Haug/Kaegi/Wetzel-
* Calendar - a film by Atom Egoyan (1991)
* TBD
 
'''Pre-Reading for Tuesday:'''
 
* Sinha, Amresh. (2004) 'The Use and Abuse of Subtitles', in Atom Egoyan and Ian Balfour (eds) Subtitles: On the Foreignness of Film, MIT Press, 172-190.
Link to PDF [https://refoundfootage.hotglue.me/?etc]
* Marie-Laure Ryan. Beyond Myth and Metaphor: The Case of Narrative in Digital Media [http://ic.media.mit.edu/courses/mas878/pubs/ryan-gs01-beyond-myth-and-metaphor.pdf]
* Timothy Barker. (2010) 'Aesthetics of the Error: Media Art, the Machine, the Unforeseen and the Errant.' In Mark Nunes (Ed.). Error: Information, Control, and the Cultures of Noise. [[File:Aesthetics of Error.Barker.pdf|Aesthetics of the Error: Media Art, the Machine, the Unforeseen, and the Errant (Tim Barker)]]
 
-Optional Reading:
 
[http://networkcultures.org/_uploads/NN%234_RosaMenkman.pdf The Glitch Momentum]
 
[http://www.uoc.edu/artnodes/8/dt/eng/bastajian.pdf Some Musings on Iterations and Encounters -  re: Call Cutta(s)]
 
 
*http://pzwiki.wdka.nl/mediadesign/Thematic-Navigating_Borders_and_Contours
* http://www.kinostudio.org/

Latest revision as of 18:46, 21 January 2016

Joint1: 10:00 - start Thematic Project3: Navigating Borders and Contours From Direct Address to Fuzzy Narrators with Tina Bastajian (day2) [lg. project space]

Tuesday: Proxies, Subtitles and Other Slippages

Research: Mathew Brooks & Mike Armstrong <http://www.bbc.co.uk/rd/blog/2014-10-tvx2014-short-paper-enhancing-subtitles>

"The duration of the subtitles, for example is very ideological. (...) the attempt is always to protect the unity of subject; here to collapse in subtitling, the activities of reading, hearing and seeing into one single activity, as if they were all the same (...)it is because translation is perceived here as a part of the operation of suture that defines the classical cinema apparatus and the technological effort it deploys to naturalize a dominant, hierarchically unified worldview." (Trinh T. Minha, Framer Framed, 1992)

10:00-11:30 Text review/discussion

  • present working clips

(Pending: GUEST LECTURE)

Break 11:30-11:45

11:45-13:00 Screening:

Lunch 13:00 - 14:00

14:00- 17:00 Groups

Dinner 17:00-18:00

A tin can telephone is a type of acoustic (non-electrical) speech-transmitting device made up of two tin cans, paper cups or similarly shaped items attached to either end of a taut string or wire. It is a form of mechanical telephony, where sound is converted into and then conveyed by vibrations along a liquid or solid medium, and then reconverted back to sound.

18:00-21:00 Screening:

  • Call Cutta- A documentary by Arjan Dutt (2005) See the project Call Cutta: A Mobile Phone Theater[1] by Haug/Kaegi/Wetzel-
  • Calendar - a film by Atom Egoyan (1991)
  • TBD

Pre-Reading for Tuesday:

  • Sinha, Amresh. (2004) 'The Use and Abuse of Subtitles', in Atom Egoyan and Ian Balfour (eds) Subtitles: On the Foreignness of Film, MIT Press, 172-190.

Link to PDF [2]

  • Marie-Laure Ryan. Beyond Myth and Metaphor: The Case of Narrative in Digital Media [3]
  • Timothy Barker. (2010) 'Aesthetics of the Error: Media Art, the Machine, the Unforeseen and the Errant.' In Mark Nunes (Ed.). Error: Information, Control, and the Cultures of Noise. File:Aesthetics of Error.Barker.pdf

-Optional Reading:

The Glitch Momentum

Some Musings on Iterations and Encounters - re: Call Cutta(s)


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