Tessel-project proposal: Difference between revisions

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I want to make a work consisting of a combination of stories by Dutch women named Tessel, visuals of glass engravings and audio of the poems and interviews. I want to make a video installation with multiple screens but it can also become a film in the end. In this project I want to explore my filming method (macro video’s) in combination with images of the woman I interview.  
I want to make a work consisting of a combination of stories by Dutch women named Tessel, visuals of glass engravings and audio of the poems and interviews. I want to make a video installation with multiple screens but it can also become a film in the end. In this project I want to explore my filming method (macro video’s) in combination with images of the woman I interview.  
<big>=== '''
<big>=== '''
How do you plan to make it?''' ===</big>
How do you plan to make it?''' ===</big>
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Besides working on the project I will keep doing some experiments with my style(also for my thesis). Experiments with the images I already have on multiple screens. But I also want to experiment with my filming method. I will look for abstract moving images to film, combined with more realistic images. Few weeks ago I did an experiment, see here a sketch: https://youtu.be/sP00VzRK8b4
Besides working on the project I will keep doing some experiments with my style(also for my thesis). Experiments with the images I already have on multiple screens. But I also want to experiment with my filming method. I will look for abstract moving images to film, combined with more realistic images. Few weeks ago I did an experiment, see here a sketch: https://youtu.be/sP00VzRK8b4
My method here consists of going to a place (visiting the AZC), shoot small video’s of details in the room and tape a conversation with the person (refugee Samson) in that place.  
My method here consists of going to a place (visiting the AZC), shoot small video’s of details in the room and tape a conversation with the person (refugee Samson) in that place.  
   
 
'''What is your timetable?'''
  === <big>
'''What is your timetable?'''</big> ===
 
I will use November to research the topic and think about what the work is about. In November and December I also want to do some experiments with imagemaking, also for my thesis. In January I will reach out to Tessels and make appointment for shooting. February and March I will collect the images and do the interviews. In April 2022 I will start editing the collected images. Mix and remix the images. Explore how it works when I put the images on multiple screens. I will also start editing the sound of the interviews and try to work on the sound(scape).  
I will use November to research the topic and think about what the work is about. In November and December I also want to do some experiments with imagemaking, also for my thesis. In January I will reach out to Tessels and make appointment for shooting. February and March I will collect the images and do the interviews. In April 2022 I will start editing the collected images. Mix and remix the images. Explore how it works when I put the images on multiple screens. I will also start editing the sound of the interviews and try to work on the sound(scape).  
'''
 
Why do you want to make it?'''
<big>=== '''
Why do you want to make it?''' ===</big>
 
If there is one topic that is close to me, it is this topic. The last months I discovered that life became more social again because I had to explain my name more often to people. I did not do that for a year. I myself was named after Dutch journalist Tessel Blok but as a female artist I feel connected to Tesselschade Roemer-Visscher. In 1994 I was invited to celebrate Tesselschade’s 100th birthday at the Muiderslot. Together with 100 other Tessel’s we explored Tesselschade’s life at the castle.
If there is one topic that is close to me, it is this topic. The last months I discovered that life became more social again because I had to explain my name more often to people. I did not do that for a year. I myself was named after Dutch journalist Tessel Blok but as a female artist I feel connected to Tesselschade Roemer-Visscher. In 1994 I was invited to celebrate Tesselschade’s 100th birthday at the Muiderslot. Together with 100 other Tessel’s we explored Tesselschade’s life at the castle.
I admire this woman for her personal courage, her wayward way of life and her talent in many fields. She was a good singer, musician (luit, violin, klavecimbel), poet and had a good way to express herself in words. As a woman she was way ahead of her time.  
I admire this woman for her personal courage, her wayward way of life and her talent in many fields. She was a good singer, musician (luit, violin, klavecimbel), poet and had a good way to express herself in words. As a woman she was way ahead of her time.  
Her moto was’ Elck sijn waerom” which means freely translated ‘This is how I interact with friends’.  
Her moto was’ Elck sijn waerom” which means freely translated ‘This is how I interact with friends’.  


'''Who can help you and how?'''
<big>==='''Who can help you and how?'''===</big>
 
I hope to find somebody who makes glass engravings and who is willing to make a works especially for me and my camera. I also want to find somebody who is a master in calligraphy (the art of writing, something Tesselschade did while she stayed at the Muiderslot).  
I hope to find somebody who makes glass engravings and who is willing to make a works especially for me and my camera. I also want to find somebody who is a master in calligraphy (the art of writing, something Tesselschade did while she stayed at the Muiderslot).  
I need somebody to help me with good quality audio. On November 19th a friend and former colleague (Ton Henkens) will look at my recording materials and we will check how I can improve my sound recordings. Besides that, I also want to work in the editing process with an audio technician (Laurens Palsgraaf) and a muscician (Tom Swart). Maybe I should look at female technicians and musicians for the project.  
I need somebody to help me with good quality audio. On November 19th a friend and former colleague (Ton Henkens) will look at my recording materials and we will check how I can improve my sound recordings. Besides that, I also want to work in the editing process with an audio technician (Laurens Palsgraaf) and a muscician (Tom Swart). Maybe I should look at female technicians and musicians for the project.  


'''Relation to previous practice'''
<big>==='''Relation to previous practice'''===</big>
 
Most of my previous practice is documentary filmmaking and video art. Both genres will come together in this project. I want to make a combination of real stories by woman, poetry by Tesselschade, images of glass engravings and sound. I tried to explore this way of working already a little bit with the clips I made with refugees, especially because I was not allowed to film their faces. The challenge is to look for images that complement the stories and express the emotions from the stories.  
Most of my previous practice is documentary filmmaking and video art. Both genres will come together in this project. I want to make a combination of real stories by woman, poetry by Tesselschade, images of glass engravings and sound. I tried to explore this way of working already a little bit with the clips I made with refugees, especially because I was not allowed to film their faces. The challenge is to look for images that complement the stories and express the emotions from the stories.  
'''
 
Relation to a larger context'''
<big>==='''
Relation to a larger context'''===</big>
 
In this project I can work on telling a story that is close to me and explore my working method. I think that this project can really help me find my own voice and empower me and other women (and men). At the end we are all humans with the same insecurities, problems and guilty pleasures as everybody in the past, the now and the future.
In this project I can work on telling a story that is close to me and explore my working method. I think that this project can really help me find my own voice and empower me and other women (and men). At the end we are all humans with the same insecurities, problems and guilty pleasures as everybody in the past, the now and the future.
'''


References/bibliography'''
<big>==='''
References/bibliography'''===</big>
 
Morley, S., The simple truth: The Monochrome in Modern Art, Reaktion Books, 2020
Morley, S., The simple truth: The Monochrome in Modern Art, Reaktion Books, 2020
Rieser, M. & Zapp, A., New media cinema/art/narrative, Palgrave Macmillan, 2002
Rieser, M. & Zapp, A., New media cinema/art/narrative, Palgrave Macmillan, 2002

Revision as of 23:20, 8 November 2021

PROJECT PROPOSAL 08-11-2021

TESSEL LOSS A video work about being a woman in the contemporary time.

=== What do you want to make? ===

I want to make a work around the Dutch female poet Maria Tesselschade Roemer-Visscher. She was also a singer and glassengraver in the 17th century. She was unique at that time because she dwelt at the Muiderslot with famous poets Vondel, Bredero, Constatijn Huygens and PC Hooft. Her father was a fisherman and in the night he discovered that his wife was pregnant he had a great loss of one of his fisherboats near the Island Texel. He decided to name his daughter Tesselschade (Tessel Loss).

I want to make a work consisting of a combination of stories by Dutch women named Tessel, visuals of glass engravings and audio of the poems and interviews. I want to make a video installation with multiple screens but it can also become a film in the end. In this project I want to explore my filming method (macro video’s) in combination with images of the woman I interview.

=== How do you plan to make it? ===

I have this idea for a month now and decided this week to carry through with this idea. I will start by researching the person, life and poems of Maria Tesselschade. I also want to visit a glass engraver and make images of the process. I have already started to collect Tessel’s. I will make a potential list of women I want to interview and start working on a list of questions. I need to explore what I want to talk about with them and what the work addresses. I will interview and film the woman, maybe in a studio setting. Besides working on the project I will keep doing some experiments with my style(also for my thesis). Experiments with the images I already have on multiple screens. But I also want to experiment with my filming method. I will look for abstract moving images to film, combined with more realistic images. Few weeks ago I did an experiment, see here a sketch: https://youtu.be/sP00VzRK8b4 My method here consists of going to a place (visiting the AZC), shoot small video’s of details in the room and tape a conversation with the person (refugee Samson) in that place. 

===

What is your timetable? ===

I will use November to research the topic and think about what the work is about. In November and December I also want to do some experiments with imagemaking, also for my thesis. In January I will reach out to Tessels and make appointment for shooting. February and March I will collect the images and do the interviews. In April 2022 I will start editing the collected images. Mix and remix the images. Explore how it works when I put the images on multiple screens. I will also start editing the sound of the interviews and try to work on the sound(scape).

=== Why do you want to make it? ===

If there is one topic that is close to me, it is this topic. The last months I discovered that life became more social again because I had to explain my name more often to people. I did not do that for a year. I myself was named after Dutch journalist Tessel Blok but as a female artist I feel connected to Tesselschade Roemer-Visscher. In 1994 I was invited to celebrate Tesselschade’s 100th birthday at the Muiderslot. Together with 100 other Tessel’s we explored Tesselschade’s life at the castle. I admire this woman for her personal courage, her wayward way of life and her talent in many fields. She was a good singer, musician (luit, violin, klavecimbel), poet and had a good way to express herself in words. As a woman she was way ahead of her time. Her moto was’ Elck sijn waerom” which means freely translated ‘This is how I interact with friends’.

===Who can help you and how?===

I hope to find somebody who makes glass engravings and who is willing to make a works especially for me and my camera. I also want to find somebody who is a master in calligraphy (the art of writing, something Tesselschade did while she stayed at the Muiderslot). I need somebody to help me with good quality audio. On November 19th a friend and former colleague (Ton Henkens) will look at my recording materials and we will check how I can improve my sound recordings. Besides that, I also want to work in the editing process with an audio technician (Laurens Palsgraaf) and a muscician (Tom Swart). Maybe I should look at female technicians and musicians for the project.

===Relation to previous practice===

Most of my previous practice is documentary filmmaking and video art. Both genres will come together in this project. I want to make a combination of real stories by woman, poetry by Tesselschade, images of glass engravings and sound. I tried to explore this way of working already a little bit with the clips I made with refugees, especially because I was not allowed to film their faces. The challenge is to look for images that complement the stories and express the emotions from the stories.

=== Relation to a larger context===

In this project I can work on telling a story that is close to me and explore my working method. I think that this project can really help me find my own voice and empower me and other women (and men). At the end we are all humans with the same insecurities, problems and guilty pleasures as everybody in the past, the now and the future. 

===

References/bibliography===

Morley, S., The simple truth: The Monochrome in Modern Art, Reaktion Books, 2020 Rieser, M. & Zapp, A., New media cinema/art/narrative, Palgrave Macmillan, 2002

Websites on Tesselschade: https://nl.wikipedia.org/wiki/Tessel_(voornaam) https://nl.wikipedia.org/wiki/Maria_Tesselschade_Roemers_Visscher https://www.literatuurgeschiedenis.org/schrijvers/maria-tesselschade-roemersdochter-visscher https://www.dbnl.org/auteurs/auteur.php?id=viss002 https://tesselschade.nl/ Docu Het muiltje van Maria Tesselschade: https://www.youtube.com/watch?v=6j5ZGthakw8

Books on Tesselschade: Een onwaerdeerlycke vrouw. Brieven en verzen van en aan Maria Tesselschade Maria Tesselschade Roemer Visschersdr – 1918 (1ste druk) Smits-Veldt, M.B., Maria Tesselschade: Leven met talent en vriendschap, Walburg Pers, 1994

Websites on glass engraving: https://www.youtube.com/watch?v=fDWXjAnawcQ https://www.youtube.com/watch?v=H6R-RH_essQ


Extra https://www.vprogids.nl/2021/45/inhoud/artikelen/p25-Eva-met-Eva-s-vergelijken.html

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