Generous Practices: Difference between revisions

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<blockquote>''A fictional conversation, based on emails, physical encounters, IRC and a Skype session.''</blockquote>
<blockquote>''A fictional conversation, based on emails, physical encounters, IRC and a Skype session.''</blockquote>
Based on citations from a number of influences, a "fictional conversation" that represents Snelting reflections and inspirations from colleagues inspired by models of Free Software working in the cultural / artistic work.
== Conversational ==


Why this form?
Why this form?
* Example of Annemieke van der Hoek's [[Epicpedia]]... Exposing the wiki as conversation. A form Snelting would re-use in Conversations.
* Parallel with things like RFCs and discussions on mailinglists such as [[Proposed new tag: IMG|the proposal for an IMG tag]].
== A Cultural Ecosystem ==


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GB: The  interesting thing about a  cultural ecosystem is  the  fact that  it's  not  only about a  literal exchange of  information and products, but  that  the  system also  allows you  to  share behaviours, approaches, and  working methods. The participation of  the  public also  plays an  important role.
GB: The  interesting thing about a  cultural ecosystem is  the  fact that  it's  not  only about a  literal exchange of  information and products, but  that  the  system also  allows you  to  share behaviours, approaches, and  working methods. The participation of  the  public also  plays an  important role.
</blockquote>
</blockquote>
== Copyright alternative ==


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<blockquote>
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* Example of Annemieke van der Hoek's [[Epicpedia]]... Exposing the wiki as conversation. A form Snelting would re-use in Conversations.
== Why make Radio? ==
* Parallel with things like RFCs and discussions on mailinglists such as [[Proposed new tag: IMG|the proposal for an IMG tag]].
 
* How to give back to an audience?


Based on citations from a number of influences, a "fictional conversation" that represents Snelting reflections and inspirations from colleagues inspired by models of Free Software working in the cultural / artistic work.
* Idea to post recordings back to Radio Aporee, yes! Look into the community aspect.


Read through the introduction (Cultural Ecosystem)
== notes ==


Reflections from Strasbourg
Reflections from Strasbourg
Marie Verdeil's work: Low-tech magazine and Kris de Decker.
Marie Verdeil's work: Low-tech magazine and Kris de Decker.


[https://march.international/becoming-sponge-sustaining-practice-through-protocols-of-web-publishing/ Becoming Sponge] + Reparative Reading.
[https://march.international/becoming-sponge-sustaining-practice-through-protocols-of-web-publishing/ Becoming Sponge] + Reparative Reading.


Why make Radio?
* How to give back to an audience?
* Idea to post recordings back to Radio Aporee, yes! Look into the community aspect.


Return to Yuill's idea of distributive practice. (Example such as HAKMEM, and Scratch/Cardew). But... also Cardew's later regrets?
Return to Yuill's idea of distributive practice. (Example such as HAKMEM, and Scratch/Cardew). But... also Cardew's later regrets?

Revision as of 07:37, 7 October 2024

aka why (special issue #25)

Generous Practices

Also in Floss+ART, alongside Yuill's Distributive Practices, Femke Snelting: Generous Practices (also here).

A fictional conversation, based on emails, physical encounters, IRC and a Skype session.

Based on citations from a number of influences, a "fictional conversation" that represents Snelting reflections and inspirations from colleagues inspired by models of Free Software working in the cultural / artistic work.

Conversational

Why this form?

  • Example of Annemieke van der Hoek's Epicpedia... Exposing the wiki as conversation. A form Snelting would re-use in Conversations.
  • Parallel with things like RFCs and discussions on mailinglists such as the proposal for an IMG tag.


A Cultural Ecosystem

LR: I'm not sure I would use the term ‘ecology’ literally, but we like to work with open source software for example, because it exposes a network of relations between communities, tools and audiences. Of course, these relations go much further than art, literature, theatre or dance. Culture is embedded in social, economical and technological structures.

GB: The interesting thing about a cultural ecosystem is the fact that it's not only about a literal exchange of information and products, but that the system also allows you to share behaviours, approaches, and working methods. The participation of the public also plays an important role.

Copyright alternative

LR: An author never has a neutral position; he or she is an active thinker and player. It's always interesting when creators use their position as an author to give others the opportunity to use their work, instead of protecting everything, but that's just one way of questioning the concept of ‘originality’, authority and the power an author can exercise.


Why make Radio?

  • How to give back to an audience?
  • Idea to post recordings back to Radio Aporee, yes! Look into the community aspect.

notes

Reflections from Strasbourg Marie Verdeil's work: Low-tech magazine and Kris de Decker.

Becoming Sponge + Reparative Reading.


Return to Yuill's idea of distributive practice. (Example such as HAKMEM, and Scratch/Cardew). But... also Cardew's later regrets?