|
|
Line 15: |
Line 15: |
| <br> | | <br> |
| Grr, Kamo, Kimberley | | Grr, Kamo, Kimberley |
| === Let's see if it's working ===
| |
| ''A test from the special issue 18 page''
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| <br>
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| '''Nature of the input'''
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| <br>
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| demo
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| <br>
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| ''' Process Log'''
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| <br>
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| # First you write something
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| # Then you push submit
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| '''Who'''
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| <br>
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| kke ml
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| === this is a test ===
| |
| ''another test''
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| <br>
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| '''Nature of the input'''
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| <br>
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| test
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| <br>
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| ''' Process Log'''
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| <br>
| |
| # make a test
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| # test the test
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| '''Who'''
| |
| <br>
| |
| Tess
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| === this is a test ===
| |
| ''another test''
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| <br>
| |
| '''Nature of the input'''
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| <br>
| |
| test
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # make a test
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| # test the test
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| '''Who'''
| |
| <br>
| |
| Tess
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| === on thwee wikiii ===
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| ''a''
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| <br>
| |
| '''Nature of the input'''
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| <br>
| |
| e
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # d
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| # f
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| # d
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| '''Who'''
| |
| <br>
| |
| supi
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
|
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
|
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
|
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create a literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| Text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| Text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| Text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions ===
| |
| ''Create literal diffraction through the physicality of two printed texts''
| |
| <br>
| |
| '''Nature of the input'''
| |
| <br>
| |
| Text
| |
| <br>
| |
| ''' Process Log'''
| |
| <br>
| |
| # 1. Pick two texts that are visually similar or visually interesting from your point of view
| |
| # 2. Prepare two one-page-pdf to print on transparent paper (provided); size A4.
| |
|
| |
| # 3. if you want to decide the precise position of the overlapping of the two texts, open them in Photoshop and create two layers; change opacity; move them as you want; you need to horizontally flip JUST ONE of the two texts; then export them as separate files.
| |
|
| |
| # 4. Send the two files to the printer.
| |
|
| |
| # 5. Put the flipped print on the top of the non-flipped one; you can stick them together, put them on a window to see through; colour parts that you find interesting; react to your overlapped text: what can you see?
| |
| '''Who'''
| |
| <br>
| |
| Supi & Emm
| |
| === Overlaid Impressions === | | === Overlaid Impressions === |
| ''Create literal diffraction through the physicality of two printed texts'' | | ''Create literal diffraction through the physicality of two printed texts'' |