User:Themsen/SDR-6/WAT: Difference between revisions
No edit summary |
No edit summary |
||
Line 2: | Line 2: | ||
==WAT ARE TIS== | ==WAT ARE TIS== | ||
*WAT: "WAT ARE TIS", A CAMPAIGN OF VIRTUAL DERTOURNEMENTS 2015-16 | *'''WAT:''' "WAT ARE TIS", A CAMPAIGN OF VIRTUAL DERTOURNEMENTS 2015-16 | ||
*HOE: A NUMBER OF DIFFERENT INJECTIONS INTO CYBERNETIC SPACE MEANT TO DISRUPT AND RECONTEXTUALIZE FAMILIAR CYBERNETIC SPACES SUCH AS FACEBOOK, PHOTOBOOKS, ATHLETICS, ACADEMIA, SKYPE, YOUTUBE, VISUAL ART, MY LAPTOP, WALKING, STUDYING, CALL CENTER QUEUES, WRITING, AND LAST-BUT NOT LEAST- EXHIBITION | *'''HOE:''' A NUMBER OF DIFFERENT INJECTIONS INTO CYBERNETIC SPACE MEANT TO DISRUPT AND RECONTEXTUALIZE FAMILIAR CYBERNETIC SPACES SUCH AS FACEBOOK, PHOTOBOOKS, ATHLETICS, ACADEMIA, SKYPE, YOUTUBE, VISUAL ART, MY LAPTOP, WALKING, STUDYING, CALL CENTER QUEUES, WRITING, AND LAST-BUT NOT LEAST- EXHIBITION | ||
*WHY: I REALIZED VERY LATE THAT IN ORDER TO MAKE I HAVE TO HAVE FUN, AND BE SIMPLE WITH MY APPROACH TOWARDS ART. I HAVE A LARGE AFFECTION FOR INTERNET CULTURE, AND I HAVE MOSTLY LOOKED AT IT FROM A FAR VANTAGE POINT. THE VIRTUAL KIDNAPPING PROJECT WAS MY FIRST SUCCESS IN MEDIA DESIGN LET ME CONTINUE THAT PRACTICE. LET'S SEE WHAT GROWS OUT OF THIS. IN THE SPIRIT OF DETOURNEMENT AND SITUATIONISM, AND ALL OF WHAT I HAVEN'T DONE Y | *'''WHY:''' I REALIZED VERY LATE THAT IN ORDER TO MAKE I HAVE TO HAVE FUN, AND BE SIMPLE WITH MY APPROACH TOWARDS ART. I HAVE DONE LITTLE PROGRESS WITH EXPLAINING THE COMPLEX METAPHORS BETWEEN SOCIETIES OF CONTROL AND MYCELLIUM, IN FACT: I WAS STUCK, SO LET'S CHANGE TRACKS! I HAVE A LARGE AFFECTION FOR INTERNET CULTURE, AND I HAVE MOSTLY LOOKED AT IT FROM A FAR VANTAGE POINT. THE VIRTUAL KIDNAPPING PROJECT WAS MY FIRST SUCCESS IN MEDIA DESIGN, SO LET ME CONTINUE THAT PRACTICE. LET'S SEE WHAT GROWS OUT OF THIS. IN THE SPIRIT OF DETOURNEMENT AND SITUATIONISM, AND ALL OF WHAT I HAVEN'T DONE Y | ||
RELATION TO FORMER PRACTICE | ===RELATION TO FORMER PRACTICE=== | ||
*Voice Distortion Experiment | *Voice Distortion Experiment | ||
*The Archive of the Transcendental Archive | *The Archive of the Transcendental Archive | ||
Line 15: | Line 15: | ||
*Skype & Cigarettes | *Skype & Cigarettes | ||
CURRENT PRACTICE | ===CURRENT PRACTICE=== | ||
*The Procedural Photobook | *The Procedural Photobook | ||
*The Archive of the Transcendental Archive | *The Archive of the Transcendental Archive | ||
*Club Queue | |||
FUTURE PRACTICE | ===FUTURE PRACTICE=== | ||
*WAT | *WAT ARE TIS QUEUE | ||
*WAT | *WAT ARE TIS EXERCISING | ||
*WAT | *WAT ARE TIS ART | ||
*WAT | *WAT ARE TIS WORKING | ||
*WAT | *WAT ARE TIS EXHIBITION | ||
*WAT | *WAT ARE TIS EXHIBIT | ||
INFLUENCES | ===INFLUENCES=== | ||
The Situationist Manifesto, G. Debord | The Situationist Manifesto, G. Debord | ||
The Society of the Spectacle, G. Debord | [[https://youtu.be/IoUIHBSiVAY|The Society of the Spectacle, G. Debord]] | ||
The Production of Space, H. Lefebvre | The Production of Space, H. Lefebvre | ||
[[http://www.dazeddigital.com/artsandculture/article/19122/1/ica-presents-hito-steyerl|Dazed, H. Steyerl]] | [[http://www.dazeddigital.com/artsandculture/article/19122/1/ica-presents-hito-steyerl|Dazed, H. Steyerl]] | ||
[[https://www.youtube.com/watch?v=g2gVJ1IRxA0|General Idea: SHUT THE FUCK UP]] | [[https://www.youtube.com/watch?v=g2gVJ1IRxA0|General Idea: SHUT THE FUCK UP]] |
Revision as of 21:14, 22 April 2015
WAT
WAT ARE TIS
- WAT: "WAT ARE TIS", A CAMPAIGN OF VIRTUAL DERTOURNEMENTS 2015-16
- HOE: A NUMBER OF DIFFERENT INJECTIONS INTO CYBERNETIC SPACE MEANT TO DISRUPT AND RECONTEXTUALIZE FAMILIAR CYBERNETIC SPACES SUCH AS FACEBOOK, PHOTOBOOKS, ATHLETICS, ACADEMIA, SKYPE, YOUTUBE, VISUAL ART, MY LAPTOP, WALKING, STUDYING, CALL CENTER QUEUES, WRITING, AND LAST-BUT NOT LEAST- EXHIBITION
- WHY: I REALIZED VERY LATE THAT IN ORDER TO MAKE I HAVE TO HAVE FUN, AND BE SIMPLE WITH MY APPROACH TOWARDS ART. I HAVE DONE LITTLE PROGRESS WITH EXPLAINING THE COMPLEX METAPHORS BETWEEN SOCIETIES OF CONTROL AND MYCELLIUM, IN FACT: I WAS STUCK, SO LET'S CHANGE TRACKS! I HAVE A LARGE AFFECTION FOR INTERNET CULTURE, AND I HAVE MOSTLY LOOKED AT IT FROM A FAR VANTAGE POINT. THE VIRTUAL KIDNAPPING PROJECT WAS MY FIRST SUCCESS IN MEDIA DESIGN, SO LET ME CONTINUE THAT PRACTICE. LET'S SEE WHAT GROWS OUT OF THIS. IN THE SPIRIT OF DETOURNEMENT AND SITUATIONISM, AND ALL OF WHAT I HAVEN'T DONE Y
RELATION TO FORMER PRACTICE
- Voice Distortion Experiment
- The Archive of the Transcendental Archive
- The Procedural Photobook
- Virtual Kidnapping
- Skype & Cigarettes
CURRENT PRACTICE
- The Procedural Photobook
- The Archive of the Transcendental Archive
- Club Queue
FUTURE PRACTICE
- WAT ARE TIS QUEUE
- WAT ARE TIS EXERCISING
- WAT ARE TIS ART
- WAT ARE TIS WORKING
- WAT ARE TIS EXHIBITION
- WAT ARE TIS EXHIBIT
INFLUENCES
The Situationist Manifesto, G. Debord [Society of the Spectacle, G. Debord] The Production of Space, H. Lefebvre [H. Steyerl] [Idea: SHUT THE FUCK UP]