User:Martin/Final presentation: Difference between revisions
Line 50: | Line 50: | ||
===November 2021=== | ===November 2021=== | ||
<br> | |||
* During the month of November, I started working with multiple sensors at the same time in order to map the position of an obstacle on a wider detection range. | |||
<br> | <br> | ||
[[File:ArduinoExtraDigitalPins.jpg|250px|thumb|left|ArduinoExtraDigitalPins]] | [[File:ArduinoExtraDigitalPins.jpg|250px|thumb|left|ArduinoExtraDigitalPins]] | ||
Line 60: | Line 61: | ||
[[File:PhysicalMapping3.png|250px|thumb|left|PhysicalMapping2]] | [[File:PhysicalMapping3.png|250px|thumb|left|PhysicalMapping2]] | ||
<br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br> | <br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br> | ||
===December 2021=== | ===December 2021=== | ||
(insert description) | (insert description) |
Revision as of 08:34, 11 June 2022
W.I.P
This page is under construction, please stand by and visit https://project.xpub.nl/Count-On-Me/or the graduation board
Thank you
Special Issues Contributions
Reading Practice
Best of readings
- Certeau, M., (1984). The practice of everyday life
- Crary, J., (2001). Suspensions of Perception: Attention, Spectacle, and Modern Culture
- Crawford, K., Lingel, J., Karppi, T., (2015). Our metrics, ourselves: A hundred years of self-tracking from the weight scale to the wrist wearable device
- Debord, G., (197). The Society of the Spectacle
- Foucault, M., (1982). Technologies of the Self. [online] Available at: https://www.foucault.info/documents/foucault.technologiesOfSelf.en/ [Accessed March 29 2022].
- Foucault, M., (1977). Discipline and Punish: The Birth of the Prison
- Fritsch, K., (2018). Towards an emancipatory understanding of widespread datafication [online] Available at: https://medium.com/ [Accessed March 11 2022].
- Kholeif, O., (2018). Goodbye, World! — Looking at Art in the Digital Age
- Morozov, E., (2019). Capitalism's New Clothes. The Baffler [e-journal] Available through: https://thebaffler.com [Accessed March 11 2022].
- Seymour, R., (2019). The Twittering Machine
- Wu, T., (2016). The Attention Merchants: The Epic Scramble to Get Inside Our Heads. Available at: https://www.theatlantic.com/magazine/archive/2018/10/yuval-noah-harari-technology-tyranny/568330/
- Zuboff, S., (2019). The age of surveillance capitalism
Prototyping Practice
October 2021
- In October 2021, I started using Arduino for the first time, during a workshop with Dennis de Bel. During a workshop, we started with a very basic unoficial arduino kit, a led, a motor, and a sensor. After making a few connections, we got to understand a bit how it works. It was from that point that I started getting more and more familiar with Arduino and work with ultrasonic sensors.
November 2021
- During the month of November, I started working with multiple sensors at the same time in order to map the position of an obstacle on a wider detection range.
December 2021
(insert description)
February 2022
(insert description)
March 2022
(insert description)
April 2022
(insert description)
May 2022
(insert description)
June 2002
(insert description)
Thesis: Hidden in plain sight
Hidden in plain sight:
Understanding our consent and distrust in the context of capitalist techno-surveillance
1 → Homo Data
(insert description)
2 → Addiction machines
(insert description)
3 → Self-empowerment
(insert description)
4 → Agree and continue?
(insert description)
Graduation Work: Count On Me
Count On Me
"Count On Me" is an interactive data collector that rewards your attention span and responsiveness in crypto-currency.
In order to maximize profits, you will need to accurately position yourself in the space and pay attention to the instructions. Each micro-task performed allows the visitor to get extra payouts and unlock different stages ranging from stock ticker interfaces, wellness applications, gambling games, captchas, streaming platforms, self-checkouts, eg. Once ready to leave, the visitor can convert its crypto-earnings into euros by refering to a randomly assigned conversion rate.