Staff: Difference between revisions

Latest revision as of 08:39, 4 July 2024

Current tutors

Link to other current Xpub tutors:https://www.pzwart.nl/experimental-publishing/staff-and-tutors/

Clara Balaguer

Cristina Cochior

Joseph Knierzinger

Lídia Pereira

Amy pickles

Natasha Soobramanien

Marloes de Valk(XPUB)

Link to Current Lens-based tutors: https://www.pzwart.nl/lens-based/staff-and-tutors/

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+<!--- "STRIKES..." IS PART OF SPECIAL ISSUE 21, A SUB-RELEASE MADE BY XPUB1. JUNE 2023. VISIT https://issue.xpub.nl/21/strike/
+Dear reader,
-Since 1996, I have collaborated with Riek Sijbring and Femke Snelting under the name De Geuzen: a foundation for multi-visual research. Next to national and international exhibitions, our projects have been featured in Rhizome, Mute and Thames and Hudson’s Internet Art. Parallel to my collective practice, I have also produced text-driven pieces for the web that engage in the idiosyncrasies of networked culture. Whether working individually or collaboratively, my projects often employ tactical media to explore female identity, narratives of the archive and online media ecologies.
+This experimental publication highlights the work of several artists and feminists, mentioned during class with Isabelle Sully and Martino Morandi. Isabelle Sully practices across art-making, curating, editing and writing. Working with feminist histories in mind, she takes the mechanisms and materiality of administration as the main focus within her work, developing conceptual projects that span experimental writing, sculpture, performance, exhibition-making and publishing. (https://www.isabelle-sully.com/)
-My educational background is perhaps best described as hybrid.  After receiving my MFA from the University of Arizona, I came to the Netherlands where I was an artist resident at the Rijksakademie for two years, which was then followed by two years as a researcher in the Theory Department at the Jan van Eyck Academie in Maastricht.  In 2007, I was fortunate to receive a scholarship from the Institute of Creative Technology to pursue a second Master’s degree in Creative Writing and New Media from De Montfort University (Leicester, GB).
+Anna Daučíková (1950) is one of the most distinctive woman artists on the Czech, Slovak and even European scene. Her art combines a wide spectre of expressive media: drawings, paintings, photographs, conceptual photo collages, and performances, and since the 1990s, this solitary-minded author has also been engaged in video art. Below you can read an excerpt from the "Scene Book" by Anna. The work was published on the occasion of the exhibition 33 Scenes by Anča Daučíková, The Function Room, London, October 2014. www.functionroom.co/scene
-Over the past years I have taught art, design and theory at the BA and MA level at different institutions, such as the Bergen National Academy of the Arts (Bergen, NO), Piet Zwart: Fine Art (Rotterdam, NL), St. Joost Academy (Breda, NL) and the Willem de Kooning Academy (Rotterdam, NL). No matter what department or programme I have taught in, I operate from the firm belief that while it is important to specialise, it is imperative to promote interdisciplinary exchanges in order to playfully and critically explore the social, political, psychological and poetic dimensions of our world.
+-------------------------------------------------
+Place: MOSCOW (1979) Communal flat in an old house, Lopuchinskij per,
+la, 10 minutes walking distance from the Kremlin.
-main sites:
+Person(s): Maria Alexejevna Bakunina, nickname Kolobok:* pensioner, little and plump, always silent.
-www.fudgethefacts.com
-www.geuzen.org
+Throughout her whole adult life, she had never been aware of any sexual experience. She knows how female and male genitals look because of having seen the corpses. During the Second World War, she worked with other young women, in the woods hewing trees down, usually 12 hours per day. They had been lifting enormous weights. Since then she ceased communication with the external world.
+Situation: She is sick, so I went to buy bread for her. She is coming to the kitchen and receives the loaf of bread. Looking quickly around to check if anybody is there, she quickly kisses my right shoulder** and disappears.
+Note(s):
+*Kolobok is a little round character from a Russian children's tale.
+** In the times of serfdom in Russia, the kissing of the shoulder used to be a subservient expression of gratitude from a peasant towards his or her lord of the manor.
+Thank you for reading! --->
+==Current tutors==
+* [http://www.pummell.com/ Simon Pummell](LB)
+* [http://www.raamw3rk.net/ Barend Onneweer](LB)
+* [[User:Steve Rushton|Steve Rushton]](XPub/LB)
+* [http://automatist.org Michael Murtaugh](XPub)
+* [[User:Leslie Robbins|Leslie Robbins]](XPub/LB)
+* [http://www.davidhaines.org/ David Haines](LB)
+* [http://snelting.domainepublic.net/ Femke Snelting](XPub)
+* [https://manettaberends.nl Manetta Berends](XPub)
+* [https://www.pzwart.nl/master-media-design-and-communication/staff-and-tutors/rossella-nisio/ Rossella Nisio](LB)
+Link to other '''current Xpub tutors''':https://www.pzwart.nl/experimental-publishing/staff-and-tutors/</br>
+* Clara Balaguer
+* Cristina Cochior
+* Joseph Knierzinger
+* Lídia Pereira
+* Amy pickles
+* Natasha Soobramanien
+* [https://bleu255.com/~marloes Marloes de Valk](XPUB)
+Link to Current '''Lens-based tutors''': https://www.pzwart.nl/lens-based/staff-and-tutors/
+==Previous tutors==
+* [http://www.fudgethefacts.com/ Renee Turner]
+* [[User:Stock|Stock]]
+* [http://aaaan.net/ Annet Dekker]
+* [[User:Brigit Lichtenegger|Brigit Lichtenegger]]
+* [http://timoklok.nl/ Timo Klok]
+* [http://bleu255.com/ Aymeric Mansoux]