User:Trashpuppy/A1: Difference between revisions

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<div style="padding: 10px; height: 90px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)</I></div>
<div style="padding: 10px; height: 90px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)</I></div>


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[[File:SIR(PRIZE).png|850px]]</p></div>
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[[File:COLLAGE-1.png|750px]]</p></div>
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<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">[[User:Trashpuppy/TO|~]]</p>
<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">[[User:Trashpuppy/TO|~]]</p>
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===<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">Example: Rotta: The Deluge and the Dutch origin myth</p>===
===<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">Example: Rotta: The Deluge and the Dutch origin myth</p>===
</center><b></b></center><div style="height: 200px; background: white; width: 390px; opacity: 0.8; margin-top: 0px; margin-left: 110px; border: outset; border-color: #79b8fc"><I>Sentiment reveals and obscures through self-indulgence and exaggeration. One view erases or blocks out another. Like with all stories, there is the potential for use and abuse.</I><br><br><I>We feature in the origin story the Netherlands tells itself about itself, not as a protagonist but as a subject of control. Control in the name of protection, strengthening coastlines and the construction of an intricate network of dams, dikes, canals, and drainage systems, keeping the water at bay. ... </I></div>
</center><div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.9; margin-top: 30px; margin-left: 450px"><p>[[File:New Project-10.png|800px]]</p></div>
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[[File:Screenshot 2021-12-07 at 14.33.09.png|290px]]</p></div>
</center><div style="height: 200px; background: white; width: 390px; opacity: 0.9; margin-top: 200px; margin-left: 10px;">[[File:Screenshot 2021-12-13 at 16.23.27.png|440px]]</p></div>
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==<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">Assessment2</p>==
</div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">Thesis <br>
<I>THE CURRENT : ON READING ROTTERDAM THROUGH HYDROCOMMONS</I><br><br>
<b>Research questions:</b>
How does the access, excess, and control of water reflect broader politics?


<div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.9; margin-top: -100px; margin-left: 20px">
And how can these politics be analysed and reimagined - drawing on water as a repository of knowledge?
[[File:New Project-10.png|800px]]</div>
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</div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">[https://stationdestroming.com Station de Stroming]<br><br>
<center></div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">[https://www.youtube.com/watch?v=5FpCx0UEaBI Everybody is a Rotterdammer: Welcome to Rotterdam]
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[[File:Screenshot 2022-06-12 at 12.18.40.png|centre|700px]]
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[[File:Zalmhaven.png|500px|centre]]
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[[File:175141577 478179243501693 8407169390894526077 n (1).jpg|500px|centre]]
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<div style="padding: 10px; height: 90px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)</I></div>
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<div style="padding: 10px; height: 110px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>The demolition of the Tweebobsuurt, like many urban restructuring projects, is a literal top-down, imperial way of building a world. The existing life and architecture is forcibly erased, evicted. Translated into blank slates, to be built upon in the name of modernist progress</I></div>
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Latest revision as of 20:06, 12 June 2022

Assessment1



Dear Navigator

Screenshot 2021-08-15 at 16.12.17.png

Screenshot 2021-12-13 at 09.30.13.png


Ce86f326a7698ff87f2682aad475ffd9.jpg



Palimpsest.jpg












"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)


Screenshot 2021-11-11 at 23.36.18-2-8.png


SIR(PRIZE).png

COLLAGE-1.png


























~

Deeptime.png

Screenshot 2021-12-13 at 12.21.41.png



Network of thought

"surrounded by screens we live a cinematic life" (Metahaven)


Prototyping

Example: Rotta: The Deluge and the Dutch origin myth

New Project-10.png

Screenshot 2021-12-07 at 14.33.09.png

Screenshot 2021-12-13 at 16.23.27.png





Assessment2

Thesis

THE CURRENT : ON READING ROTTERDAM THROUGH HYDROCOMMONS

Research questions: 

How does the access, excess, and control of water reflect broader politics? 

And how can these politics be analysed and reimagined - drawing on water as a repository of knowledge?










Station de Stroming

Everybody is a Rotterdammer: Welcome to Rotterdam



Screenshot 2022-06-12 at 12.18.40.png



Zalmhaven.png



175141577 478179243501693 8407169390894526077 n (1).jpg



"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)



The demolition of the Tweebobsuurt, like many urban restructuring projects, is a literal top-down, imperial way of building a world. The existing life and architecture is forcibly erased, evicted. Translated into blank slates, to be built upon in the name of modernist progress





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