Latest revision as of 12:11, 10 December 2013

Nicole Hametner, Trimester 4, december 2013

Relation to previous practice

Aster, 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant

Nicole Hametner, Aster, 2008

Le Sapin, 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world

Nicole Hametner, Le Sapin, 2010

Schwarzes Licht, 2010: intention to integrate the space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates

Nicole Hametner, Schwarzes Licht, 2010

Montchoisi, 2011: photographs of a swimmingpool/ different seasons/ the element of water and its different states/ from frozen to constant flow

Nicole Hametner, Montchoisi, 2011

First Trimester at Piet Zwart: built up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ pulsing thaumathrope, theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image

Thaumatrope, 2012

@@ Line 1: / Line 1: @@
-=Small drafts to understand and reflect about the graduation project=
+ Nicole Hametner, Trimester 4, december 2013
-==Testshooting in park 01==
-* unfortunately in automatic mode
-* why is the preview showing it differently than the quick time player?<br><br>
-[[File:NHametnerAutomode.jpg]]<br><br>
-==Testshooting in park 02==
-* photo vs brighten up video and its limitations<br><br>
-[[File:NHametnerTestshooting02Photo.jpg]]
-[[File:NHametnerTestshooting02Video.jpg]]<br><br>
-==Testshooting in park 03==
+= Relation to previous practice =
-* frame rate/ compression/ encoding/ datarate etc
-* what is the noise, what makes the noise, light and dark zones
-* treshold of the sensor, its limitations, signal-noise relation
-* how to get to the border between noise and the object behind?<br><br>
-[[File:NHametnerTestShooting03.jpg]]<br><br>
-==Nightvision==
-* research for other possibilities to brighten during recording
-* shoot during the evening, before dusk, process of darkening
-* ir-filter/ nightvision/ wideangle etc.<br><br>
-==Magic Lantern==
+* ''Aster'', 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant
-* installed and fast memory card ordered for RAW shooting
+<table border="0" padding="2">
-* need faster cardreader and external hard drive!
+<tr>
-* look at different tutorials for RAW shooting
+<td valign="top">[[File:NHametnerAster.jpg| frame | Nicole Hametner, ''Aster'', 2008]]</td>
-* Adobe Premiere und AfterEffects organisieren/ installieren<br><br>
+<td valign="top"></td>
+</tr>
+<tr>
+</tr>
+</table>
-==RAW shooting==
+* ''Le Sapin'', 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world
-* tree, wind, water surface, interior
+<table border="0" padding="2">
-* recorded RAW - dng - tif image sequence - mov
+<tr>
-* image sequence back and forth
+<td valign="top">[[File:NHametnerLeSapin.jpg| frame | Nicole Hametner, ''Le Sapin'', 2010]]</td>
-* what about the notion of "still- and moving" imaging?
+<td valign="top">
-* record the sound independently and sync it afterwards!!!
+</td>
-* vertical recording<br><br>
+</tr>
-[[File:NHametnerTestVertical.jpg]]
+<tr>
-<br><br>
+</tr>
+</table>
-==Steve McQueen, ''The Running Thunder''==
+* ''Schwarzes Licht'', 2010: intention to integrate the space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates
-* installation with hanged screen in space
+<table border="0" padding="2">
-* reflections of the presentational mode<br><br>
+<tr>
-[[File:SteveMcQueenRunningThunder01.jpg]]<br><br>
+<td valign="top">[[File:NHametnerSchwarzesLicht01.jpg| frame | right | Nicole Hametner, ''Schwarzes Licht'', 2010]]</td>
-[[File:SteveMcQueenRunningThunder02.jpg]]<br><br>
+<td valign="top"></td>
-==Small selfmade beamer==
+</tr>
-* rent beamer and reservate one whole day a projection room<br><br>
+<tr>
-[[File:NHametnerBeamer.jpg]]<br><br>
+</tr>
-==Filmed photograph==
+</table>
-* iso settings and brighten up effect
-* reanimation of the picture?<br><br>
-[[File:NHametnerFilmedPhotograph.jpg]]<br><br>
-==Photographic emulsion==
-* found an old photograph with a visible photographic emulsion<br><br>
-[[File:NHametnerPhotoemulsion.jpg]]<br><br>
-==Gillian Carnegie, ''Black Square''==
-* the contradiction between matter and image
-* black painting of trunks with textured paint
-* about the viewers position, his movement to reveal the image
-* challenge of depicting a night scene
-* do I have to simulate my vision at night?
-* made me think of my previous work in the forest
-* Carnegie also mixes genres, still life, landscapes, portrait - including the gaze?<br><br>
-[[File:GillianCarnegieBlackSquare.jpg]]<br><br>
-[[File:NHametnerWald.jpg]]<br><br>
-==Month of september==
+* ''Montchoisi'', 2011: photographs of a swimmingpool/ different seasons/ the element of water and its different states/ from frozen to constant flow
-* deleting information on my cell phone
+<table border="0" padding="2">
-* thinking about what remains
+<tr>
-* materiality of digital information
+<td valign="top">[[File:NHametnerMontchoisi01.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td>
-==Labels==
+</tr>
-* presence/ absence and stick on what is leftover
+<tr>
-During the summer I have worked two month in a factory. The company produces adhesive and sealant for the industry and ships its product all over Europe. The sound of the machines and the quiet monotonous working hours were an interesting experience.
+</tr>
-There were two days where I did nothing else than sticking labels on cardboard boxes, sometimes 50 of the same label for a small special comission, but also up to 1000 of the same. When I threw away the first charge of the remaining backsides of the labels I was fascinated by the way they felt into the big trash container. I decided to collect the huge amount of the following backsides in a bag and to bring them to Rotterdam to produce a small film. Not only the materiality of the backsides interest me, also the sound and rhythm of removing the label. Then other thoughts came to my mind, about the remainder in general, the idea of adhere to something and the process of detachment. I will test in the coming weeks how I can let the little paper pieces fly through the air and filming them, observe what happens while zooming in and discover some details towards a complete abstraction. Besides that I will record the sound of sticking labels on cardboard boxes and remind myself where I spend the last summer.<br><br>
+</table>
-[[File:NHametnerLabels.jpg]]<br><br>
-[[File:NHametnerLabelsDok01.jpg]]<br><br>
-[[File:NHametnerLabelsDok02.jpg]]<br><br>
-==Watertank==
+* First Trimester at Piet Zwart: built up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ [http://pzwart3.wdka.hro.nl/~nhametner/thaumatrope01.html <font color="black">pulsing thaumathrope</font>], theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image
-*coming and fading, images in constant movement
+<table border="0" padding="2">
-* element of water, reflection of lighttubes on the waves
+<tr>
-* drying the photographs on my mirror at home, thinking about material and surfaces
+<td valign="top">[[File:Thaumatrope.jpg| frame | right | Thaumatrope, 2012]]</td>
-* no sound while RAW shooting! record parallel and sync it afterwards
+<td valign="top"></td>
-This small project follows another idea for a short film I had in mind. It will be shot in the darkroom, the camera is pointing on the rinsing tank where the developed photographs move around in the rythm of the water coming out of the pipe. Like the backsides of the labels in the air, the photographs also turn around, showing for a short instant the image and then turn away in the next moment presenting the reverse side, all accompanied by the ripple of the water.<br><br>
+</tr>
-[[File:NHametnerWatertank.jpg]]<br><br>
+<tr>
+</tr>
+</table>