User:Janis Klimanovs/Term 3: my factory: Difference between revisions
No edit summary |
No edit summary |
||
| Line 8: | Line 8: | ||
At the moment here are several types of photo booth ideas that I am developing, 3D booth, xray booth, trick booth and error booth; | At the moment here are several types of photo booth ideas that I am developing, 3D booth, xray booth, trick booth and error booth; | ||
I will come to an decision this week after discussions; | I will come to an decision this week after discussions; | ||
==Reading journal== | ==Reading journal== | ||
Revision as of 21:24, 3 June 2012
Presentation:
Creative automatization
Automated Leisure: to create an portrait
- Settings: automated photographer = ultimate photo booth
At the moment here are several types of photo booth ideas that I am developing, 3D booth, xray booth, trick booth and error booth;
I will come to an decision this week after discussions;
Reading journal
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Michael Gondry, You'll Like This Film Because You're In It, Picture Box: 2008
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Vladimir Propp, Morphology of the Folk Tale, University of Texas Press: 1968 (USSR 1928)
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Theodor W. Adorno, Max Horkheimer, Dialectics of Enlightenment, Stanford University Press- 2007 (1947)
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about “Creative industries,” neoliberal fantasies, and the cold, hard facts of global recession: some basic lessons by Chuck Kleinhans
- User:Janis Klimanovs/Term 3: my factory/Reading/Notes about Richard Florida, The Rise of the Creative Class, Why cities without gays and rock bands are losing the economic development race.