User:Nicole Hametner/Graduate Research Seminar 2013-TM4.02: Difference between revisions
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Nicole Hametner, Trimester 4, december 2013 | |||
= Relation to previous practice = | = Relation to previous practice = | ||
* ''Aster'', 2008: topic of the night in the center/ allows to talk about the process | * ''Aster'', 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant | ||
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* ''Le Sapin'', 2010: | * ''Le Sapin'', 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world | ||
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* ''Schwarzes Licht'', 2010: light installation/ role of the | * ''Schwarzes Licht'', 2010: intention to integrate the space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates | ||
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* ''Montchoisi'', 2011: | * ''Montchoisi'', 2011: photographs of a swimmingpool/ different seasons/ the element of water and its different states/ from frozen to constant flow | ||
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<td valign="top">[[File:NHametnerMontchoisi01.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td> | <td valign="top">[[File:NHametnerMontchoisi01.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td> | ||
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* First Trimester at Piet Zwart: | * First Trimester at Piet Zwart: built up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ [http://pzwart3.wdka.hro.nl/~nhametner/thaumatrope01.html <font color="black">pulsing thaumathrope</font>], theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image | ||
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Latest revision as of 12:11, 10 December 2013
Nicole Hametner, Trimester 4, december 2013
Relation to previous practice
- Aster, 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant
 Nicole Hametner, Aster, 2008 |
|
- Le Sapin, 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world
 Nicole Hametner, Le Sapin, 2010 |
|
- Schwarzes Licht, 2010: intention to integrate the space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates
 Nicole Hametner, Schwarzes Licht, 2010 |
|
- Montchoisi, 2011: photographs of a swimmingpool/ different seasons/ the element of water and its different states/ from frozen to constant flow
 Nicole Hametner, Montchoisi, 2011 |
- First Trimester at Piet Zwart: built up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ pulsing thaumathrope, theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image
 Thaumatrope, 2012 |
|