User:Thijshijsijsjss/PTMoMNBM/Pen Plotted 3D Movie: Difference between revisions
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'''What is it?''' | '''What is it?''' | ||
This project concerns a 3D movie that consists of non-digital, all-pen plotted frames: a large 'flipbook' with offset images that are plotted in red / cyan, so that a 3D effect emerges when one looks at the moving frames with 3D glasses. | |||
The movie conerns a yet to be decided on topic. It will most likely last no longer than 5 seconds (assuming 'intended' revolution speed of flipbook). | |||
The movie is then accompanied by a screening | |||
'''Why make it?''' | '''Why make it?''' | ||
'''Workflow''' | '''Workflow and Timetable''' | ||
TBD | |||
'''Rapid prototypes''' | |||
''' | |||
'''Previous practice''' | '''Previous practice''' | ||
This example project is not mine, but Alessia's. I think it conveys the potential in pen plotted animations well: | |||
{|align=center | |||
|[[File:97-112.jpg|frameless|210px]] | |||
|<img src="https://media.giphy.com/media/v1.Y2lkPTc5MGI3NjExbjk3OTUyeGkzcmJ5dThkbzE1bWZkYmVucG1qOGFycDg2anNxMXFwbSZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/ofBdDrTAUuCXNkT6lr/giphy.gif"style= width:410px;> | |||
|<img src="https://media.giphy.com/media/v1.Y2lkPTc5MGI3NjExdWVxd2QwdTJzZWZvdWU3am1vdHpzb3BvZmxsMDloYXQ4YjFic3o1ZyZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/6aFzGnpryqRkBMBd7Q/giphy-downsized-large.gif"style= width:300px;> | |||
|} | |||
[[User:Alessia/Pen_plotter_flipbooks|Find Alessia's dedicated project page on pen plotted flipbooks here]] | |||
'''Relation to a wider context''' | |||
3D film obviously has a long history. There have been many attempts to simulate 3D effects, one of which being the flimsical red/blue glasses. A nice entry point into some more experimental 3D effect is [https://www.youtube.com/watch?v=Q-v4LsbFc5c this Tom Scott video on the Pulfrich effect]. | |||
Flipbooks, as well, have a long history. In our case, the mutoscope might be of interest. | |||
With Joseph, I looked at [https://plotter.vision/ a project that projects 3D renders to 2D vectors]. This is part of a larger research endeavor of ours to create software for SVG to HPGL conversion. | |||
[[File:Plotter-vision-web.png|600px|thumb|center|Screenshot of [https://plotter.vision/ plotter vision], with the red / blue 3D mode]] | |||
{|align=center | |||
|{{youtube|KYMT7x2QsYA}} | |||
|{{youtube|5uc1-1-2les}} | |||
<!-- |{{youtube|4aTur21yims}} --> | |||
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|{{youtube|MEeu2RSr4js}} | |||
|{{youtube|jP2yy6fUR_w}} | |||
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'''Choices made''' | '''Choices made''' | ||
The most impactful decision for this project is whether or not the frames should be digital or not. Physical frames mean: | |||
* a physical device is needed to show the animation | |||
* the 3D effect will be more difficult to convey, as the frame transitions aren't as smooth as for digital frames | |||
* the length of the film is greatly limited (to that of the carousel that holds the frames) | |||
* it is a | |||
For these reasons, a similar project but with digitized pen plotted frames should be considered also. However, there is an important reason to go for physical frames: the nature of pen plotting. Part of the allure of these devices is their (performance through their) mechanical nature. A physical screening can be an extension of this. |
Latest revision as of 11:13, 21 June 2024
What is it?
This project concerns a 3D movie that consists of non-digital, all-pen plotted frames: a large 'flipbook' with offset images that are plotted in red / cyan, so that a 3D effect emerges when one looks at the moving frames with 3D glasses. The movie conerns a yet to be decided on topic. It will most likely last no longer than 5 seconds (assuming 'intended' revolution speed of flipbook). The movie is then accompanied by a screening
Why make it?
Workflow and Timetable
TBD
Rapid prototypes
Previous practice
This example project is not mine, but Alessia's. I think it conveys the potential in pen plotted animations well:
Find Alessia's dedicated project page on pen plotted flipbooks here
Relation to a wider context
3D film obviously has a long history. There have been many attempts to simulate 3D effects, one of which being the flimsical red/blue glasses. A nice entry point into some more experimental 3D effect is this Tom Scott video on the Pulfrich effect. Flipbooks, as well, have a long history. In our case, the mutoscope might be of interest. With Joseph, I looked at a project that projects 3D renders to 2D vectors. This is part of a larger research endeavor of ours to create software for SVG to HPGL conversion.
Choices made
The most impactful decision for this project is whether or not the frames should be digital or not. Physical frames mean: * a physical device is needed to show the animation * the 3D effect will be more difficult to convey, as the frame transitions aren't as smooth as for digital frames * the length of the film is greatly limited (to that of the carousel that holds the frames) * it is a For these reasons, a similar project but with digitized pen plotted frames should be considered also. However, there is an important reason to go for physical frames: the nature of pen plotting. Part of the allure of these devices is their (performance through their) mechanical nature. A physical screening can be an extension of this.