User:Aitana25: Difference between revisions

To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.

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-significaciones prescriptas
+==GRADSHOW==
+'''This year'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM
+'''Last years page'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM
+'''Writing'''
+https://pad.xpub.nl/p/Grad_Show_LB_2024
+'''Spatial needs'''
+https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0
-==Reading and Writing & Research Methodologies==
+==Seminars==
-===Texts on practice===
-[[Session1 - What/how/why | #1 What/how/why]]
-[[Session2 -  Interview | #2 Interview ]]
+[[Graduate Seminar 2023-2024 | Graduate seminar - Main page]]
-Session3 Scratch
+[[Graduate Seminar 23-24 Aitana | Thesis]]
-[[Session3 - Exploring a relevant question | #4 Exploring a relevant question]]
+==Allumni Illuminata==
+[[ Alumniiilluminata3 Alumni Illuminata' 3rd edition]]
-[[AitanaAnnotation |#5 and #6 Annotation Session]]
+==Self directed research==
-[[Subliminar vocabulary Aitana | Subliminal vocabulary]]
+[[Make it work Aitana | Ongoing research]]
-[[Aitana text on practice - #7 Text on practice Session 1]]
+Notes:
-===On books===
+'''MATERIAL STATION'''
-[[Aitana's reading list]]
+:'''LASER CUTTING'''
-[[Aitana's reading notes]]
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter
+:https://ps.wdka.nl/wiki/Quickstartguide:Laser_Cutter#General_Settings
-==Seminars / Workshops==
+:'''CNC'''
-[[Complicating the Subject by RES Aitana | #2 Complicating the Subject]]
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill
-[[Is it possible Aitana | #3 Is it possible to talk about power...]]
+:https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado
-[[Decoloniality and film Aitana | #4 Decoloniality and film]]
+==On books==
-[[Thematic History & practice of the photo-essay & photo book Aitana | #5 Thematic History & practice of the photo-essay & photo book]]
+[[Aitana's reading list]]
-==Projects in construction / Research==
+[[Aitana's reading notes]]
-[[Yalou and Aitana]]
+==[[Aitana 2022/2023 | 2022/2023 ]]==
-[[Eye project Aitana | Eye project ]]
+==[[Notes by Aitana | Notes ]]==
-=Notes=
+DOK LEIPZIG
-Aitana: [no title yet] Are we having a conversation? / Do you understand what I am saying?
+https://desistfilm.com
-sneak into a vague and hardly visible world
-This short film invites to sneak into a vague and hardly invisible world and asks the question "do you understand what I am saying?"
-words describe things but also
+significaciones prescriptas
-words are "performative speech act" an invitation is an insert invite. Communicating something that may change the world, it has more meanings than the simplified fact of describing. Invitations are questions about performative things, they are acting the world.
-A series of films that pose a series of questions. It stabilises it in that frame.
+freethesaurus.com
-Requiremets:
+https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad
-Title
-Invitation
-Question
-How generous am I going to be to the reader? How do we do that today in a very short and concise way.
+: Programs:
-"We ask the questions"
-Performativity in what we are doing. Words are very active in the world.
+/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina
-Questionnaire.
+/1111-close-up-jessica-sarah-rinland
-{{vimeo|319459960}}
+/181-israel_palestine
-[[https://www.youtube.com/watch?v=g13q0w0aysQ]]
+/830-ethnographic-documentaries
-Notes on Eye On Art: Sexual Unease
+/785-in-the-mood-for-shorts
-- Marilyn Monroe as symbol of female oppression in film: women can only become a tragedy. The beautiful lady being killed by her fame. Her appearance is most important. Struggling woman that always was controlled by a man. - Gender unease works both ways. Both stereotypical representations keep the others intact.
+/755-documentary-portraits
-'LIST'
+/14342-the-washing-society
-https://iffr.com/en/iffr/2023/films/mudos-testigos
+/196-chiledoc
-https://iffr.com/en/iffr/2023/films/é-noite-na-américa
-https://iffr.com/en/iffr/2023/films/night-walk
-https://iffr.com/en/iffr/2023/films/pett-kata-shaw
-https://iffr.com/en/iffr/2023/films/revolution-der-augen
-https://iffr.com/en/iffr/2023/films/slowly-nowhere
-https://iffr.com/en/iffr/2023/films/three-sparks
+/707-music-unseen
+/668-cinema-masters
-[[Notes on practice by Clara]]
+To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.