LB2 2023 and V2 + WORM: Difference between revisions
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'''Images''' | '''Images''' | ||
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'''Pelle Nijburg'''<br>T: + 31 0631695975 | |||
E: pellenijburg@gmail.com | |||
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Project title: Work in progress<br> | |||
Logline: In a house surrounded by a strange kind of beauty two men carry out daily routines, as time slowly passes. This single channel video asks the viewer: What does the attempt to care look like?<br> | |||
Artist Bio: Pelle Nijburg (1994, The Netherlands) is a filmaker based in Utrecht. She makes films that are narratively based on true events. It often starts with questions and curiosity about a certain subject or encounter she had. Secondly there's she search for how to tell about it through sound and image. She explains this working method as a sort of sight seeking. <br> | |||
Images: [https://pzwiki.wdka.nl/mw-mediadesign/images/f/f1/Vlcsnap-2022-11-24-12h12m36s038.jpg]<br> | |||
'''Shannon Liang'''<br> | '''Shannon Liang'''<br> |
Revision as of 21:39, 1 June 2023
LB2 Graduates 2023 and V2_ + WORM
About the collaboration between LB2 graduates of 2023, V2_ and WORM. Florian Weigl, curator: +31 6 29 29 1647
- This page is an overview of the event and proposed planning.
Timeline
May
- Florian away from 22 May - 4 June
- Monday 29: tech-riders and press texts, send to Florian
June
- Mon- Tues: 12&13 - assessments
week 25 /19 Mon - 22 Thursday tutorials with Florian, see calendar week 26
- Mon 26: 11:00 Transport and build
- Thursday: (Time to be announced) Opening
week 27
- Mon 3 July: 10:00 dismantle & transport to WH
- Mon 3 July: 16:00 Grad ceremony in the WORM Central Station
Student assistants
Add here the names and contact details of two students who will be the liaison between LB2 and V2_/WORM.
Garvan
Kotryna
Shannon (+1 240 753 4693, shannon.liang1@gmail.com)
Graduates proposals
- Please add your name, email address and phone number plus logline, bio and no more than three images (see previous year's page for examples).
Student Name
Add here your contact info.
Project description/Logline
What invitation does your work make? What question does it ask?
Bio
Add the short biographical note here.
Images
Pelle Nijburg
T: + 31 0631695975
E: pellenijburg@gmail.com
Project title: Work in progress
Logline: In a house surrounded by a strange kind of beauty two men carry out daily routines, as time slowly passes. This single channel video asks the viewer: What does the attempt to care look like?
Artist Bio: Pelle Nijburg (1994, The Netherlands) is a filmaker based in Utrecht. She makes films that are narratively based on true events. It often starts with questions and curiosity about a certain subject or encounter she had. Secondly there's she search for how to tell about it through sound and image. She explains this working method as a sort of sight seeking.
Images: [1]
Shannon Liang
+1 240 753 4693
shannon.liang1@gmail.com
Project description
The Sun Burns An Image Into My Eye
Logline: Shannon’s two channel video installation, The Sun Burns An Image Into My Eye, asks, are we permeable? Are the boundaries that separate us less clear than we think? The installation invites viewers to look over the 'table' and gaze out a 'window' to look closely at the transformative cycles meandering through mundane life—of baking, gardening, mushrooms decomposing dead animals, a leaky shower—to look for resonance, insight, and meaning.
Can we reach across distances—chemical, geographical, emotional, generational, spiritual—through preserved flowers, photographs, and memories—through what remains?
Bio
Add the short biographical note here.
Images
Aitan Ebrahimoff
Contact: aitanebrahimoff@gmail.com / +31643516491 / aitantv.xyz
Project: Parasite by Proxy
Logline: Aitan's documentary Parasite by Proxy explores the Crypto Jews of Mashhad. Marginalised in Persia, some migrated to Palestine. Eventually they had a majority status as Jews - the guest became the host. The filmmaker integrates this inherited history and identity -victim/benefactor, host/parasite. You are invited to feed on the work in this two-channel film installation.
Artist Bio: Aitan Ebrahimoff (1991) is an artist filmmaker based in Amsterdam. His short films combine speculation, documentary and science fiction. With a media design practice he blurs the line between video art and cinema, building hybrid realities with human and non-human actors.
Research and writing are important tools in his process, whereby scripts are used to structure associative narrative elements. Whether factual or fantasy, his films blend genres and incoporate cultural observations which are rooted in reality.
Installation view:
Exhibition Text
Title: 54 BPM
54 BPM brings together cinema, film, and video installation works by 12 lens-based artists.
54 BPM invites you to dive deep into 12 personal narrative approaches. Take time to slow down. Sink into sonic and visual encounters.
Verbs and Names
- Aitan: conjuring
- Veere: transforming
- Kotryna: remembering
- shannon: permeating / preserving
- Luis: volunteering
- Garvan: performing / clowning
- Melek: mythologising
- Luca: widening
- Maruša: sculpting / re-scultping
- Pelle: Observing / Caring
- Yuqing: Masking/ Isolating
- Mathilde: ? tbc
STEVE SESSION PAD (fyi)
https://pad.xpub.nl/p/ExhibitionText23
QUESTIONS
For Leslie and Simon
- Poster: is the 500 euro budget for design and printing?
- When do the venues need our texts, poster, and tech riders?
- Does the school cover the rental costs of projectors and screens and monitors, or does that come out of our individual 750 euro grad show budgets? They are expensive... If not, how do we devide the monitors and beamers and the leftover payments of the people who need to hire extra because of shortage?
- When do we need to put in our reservations with MTS? Wilco said if we wanted a vinyl screen, we needed to put in the request already by 30th of May...
- What is the new paperwork we need to fill out for mentors
For Florian and Wilco
- When can we visit the TENT basement to look at furniture
- Wilco: The pictures on the website of MTS don't seem to work, so a couple of questions about the equipment. 1) Would it be possible to send us some images of the equipment? 2) What is the difference between 'spandoek' and 'frame'? 2) Is 'doorzichtscherm' the seethrough screen and the 'opzichtscherm' a one-sided screen? 3) How big is the vinyl screen? 4) Which ones have legs, and which ones should have a suspension system?
Helpful resources
Use the following as a reference when planning your proposal.