User:Thijshijsijsjss/PTMoMNBM/Pen Plotted Illustration Book: Difference between revisions
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'''What is it?''' | '''What is it?''' | ||
An illustration book | An illustration book telling a story in about 12 spreads, handbound and all pen plotted. | ||
'''Why make it?''' | '''Why make it?''' | ||
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A pen plotted illustration book can provide a more harmonic outcome. While there is cooperation with machine, there is still a handmade quality to pen plots. And due to the quirks of plotting, every plot is unique. As a method, it embraces playfulness (and seamfulness). | A pen plotted illustration book can provide a more harmonic outcome. While there is cooperation with machine, there is still a handmade quality to pen plots. And due to the quirks of plotting, every plot is unique. As a method, it embraces playfulness (and seamfulness). | ||
Finally, such a book could highlights many techniques of pen plotting, and in that way also serve as a nice overview for someone interested in this practise. | |||
'''Workflow''' | '''Workflow''' | ||
1. Make the story | |||
1.1 Create a narrative | |||
1.2 Create concept art for characters and environments | |||
1.3 Create a storyboard | |||
2. Make some decisions | |||
2.1 Decide on the method(s) of illustration | |||
-> For example, multicolor crosshatches, stippling, vector outlines, ... | |||
2.2 Decide on the binding technique | |||
-> For example, stapled, thread sewn, glue binded, ... | |||
2.3 Decide on the issue size | |||
3. Illustration files must be made | |||
-> This can include drawing and coloring by hand, and converting this to pen plottable illustrations. | |||
4. Pen plotting | |||
5. Binding | |||
6. Distributing | |||
'''Timetable''' | '''Timetable''' | ||
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'''Choices made''' | '''Choices made''' | ||
- story or 'fragmental'? | |||
- with or without text? | - with or without text? | ||
- aimed at children, or not | - aimed at children, or not specifically? |
Revision as of 11:46, 28 April 2024
What is it?
An illustration book telling a story in about 12 spreads, handbound and all pen plotted.
Why make it?
I find illutration books to (try to be) be intimated experiences. However, their mass production and particular materiality often creates a distance for me that inhibits me from fully experiencing this intimacy. Glossy pages, hard covers. The illutration book becomes a pristine object that cannot and should not be damaged. Should not be interacted with in playful ways. All the while, often the the stories they portray allow for a sense of curiosity and wonder that text-based books sometimes lack. There is a dissonance between the playful attitude of the content, and the static pompousness of the format. A pen plotted illustration book can provide a more harmonic outcome. While there is cooperation with machine, there is still a handmade quality to pen plots. And due to the quirks of plotting, every plot is unique. As a method, it embraces playfulness (and seamfulness). Finally, such a book could highlights many techniques of pen plotting, and in that way also serve as a nice overview for someone interested in this practise.
Workflow
1. Make the story 1.1 Create a narrative 1.2 Create concept art for characters and environments 1.3 Create a storyboard 2. Make some decisions 2.1 Decide on the method(s) of illustration -> For example, multicolor crosshatches, stippling, vector outlines, ... 2.2 Decide on the binding technique -> For example, stapled, thread sewn, glue binded, ... 2.3 Decide on the issue size 3. Illustration files must be made -> This can include drawing and coloring by hand, and converting this to pen plottable illustrations. 4. Pen plotting 5. Binding 6. Distributing
Timetable
Rapid prototypes
Previous practice
- gallery - storyboard
Relation to a wider context
Choices made
- story or 'fragmental'? - with or without text? - aimed at children, or not specifically?