User:Trashpuppy/A1: Difference between revisions
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<p>[[File:Screenshot 2021-08-15 at 16.12.17.png|350px|center]]</p></div><div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.93; margin-top: 60px; margin-left: 590px"><p>[[File:Screenshot 2021-12-13 at 09.30.13.png|100px|center]]</p></div><br> | <p>[[File:Screenshot 2021-08-15 at 16.12.17.png|350px|center]]</p></div><div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.93; margin-top: 60px; margin-left: 590px"><p>[[File:Screenshot 2021-12-13 at 09.30.13.png|100px|center]]</p></div><br> | ||
[[File:Ce86f326a7698ff87f2682aad475ffd9.jpg|350px|center]]</center> | [[File:Ce86f326a7698ff87f2682aad475ffd9.jpg|350px|center]]</center> | ||
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< | <div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.8; margin-top: 0px; margin-left: 120px"> | ||
<p>[[File:Palimpsest.jpg|280px]]</p></div><br><br><center> | |||
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<div style="padding: 10px; height: 90px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)</I></div> | |||
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<div style="padding: 10px; height: 90px; width: 390px; margin-top: 0px; margin-left: 180px"><p> | |||
[[File:Screenshot 2021-11-11 at 23.36.18-2-8.png|850px]]</p></div><br> | |||
<div style="padding: 10px; height: 90px; width: 390px; margin-top: 420px; margin-left: 180px"><p> | |||
[[File:SIR(PRIZE).png|850px]]</p></div> | |||
<div style="padding: 10px; height: 90px; width: 390px; margin-top: 470px; margin-left: 230px"><p> | |||
[[File:COLLAGE-1.png|750px]]</p></div> | |||
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<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">[[User:Trashpuppy/TO|~]]</p> | |||
<div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.9; margin-top: -100px; margin-left: 20px"> | |||
<p>[[File:Deeptime.png|350px|left]]</p></div>[[File:Screenshot 2021-12-13 at 12.21.41.png|350px]]<br><br> | |||
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<center></div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">[[User:Trashpuppy/GRAD|Network of thought]]<br><br> | |||
<div style="padding: 10px; height: 30px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 0px;"><I>"surrounded by screens we live a cinematic life" (Metahaven)</I></div><br><br> | |||
<center></div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">[[User:Trashpuppy/GRAD#RPi_selfhosting_set-up|Prototyping]] | |||
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<p>The | ===<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">Example: Rotta: The Deluge and the Dutch origin myth</p>=== | ||
</center><div style="position:absolute; padding: 10px; height: 114px; width: 242px; opacity: 0.9; margin-top: 30px; margin-left: 450px"><p>[[File:New Project-10.png|800px]]</p></div> | |||
<b></b></center><div style="height: 200px; background: white; width: 390px; opacity: 1; margin-top: 50px; margin-left: 80px;"> | |||
[[File:Screenshot 2021-12-07 at 14.33.09.png|290px]]</p></div> | |||
</center><div style="height: 200px; background: white; width: 390px; opacity: 0.9; margin-top: 200px; margin-left: 10px;">[[File:Screenshot 2021-12-13 at 16.23.27.png|440px]]</p></div> | |||
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==<p><p style="color:black; font-family: Alike Angular; font-size: 20pt; font-weight: bold;">Assessment2</p>== | |||
</div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">Thesis <br> | |||
<I>THE CURRENT : ON READING ROTTERDAM THROUGH HYDROCOMMONS</I><br><br> | |||
<b>Research questions:</b> | |||
How does the access, excess, and control of water reflect broader politics? | |||
And how can these politics be analysed and reimagined - drawing on water as a repository of knowledge? | |||
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< | </div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">[https://stationdestroming.com Station de Stroming]<br><br> | ||
<center></div><p style="color:black; font-family: Alike Angular; font-size: 18pt; font-weight: bold;">[https://www.youtube.com/watch?v=5FpCx0UEaBI Everybody is a Rotterdammer: Welcome to Rotterdam] | |||
< | <br><br> | ||
[[File:Screenshot 2022-06-12 at 12.18.40.png|centre|700px]] | |||
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[[File:Zalmhaven.png|500px|centre]] | |||
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[[File:175141577 478179243501693 8407169390894526077 n (1).jpg|500px|centre]] | |||
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<div style="padding: 10px; height: 90px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)</I></div> | |||
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<div style="padding: 10px; height: 110px; background: #ffff00; width: 390px; opacity: 0.8; margin-top: 20px;"><I>The demolition of the Tweebobsuurt, like many urban restructuring projects, is a literal top-down, imperial way of building a world. The existing life and architecture is forcibly erased, evicted. Translated into blank slates, to be built upon in the name of modernist progress</I></div> | |||
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Latest revision as of 20:06, 12 June 2022
Assessment1
"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)
"surrounded by screens we live a cinematic life" (Metahaven)
Example: Rotta: The Deluge and the Dutch origin myth
Assessment2
Thesis
THE CURRENT : ON READING ROTTERDAM THROUGH HYDROCOMMONS
Research questions:
How does the access, excess, and control of water reflect broader politics?
And how can these politics be analysed and reimagined - drawing on water as a repository of knowledge?
Everybody is a Rotterdammer: Welcome to Rotterdam
"histories are made by irreversible events; by mapping these events and remapping their politics, social structures can, perhaps, evolve to accommodate, both alternative pasts and radical futures." (Jaojoco 2020, p. 16)
The demolition of the Tweebobsuurt, like many urban restructuring projects, is a literal top-down, imperial way of building a world. The existing life and architecture is forcibly erased, evicted. Translated into blank slates, to be built upon in the name of modernist progress