User:Nicole Hametner/Trimester3: Difference between revisions

From XPUB & Lens-Based wiki
(Created page with " Nicole Hametner, Trimester 1, 2012 = Prototyping = == Description == The confrontation in prototyping with coding had in this first trimester the most prominent part and I...")
 
No edit summary
 
(69 intermediate revisions by the same user not shown)
Line 1: Line 1:
  Nicole Hametner, Trimester 1, 2012
  Nicole Hametner, Trimester 3, july 2013


= Prototyping =  
= Thematic Project - Creative Industries=  
== Description ==
== CQ7 Ability Test (Michaela Lakova & Nicole Hametner) ==
The confrontation in prototyping with coding had in this first trimester the most prominent part and I have tried to synthesize this experience of learning a new language.  
Artist statement:<br>
The following small projects can be seen as an attempt to relate some of the pieces in which I include my personal interest in perception and try to visualize with the learned means my reflections. I now have slightly a more concrete idea of what is possible in using code, but my skills have meanwhile reached their limit for the final realization, therefore everything stays at that moment in a state of a draft and potential starting point for continuation.
In the field of entertainment the production is often outsourced to cheap labour, whereas the creative
The basic idea was to bring up the decision inside of a loop and how a shift in direction can be made perceptible. After having programmed in Javascript the structure I now want to include an animation fed by the Internet inside the blue hallway. I would like to pass an input through the hallway, which is changing direction, a signal that comes from online and goes into my file that stays offline. I was intrigued with the thought to use an html file against its purpose. Questions from the thematic project about rhythm came up and merged with my research. During the construction of the first canvas and its idea of introducing a timed rhythm from the Internet, the thought about heartbeat was the next association and the reason for the implemented green colored structure of an ECG. The subsequent red pulsating circle becomes consequently the source of the ensemble and allows the whole to be seen as a RGB triptych. The notion of additive color finally closes the circle to perception and leads to the Thaumatrope, a device from the nineteenth century that is threaten in the text about Jonathan Crary’s Techniques of the observer.
part of the designer is honored. While reflecting on mechanism of the creative industry, two sides emerged
with a strong ambiguity. This is why we want to question the definition of the creative part on the one
hand and the role of the worker on the other hand.
An interactive video installation provides a survey where the spectator can run through 13 questions
with 4 proposed answers. As foundation serve different examples of job interviews for companies in the
creative industry. The result expresses in percentage to what extend the respondent fits into the profile
of either the creative or the worker. He then receives his test result as a badge to present afterwards in
the exhibition space, with the aim to initiate a discussion about his achieved level and to reflect about the
meaning of the two categories, where they distinguish from each other and where they might at the end
not differ at all.<br>
<br>
This work was made in the context of the thematic project Creative Industries.
For the connecting link between the individual works in the final collective show, the group decided to
create a start up event, where each of the participants presents its project as a business proposal.
For this reason we had to adapt our initial artist statement into a creative business idea and transformed it
into a new company statement:<br>
<br>
Discover your potential and be part of the creative workforce of tomorrow!<br>
CQ7 Creative Ability Test allows job hunters to check their potential to work in the creative industry.
We use big data and predictive analytics to improve workforce quality, productivity and profitability, by
connecting qualified employees with employers.
We are an independent research group of data analysts using profiling technology. With the CQ7
Creative Ability Test we offer a survey that allows individual job hunters to check their potential to work in
the creative industry. The respondent cannot fail or pass the test, the result rather represents his potential
expressed in a numerical form of his achieved level. It is then the company that decides to what degree
creativity is demanded for their working procedures. In addition to this individual outcome, the collected
data are used for statistic evaluation, which serves as guideline for companies working in the field.
We use big data and predictive analytics to improve workforce quality, productivity and profitability, by
connecting qualified employees with employers.
During the event we offer a free trial version in form of an interactive installation to allow the audience
to be part of the procedure. The respondent receives his test result as a badge to present afterwards in
the exhibition space, with the aim to initiate a discussion about his achieved level. Our staff members are
present during the day and provide assistance for the participants as well as for any further questions
from the public.<br>
<br>
The creative business ideas were introduced the evening before the start up camp during a Pecha Kucha
event. The format of this presentation was simple: the participants had two and a half minutes with 10 slides 15 seconds each to present their product. [http://www.startupcamp.nl <font color="black">www.startupcampl.nl</font>]
<br>


== Media ==
>>> [[Media: CQ7AbilityTest.pdf|<font color="black">CQ7 Ability Test</font>]]<br>
<br>
[[File:questionslide5.jpg]]<br>
<br>
[[File:questionslide7.jpg]]<br>
<br>
[[File:questionslide9.jpg]]<br>
<br>


Keywords: unseen connection/ offline/ dependence/ animation and communication/ deviation and distraction/ feedback loop/ decision-making/ tree-structure/ dematerialization/ illusion of space/ mental spaces/ afterimage/ perception/ color theory/ rhythm and time/ impulse/ disconnection/ duration of life/ growth and decay/ process vs. product/ canvas triptych
= Archiving - Astrid van Nimwegen=
 
In both series the significant pictorial landscape refers to Dutch paintings. Furthermore the vastness of the
nature, the role of the horizon in Birdspotting Hides and the thematic of the look out of a window into the far
distance evoke the idea of longing in the sense of the romanticism. The beauty of the scene captures the viewer
and invites him to contemplate. However, what can be found in both works is the illusion of being part of the
scene and meantime only a distant observer, they oscillate between exterior view and internal perspective,
between real world and imagination.<br>
Astrid van Nimwegen presents Garage Doors and Birdspotting Hides in a dialogue. While Garage Doors is
projected in original size on the one side in the exhibition space, the opposite wall remains dark. Only if the
garage door closes its shutter, the projection of the bird spotting houses starts on one wide screen. The
combination of the two works convinces with its strong coherence in form and content and the thereby amplified
individual experience of the passing of time.<br>
== Media ==
== Media ==
>>> [[Media:AstridVanNimwegen.pdf|<font color="black">Astrid van Nimwegen</font>]]<br>
<br>
[[File:DokAstrid.jpg | 800px]]<br>
<br>
= Self directed research =
The research proposal I developed in [http://pzwart3.wdka.hro.nl/wiki/User:Nicole_Hametner/Trimester2<font color="black">the second trimester</font>] is definitely what I want to deepen and a work that I want to realize in the second year of my master studies.<br>
Through a confrontation of photography and video I want to focus on their media specificity, by which I mean their mechanism, their materiality, how time behaves and where the question about the origin of the image leads. These reflections allow me to articulate thoughts about absence/ presence and disappearance, night/ perception and psychoanalysis and generally the border of the visible.<br>
<br>
[[File:WeisseTapete01.jpg | 800px]]<br>
<br>


[[File:01R_tree&thaumatrope.jpg]]<br>
=Reading, Writing and Research Methodologies=
[http://pzwart3.wdka.hro.nl/~nhametner/thaumatrope01.html <font color="black">thaumatrope</font>]
For a better understanding of how I got to that point, it is useful to look back at the origin of my investigations with photography. The crucial unique instant while triggering the photograph turned into duration while using long time exposure, what I used a lot in my previous works. I now realize all the more that without this precedent study I would not have been arrived at my recent examination of the moving video image, which allows me to look at the construction of the image from a new point of view. <br>
<br>
<br>
 
>>> [[/Reading, Writing & Research Methodologies 2013-TM3.01| <font color="black">Self directed research essay</font>]]<br>
[[File:02G_ecg.jpg]]
<br>
<br>
[http://pzwart3.wdka.hro.nl/~nhametner/ecg01.html <font color="black">ECG</font>]
[[File:03B_corridor.jpg]]
<br>
<br>
<br>[http://pzwart3.wdka.hro.nl/~nhametner/corridor01.html <font color="black">corridor</font>]
== Essay ==
Media seen as interface between body and event leads automatically to questions about perception and therefore to the role of the observer. This relation has moved all the more into focus since the beginning of the twenty first century and the permanent ubiquity. Where comes that necessity of being constantly connected with media? To which point we are getting unable to simply use our body to experience the world? How has the act of perception changed through the overall access to media? The practice to see reality the more and more through a screen increases the disconnection to it in a way that perceiving the world through permanent virtual reality might be only one step away. Is it by now an inevitable process that the more we are using media, the more we assimilate a practice that separates us from the awareness about its omnipresence and that we all the more become addicted to its illusion?
[[Media: RWRM_NicoleHametner_Trimester1_2012.pdf‎|<font color="black">Techniques of the observer</font>]]
= Thematic Project - How long does it take to get from zero to one=
[[/01: Movement | <font color="black">01: Movement </font>]]<br>
[[/02: Chain Reaction | <font color="black">02: Chain Reaction</font>]]<br>
[[/03: Rhythmanalysis | <font color="black">03: Rhythmanalysis</font>]]<br>
[[/04: Timebased Medium | <font color="black">04: Timebased Medium</font>]]<br>
== Description ==
I have seen the workshops of the first thematic project as an experimentation field where I got in contact with different aspects about mainly network media.
During the first week the questions turned around how to represent movement and how physical labour is being transformed through digital media. The animated pictures of a hand copied with a xerox machine is an attempt to investigate the different layers of media and how the transition from the body to the machine can be seen. On the Erasmus Bridge the different vehicles and passersby were registered and the counting was then visualized as an abstraction of their movement.
For the theme of Chain Reaction the initial idea came from the thought to avoid working toward something visual and instead using acoustic signals to observe how they react to each other, thinking about the notion of instability and failure.
The third workshop Rhythmanalysis delved more into the notion of time and allowed a wider view about not only network media. In that week I wanted to observe by filming a static shot of different scenes, how rhythm can be perceived. Lefebvre's text Seen from the window served as an inspiration.
In the fourth and last part of the thematic project we looked at the question why it is difficult to communicate duration with a digital image. That issue was probably the most appealing theme for my self directed work, where I would like to juxtapose photography with video and observe how time behaves in those two different media. The result of that week is a draft for a planed personal research in filmed portraits. An underexposed video from a tree moving in the wind, filmed during the night refers with its flickering of the pixels to the constant construction of each frame of the video, what evokes further interesting thoughts threaten during the workshop. Similar to the first insight in prototyping, these workshops allowed me to gain several appeals which may find their continuation in my self directed research.
[[Category: 2012/2013]]
[[Category: 2012/2013]]
[[Category: Trimester Projects]]
[[Category: Trimester Projects]]

Latest revision as of 11:59, 10 December 2013

Nicole Hametner, Trimester 3, july 2013 

Thematic Project - Creative Industries

CQ7 Ability Test (Michaela Lakova & Nicole Hametner)

Artist statement:
In the field of entertainment the production is often outsourced to cheap labour, whereas the creative part of the designer is honored. While reflecting on mechanism of the creative industry, two sides emerged with a strong ambiguity. This is why we want to question the definition of the creative part on the one hand and the role of the worker on the other hand. An interactive video installation provides a survey where the spectator can run through 13 questions with 4 proposed answers. As foundation serve different examples of job interviews for companies in the creative industry. The result expresses in percentage to what extend the respondent fits into the profile of either the creative or the worker. He then receives his test result as a badge to present afterwards in the exhibition space, with the aim to initiate a discussion about his achieved level and to reflect about the meaning of the two categories, where they distinguish from each other and where they might at the end not differ at all.

This work was made in the context of the thematic project Creative Industries. For the connecting link between the individual works in the final collective show, the group decided to create a start up event, where each of the participants presents its project as a business proposal. For this reason we had to adapt our initial artist statement into a creative business idea and transformed it into a new company statement:

Discover your potential and be part of the creative workforce of tomorrow!
CQ7 Creative Ability Test allows job hunters to check their potential to work in the creative industry. We use big data and predictive analytics to improve workforce quality, productivity and profitability, by connecting qualified employees with employers. We are an independent research group of data analysts using profiling technology. With the CQ7 Creative Ability Test we offer a survey that allows individual job hunters to check their potential to work in the creative industry. The respondent cannot fail or pass the test, the result rather represents his potential expressed in a numerical form of his achieved level. It is then the company that decides to what degree creativity is demanded for their working procedures. In addition to this individual outcome, the collected data are used for statistic evaluation, which serves as guideline for companies working in the field. We use big data and predictive analytics to improve workforce quality, productivity and profitability, by connecting qualified employees with employers. During the event we offer a free trial version in form of an interactive installation to allow the audience to be part of the procedure. The respondent receives his test result as a badge to present afterwards in the exhibition space, with the aim to initiate a discussion about his achieved level. Our staff members are present during the day and provide assistance for the participants as well as for any further questions from the public.

The creative business ideas were introduced the evening before the start up camp during a Pecha Kucha event. The format of this presentation was simple: the participants had two and a half minutes with 10 slides 15 seconds each to present their product. www.startupcampl.nl

Media

>>> CQ7 Ability Test

Questionslide5.jpg

Questionslide7.jpg

Questionslide9.jpg

Archiving - Astrid van Nimwegen

In both series the significant pictorial landscape refers to Dutch paintings. Furthermore the vastness of the nature, the role of the horizon in Birdspotting Hides and the thematic of the look out of a window into the far distance evoke the idea of longing in the sense of the romanticism. The beauty of the scene captures the viewer and invites him to contemplate. However, what can be found in both works is the illusion of being part of the scene and meantime only a distant observer, they oscillate between exterior view and internal perspective, between real world and imagination.
Astrid van Nimwegen presents Garage Doors and Birdspotting Hides in a dialogue. While Garage Doors is projected in original size on the one side in the exhibition space, the opposite wall remains dark. Only if the garage door closes its shutter, the projection of the bird spotting houses starts on one wide screen. The combination of the two works convinces with its strong coherence in form and content and the thereby amplified individual experience of the passing of time.

Media

>>> Astrid van Nimwegen

DokAstrid.jpg

Self directed research

The research proposal I developed in the second trimester is definitely what I want to deepen and a work that I want to realize in the second year of my master studies.
Through a confrontation of photography and video I want to focus on their media specificity, by which I mean their mechanism, their materiality, how time behaves and where the question about the origin of the image leads. These reflections allow me to articulate thoughts about absence/ presence and disappearance, night/ perception and psychoanalysis and generally the border of the visible.

WeisseTapete01.jpg

Reading, Writing and Research Methodologies

For a better understanding of how I got to that point, it is useful to look back at the origin of my investigations with photography. The crucial unique instant while triggering the photograph turned into duration while using long time exposure, what I used a lot in my previous works. I now realize all the more that without this precedent study I would not have been arrived at my recent examination of the moving video image, which allows me to look at the construction of the image from a new point of view.

>>> Self directed research essay