User:Nicole Hametner/Graduate Research Seminar 2013-TM4.02: Difference between revisions
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=Small drafts to understand and reflect about the graduation project= | =Small drafts to understand and reflect about the graduation project= | ||
=Photo/video brighten up, testshooting in the park= | |||
=Small selfmade beamer= | |||
* rent beamer and reservate one whole day a projection room | |||
* | =Filmed photographs= | ||
* iso settings and brighten up effect | |||
* reanimation of the picture? | |||
=Magic Lantern installed and fast memory card ordered for RAW shooting | |||
* need faster cardreader and external hard drive! | |||
* look at different tutorials for RAW shooting | |||
* Adobe Premiere und AfterEffects organisieren/ installieren | |||
=RAW shooting: tree in wind, water surface, interiors= | |||
* recorded RAW - dng - tif image sequence - mov | |||
* image sequence back and forth | |||
* what about the notion of "still- and moving" imaging? | |||
* record the sound independently and sync it afterwards!!! | |||
=Shooting in park without RAW= | |||
*frame rate/ compression/ encoding/ datarate etc | |||
* what is the noise, what makes the noise, light and dark zones | |||
* treshold of the sensor, its limitations, signal-noise relation | |||
* how to get to the border between noise and the object behind? | |||
=thinking about nightvision | |||
* research for other possibilities to brighten during recording | |||
* shoot during the evening, before dusk, process of darkening | |||
* ir-filter/ nightvision/ wideangle etc. | |||
=film deleting the month of september on my cell phone= | |||
* thinking about what remains | |||
* materiality of digital information | |||
=two old photographs with a visible layer of photographic emulsion= | |||
=first testshootings unfortunately in automatic mode?= | |||
* why is the preview showing it differently than the quick time player? | |||
=Gillian Carnegie, Black Square= | |||
* black painting of trunks with textured paint | |||
* about the viewers position, his movement to reveal the image | |||
* challenge of depicting a night scene | |||
* do I have to simulate my vision at night? | |||
* found old work of forest | |||
* Carnegie also mixes genres, still life, landscapes, portrait - including the gaze? | |||
* about the contradiction between matter and image | |||
=Laura Mark: How Electrons Remember= | |||
* about particle-wave relationship | |||
* Yoanas "wave of pink noise" | |||
* loss of indexicality? are digital images fundamentally immaterial? | |||
* material connection between reality or is the connection entirely symbolic? | |||
* why factor of prolongation irrelevant in electronic imaging?! | |||
* la technologie de la photographie, Thierry Fumey | |||
=Black paintings, Mark Rothko, Sugimoto's Pine trees, Odilon Redon= | |||
=Installation The Running Thunder from Steve McQueen= | |||
* hanged screen in space | |||
* reflection of the presentational mode | |||
=Pointillisme from Seurat= | |||
=Text Bill Viola and the sublime, Rina Arya= | |||
=Interview and lecture Bill Viola, Louisiana Channel= | |||
=Tacita Dean/ Runa Islam= | |||
=The Sight of death by TJ Clark= | |||
=Labels= | =Labels= | ||
* presence/ absence and stick on what is leftover | |||
During the summer I have worked two month in a factory. The company produces adhesive and sealant for the industry and ships its product all over Europe. The sound of the machines and the quiet monotonous working hours were an interesting experience. | During the summer I have worked two month in a factory. The company produces adhesive and sealant for the industry and ships its product all over Europe. The sound of the machines and the quiet monotonous working hours were an interesting experience. | ||
There were two days where I did nothing else than sticking labels on cardboard boxes, sometimes 50 of the same label for a small special comission, but also up to 1000 of the same. When I threw away the first charge of the remaining backsides of the labels I was fascinated by the way they felt into the big trash container. I decided to collect the huge amount of the following backsides in a bag and to bring them to Rotterdam to produce a small film. Not only the materiality of the backsides interest me, also the sound and rhythm of removing the label. Then other thoughts came to my mind, about the remainder in general, the idea of adhere to something and the process of detachment. I will test in the coming weeks how I can let the little paper pieces fly through the air and filming them, observe what happens while zooming in and discover some details towards a complete abstraction. Besides that I will record the sound of sticking labels on cardboard boxes and remind myself where I spend the last summer.<br><br> | There were two days where I did nothing else than sticking labels on cardboard boxes, sometimes 50 of the same label for a small special comission, but also up to 1000 of the same. When I threw away the first charge of the remaining backsides of the labels I was fascinated by the way they felt into the big trash container. I decided to collect the huge amount of the following backsides in a bag and to bring them to Rotterdam to produce a small film. Not only the materiality of the backsides interest me, also the sound and rhythm of removing the label. Then other thoughts came to my mind, about the remainder in general, the idea of adhere to something and the process of detachment. I will test in the coming weeks how I can let the little paper pieces fly through the air and filming them, observe what happens while zooming in and discover some details towards a complete abstraction. Besides that I will record the sound of sticking labels on cardboard boxes and remind myself where I spend the last summer.<br><br> | ||
| Line 29: | Line 62: | ||
=Watertank= | =Watertank= | ||
*coming and fading, images in constant movement | |||
* element of water, reflection of lighttubes on the waves | |||
* drying the photographs on the mirror, thinking about material and surfaces | |||
* now sound while RAW shooting! | |||
This small project follows another idea for a short film I had in mind. It will be shot in the darkroom, the camera is pointing on the rinsing tank where the developed photographs move around in the rythm of the water coming out of the pipe. Like the backsides of the labels in the air, the photographs also turn around, showing for a short instant the image and then turn away in the next moment presenting the reverse side, all accompanied by the ripple of the water.<br><br> | This small project follows another idea for a short film I had in mind. It will be shot in the darkroom, the camera is pointing on the rinsing tank where the developed photographs move around in the rythm of the water coming out of the pipe. Like the backsides of the labels in the air, the photographs also turn around, showing for a short instant the image and then turn away in the next moment presenting the reverse side, all accompanied by the ripple of the water.<br><br> | ||
[[File:NHametnerWatertank.jpg]]<br><br> | [[File:NHametnerWatertank.jpg]]<br><br> | ||
Revision as of 11:05, 6 November 2013
Small drafts to understand and reflect about the graduation project
Photo/video brighten up, testshooting in the park
Small selfmade beamer
- rent beamer and reservate one whole day a projection room
Filmed photographs
- iso settings and brighten up effect
- reanimation of the picture?
=Magic Lantern installed and fast memory card ordered for RAW shooting
- need faster cardreader and external hard drive!
- look at different tutorials for RAW shooting
- Adobe Premiere und AfterEffects organisieren/ installieren
RAW shooting: tree in wind, water surface, interiors
- recorded RAW - dng - tif image sequence - mov
- image sequence back and forth
- what about the notion of "still- and moving" imaging?
- record the sound independently and sync it afterwards!!!
Shooting in park without RAW
- frame rate/ compression/ encoding/ datarate etc
- what is the noise, what makes the noise, light and dark zones
- treshold of the sensor, its limitations, signal-noise relation
- how to get to the border between noise and the object behind?
=thinking about nightvision
- research for other possibilities to brighten during recording
- shoot during the evening, before dusk, process of darkening
- ir-filter/ nightvision/ wideangle etc.
film deleting the month of september on my cell phone
- thinking about what remains
- materiality of digital information
two old photographs with a visible layer of photographic emulsion
first testshootings unfortunately in automatic mode?
- why is the preview showing it differently than the quick time player?
Gillian Carnegie, Black Square
- black painting of trunks with textured paint
- about the viewers position, his movement to reveal the image
- challenge of depicting a night scene
- do I have to simulate my vision at night?
- found old work of forest
- Carnegie also mixes genres, still life, landscapes, portrait - including the gaze?
- about the contradiction between matter and image
Laura Mark: How Electrons Remember
- about particle-wave relationship
- Yoanas "wave of pink noise"
- loss of indexicality? are digital images fundamentally immaterial?
- material connection between reality or is the connection entirely symbolic?
- why factor of prolongation irrelevant in electronic imaging?!
- la technologie de la photographie, Thierry Fumey
Black paintings, Mark Rothko, Sugimoto's Pine trees, Odilon Redon
Installation The Running Thunder from Steve McQueen
- hanged screen in space
- reflection of the presentational mode
Pointillisme from Seurat
Text Bill Viola and the sublime, Rina Arya
Interview and lecture Bill Viola, Louisiana Channel
Tacita Dean/ Runa Islam
The Sight of death by TJ Clark
Labels
- presence/ absence and stick on what is leftover
During the summer I have worked two month in a factory. The company produces adhesive and sealant for the industry and ships its product all over Europe. The sound of the machines and the quiet monotonous working hours were an interesting experience.
There were two days where I did nothing else than sticking labels on cardboard boxes, sometimes 50 of the same label for a small special comission, but also up to 1000 of the same. When I threw away the first charge of the remaining backsides of the labels I was fascinated by the way they felt into the big trash container. I decided to collect the huge amount of the following backsides in a bag and to bring them to Rotterdam to produce a small film. Not only the materiality of the backsides interest me, also the sound and rhythm of removing the label. Then other thoughts came to my mind, about the remainder in general, the idea of adhere to something and the process of detachment. I will test in the coming weeks how I can let the little paper pieces fly through the air and filming them, observe what happens while zooming in and discover some details towards a complete abstraction. Besides that I will record the sound of sticking labels on cardboard boxes and remind myself where I spend the last summer.
Watertank
- coming and fading, images in constant movement
- element of water, reflection of lighttubes on the waves
- drying the photographs on the mirror, thinking about material and surfaces
- now sound while RAW shooting!
This small project follows another idea for a short film I had in mind. It will be shot in the darkroom, the camera is pointing on the rinsing tank where the developed photographs move around in the rythm of the water coming out of the pipe. Like the backsides of the labels in the air, the photographs also turn around, showing for a short instant the image and then turn away in the next moment presenting the reverse side, all accompanied by the ripple of the water.
